Author: Barbara Ozieblo
Publisher: Routledge
Published: 2008-03-03
Total Pages: 241
ISBN-13: 1134136757
DOWNLOAD EBOOK →This is the first book to deal with Glaspell and Treadwell’s plays from a theatrical perspective, and presents a comprehensive overview, from lesser known plays to seminal productions of Trifles and Machinal.
Author: Frederick Winthrop Faxon
Publisher:
Published: 1927
Total Pages: 350
ISBN-13:
DOWNLOAD EBOOK →Issues for 1912-16, 1919- accompanied by an appendix: The Dramatic books and plays (in English) (title varies slightly) This bibliography was incorporated into the main list in 1917-18.
Author: Boston Public Library
Publisher:
Published: 1928
Total Pages: 902
ISBN-13:
DOWNLOAD EBOOK →Issues consist of lists of new books added to the library ; also articles about aspects of printing and publishing history, and about exhibitions held in the library, and important acquisitions.
Author: Linda Ben-Zvi
Publisher: University of Michigan Press
Published: 2002
Total Pages: 372
ISBN-13: 9780472084388
DOWNLOAD EBOOK →The first book-length critical assessment of American playwright and fiction writer Susan Glaspell
Author: Laurie Champion
Publisher: Bloomsbury Publishing USA
Published: 2000-09-30
Total Pages: 422
ISBN-13: 0313032556
DOWNLOAD EBOOK →Women writers have been traditionally excluded from literary canons and not until recently have scholars begun to rediscover or discover for the first time neglected women writers and their works. This reference includes alphabetically arranged entries on 58 American women authors who wrote between 1900 and 1945. Each entry is written by an expert contributor and discusses a particular author's biography, her major works and themes, and the critical response to her writings. The entries close with extensive primary and secondary bibliographies, and the volume concludes with a list of works for further reading. The period surveyed by this reference is rich and diverse. Modernism and the Harlem Renaissance, two major artistic movements, occurred between 1900 and 1945, and the entries included here demonstrate the significant contributions women made to these movements. The volume as a whole strives to reflect the diversity of American culture and includes entries for African American, Native American, Mexican American, and Chinese American women. It includes well known writers such as Willa Cather and Eudora Welty, along with more neglected ones such as Anita Scott Coleman and Sui Sin Far.
Author: Susanne Auflitsch
Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
Published: 2006
Total Pages: 396
ISBN-13:
DOWNLOAD EBOOK →During the first half of the 20th century approximately 10,000 short plays were written in the United States. This book examines twenty one-act plays by authors such as Mary Shaw, Susan Glaspell, and Charlotte Perkins Gilman, who wrote from such diverse backgrounds as women's clubs, art theaters, or commercial theaters. This study argues that the plays share a structural organization along spatial dichotomies of theatrical space within and theatrical space without. While some writers use the underlying structure of separate spheres and organize place and space in order to promote a broader definition of «domesticity», the spatial configurations in other plays are read as appropriations, affirmations, negotiations, subversions, or transgressions of the separate spheres dichotomy. Substantial bibliographies documenting the productivity of the one-act genre supplement this study.
Author: Nira Tessler
Publisher: Cambridge Scholars Publishing
Published: 2015-11-25
Total Pages: 289
ISBN-13: 1443886238
DOWNLOAD EBOOK →This book explores the meaning and symbolism of the flower motif in the art of women artists, from the nineteenth century to the present day. It begins with a discussion of the symbolic significance of the flower in canonical texts such as the Song of Songs, in which the female lover is likened to a “lily among the thorns,” and to an “enclosed garden.” These allegorical images permeated into Christian iconography, attaining various expressions in the plastic arts from the twelfth through nineteenth centuries. The heart of the book is a discussion of the meaning of the change in representations of the flower, and at the same time the appearance of amazing images of “masculine” skyscrapers, in the works of avant-garde American women artists during the 1920s and 30s, in three hubs of Modernist art: New York, California, and Mexico. Tessler explains how modernist artists of various fields of art – such as Glaspell, Stettheimer, O’Keeffe, Pelton, Cunningham, Mather, Modotti and Kahlo – were aware of the religious symbolism of the flower in Judaism and Christianity, and turned it into an emblem of the new modern woman with her own views of the world. Flowers and Towers concludes by presenting the works of contemporary feminist American artists such as Chicago and Schapiro, who pay tribute to those same Modernist artists by creating a new and daring image of the flower and using “feminine” materials and techniques that link them, as it were, to their spiritual mothers.