Truthful Pictures

Truthful Pictures PDF

Author: Diane N. Capitani

Publisher: Lexington Books

Published: 2009

Total Pages: 164

ISBN-13: 9780739112328

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Truthful Pictures examines novels and sermons written in the antebellum South, in particular those written after the 1851 publication of Uncle Tom's Cabin. It begins with a historical overview of the function of women writers in American literature in order to help locate sentimental fiction within its historical context by analyzing the works of Southern female authors such as Caroline Hentz and Mary H. Eastman. Though they followed in Harriet Beecher Stowe's footsteps, authors like Hentz and Eastman used their voices in conjunction with Christian ideology to support slavery. The text then explores how Holy Scripture was perverted in Southern sermons by pulpit leaders such as Thorton Stringfellow and Alexander McCaine in order to allow the continued enslavement of one group by another, using religion to defend white partriarchy as the normal human way of life. By examining antebellum sermons and writings and their influence on sentimental novels, Truthful Pictures shows how religious texts reinforced political ideologies in the wake of increasing racial tensions between the North and the South. Book jacket.

The True Picture

The True Picture PDF

Author: Alison Habens

Publisher:

Published: 2020-04-12

Total Pages: 254

ISBN-13: 9781913001025

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First Century Tyre. A young woman abandons her thriving dye-selling business to follow a charismatic healer to Jerusalem. Robbed, beaten, lost and found, Veronica bears unique witness to Christ's tumultuous final in Jerusalem. Raucous, moving, sacred and profane, The True Picture is a rich work of sensory and spiritual delight.

Are Photographs Truthful? Whence Veracity?

Are Photographs Truthful? Whence Veracity? PDF

Author: Michael Shapter

Publisher: Cambridge Scholars Publishing

Published: 2018-10-09

Total Pages: 234

ISBN-13: 1527518302

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For decades, people have made certain assumptions about photographs, the primary one being that they are truthful in depicting reality. While this is true in many cases, it is not always so. This book traces the rise of photography’s perceived veracity. It shows why a combination of pre-knowledge of early developments in imagery, a persistent marketing campaign espousing the accuracy of photographs and a perception by users that what they got from their photographs was an accurate depiction acted to create the belief in the photograph’s veracity. The book uses philosophy, physiology, psychology and photography to tell this story and concludes by describing a system of identification that could be used to separate images that are not always what they seem. The turbulence caused to photography with the introduction of digital imaging is described and is the impetus for the beginning of the discussion about where photography sits today amongst other images.

Why Are Our Pictures Puzzles?

Why Are Our Pictures Puzzles? PDF

Author: James Elkins

Publisher: Routledge

Published: 2004-11-23

Total Pages: 281

ISBN-13: 1135963576

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With bracing clarity, James Elkins explores why images are taken to be more intricate and hard to describe in the twentieth century than they had been in any previous century. Why Are Our Pictures Puzzles? uses three models to understand the kinds of complex meaning that pictures are thought to possess: the affinity between the meanings of paintings and jigsaw-puzzles; the contemporary interest in ambiguity and 'levels of meaning'; and the penchant many have to interpret pictures by finding images hidden within them. Elkins explores a wide variety of examples, from the figures hidden in Renaissance paintings to Salvador Dali's paranoiac meditations on Millet's Angelus, from Persian miniature paintings to jigsaw-puzzles. He also examines some of the most vexed works in history, including Watteau's "meaningless" paintings, Michelangelo's Sistine Ceiling, and Leonardo's Last Supper.

Germany 1945

Germany 1945 PDF

Author: Dagmar Barnouw

Publisher: Indiana University Press

Published: 2008-08-28

Total Pages: 277

ISBN-13: 0253028426

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“Packed with carefully chosen photos . . . this book is a moving reminder of the material and moral devastation left behind by Nazi Germany.” ―Rudy Koshar, University of Wisconsin–Madison The Allied forces that entered Germany at the close of World War II were looking for remorse and open admissions of guilt from the Germans. Instead, they saw arrogance, servility, and a population thoroughly brainwashed by Nazis. But photos from the period tell a more complex story. In fact, Dagmar Barnouw argues that postwar Allied and German photography holds many possible clues for understanding the recent German past. A significant addition to the scholarship on postwar German culture and political identity, this book makes an important contribution to the current discussion of German memory. “Provocative, brilliant, and unsettling.” —Washington Times “[Barnouw’s] thoughtful analysis of a large assortment of photographs . . . allows Barnouw to look at how and not just what people saw, and to bring that perspective into conversation with the historical debates about the war’s end in Germany.” —Journal of Contemporary History) “[Barnouw’s] work shows that perspective plays a key role both in photography and in trying to master Germany’s past. [F]ascinating.” —Library Journal

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