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Transnationalism, Activism, Art

Author: Kit Dobson

Publisher: University of Toronto Press

Published: 2013-01-01

Total Pages: 251

ISBN-13: 1442643196

Banksy is known worldwide for his politically subversive works of art, but he is far from the only artist whose creations are infused with internationally relevant, activist themes. How else can the arts help activate citizen participation in social justice movements? Moreover, what is the role of culture in a globalizing world? Transnationalism, Activism, Art goes beyond Banksy by investigating how the three complementary political, social, and cultural phenomena listed in the title interact in the twenty-first century. Renowned and emerging critics use current theory on cultural production and politics to illuminate case studies of various media, including film, literature, visual art, and performance, in their multiple manifestations, from electronic dance music to Wikileaks to bestselling poetry collections. By addressing how these artistic media are used to enact citizen participation in social justice movements, the volume makes important connections between such participation and scholarly study of globalization and transnationalism.

The New Transnational Activism

Author: Sidney Tarrow

Publisher: Cambridge University Press

Published: 2005-08

Total Pages: 288

ISBN-13: 9780521851305

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This 2005 book argues that individuals move into transnational activism which links domestic to international politics.

Transnational Belonging and Female Agency in the Arts

Author: Basia Sliwinska

Publisher: Bloomsbury Publishing USA

Published: 2022-10-20

Total Pages: 313

ISBN-13: 150135874X

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Transnational Belonging and Female Agency in the Arts interrogates the politics of space expressed via womxn's artistic practices, which prioritise solidarity and collaboration across borders, imagining attentive geographies of difference. It considers belonging as a manifestation of processes of becoming that traverse borders and generate new spaces and forms of difference. In doing so, the book aims to catalyse mutual social relations founded upon responsibility and response-ability to each other. The transnational framework activates concerns around belonging at a time of intensified divisions, partitioning global narratives, unequal trajectories and increasing violence against bodies of the most vulnerable, largely founded on Eurocentric paradigms of political, economic and cultural superiority. The contributors engage in a conversation signalling transversal thinking and artmaking in order to articulate and activate 'in-between' spaces. This is to welcome co-affective models of belonging that question versatile embodiments of subjectivity as both agentic and as interrelational. Organised around the triangulation of modes of belonging: spatial, affective and collective, overarched by a transnational lens that acknowledges non-hierarchical, local and socially relevant genealogies against universalising politics of globalisation, these essays consider afresh ways in which female agency disrupts borders and activates concerns around different forms of belonging, citizenship and transnationalisms. Cover Image credit: Keren Anavy, Garden of Living Images (2018), general installation view (detail). Courtesy of the artist and Wave Hill. Photographer: Stefan Hagen

Art, Parody and Politics

Author: Adérónké Adésolá Adésànyà

Publisher: Africa Research and Publications

Published: 2014

Total Pages: 0

ISBN-13: 9781592219179

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This pioneer book focuses on the work of dele jegede, one of the leading Nigerian artists in the last three decades, to reflect on the connections between images and the nation state, the linkages between art and humanity, and the understanding of society through means different from oral and written texts. Various chapters written by prominent art historians, based on the analysis of jegede?s cartoons, drawings, and paintings, reflect extensively on how he has defined and imagined a postcolonial state, in its nakedness and hope, but gesturing towards change and a utopian moment. The book draws on the individual experiences of scholars and professional artists in Nigeria and the Diaspora to paint a complex, multi-dimensional portrait of jegede, one that puts in context his work as a scholar, painter, curator, critic, cartoonist, and administrator. In dreaming of the ideal, jegede?s creative cadence detours from the sheer pursuit of beauty and celebrates a conscious engagement with social realism and political visual expressions. In ways never clearly explained before now, jegede?s artistry, seen in slow motion as offered here, is inevitably tied to activism, a nationalistic credo, and the elevation of the spirits of humankind.

Transnational Perspectives on Feminism and Art, 1960-1985

Author: Jen Kennedy

Publisher: Routledge

Published: 2021-04-28

Total Pages: 244

ISBN-13: 1000380939

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Transnational Perspecives on Feminism and Art, 1960–1985 is a collection of essential essays that bring transnational feminist praxis into conversation with histories of feminist art in the 1960s, 1970s, and early 1980s. The artistic practices and processes examined within these pages all centre on gender and sexual politics as they variously intersect with race, class, sovereignty, Indigeneity, citizenship, and migration at particular historical moments and within specific geopolitical contexts. The book’s central premise is that reconsidering this period from transnational feminist perspectives will enable new thinking about the critical commonalities and differences across heterogeneous and geographically dispersed practices that have contributed to the complex and multifaceted relationship between feminism and art today. The book will be of interest to scholars working in art history, cultural studies, visual culture, material culture, and gender studies.

The Routledge Companion to Art and Activism in the Twenty-First Century

Author: Lesley Shipley

Publisher: Taylor & Francis

Published: 2022-12-30

Total Pages: 483

ISBN-13: 100080237X

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The Routledge Companion to Art and Activism in the Twenty-First Century brings together a wide range of geographical, cultural, historical, and conceptual perspectives in a single volume of new essays that facilitate a deeper understanding of the field of art activism as it stands today and as it looks towards the future. The book is a resource for multiple fields, including art activism, socially engaged art, and contemporary art, that represent the depth and breadth of contemporary activist art worldwide. Contributors highlight predominant lines of inquiry, uncover challenges faced by scholars and practitioners of activist art, and facilitate dialogue that might lead to new directions for research and practice. The editors hope that the volume will incite further conversation and collaboration among the various participants, practitioners, and researchers concerned with the relationship between art and activism. The audience includes scholars and professors of modern and contemporary art, students in both graduate and upper-level undergraduate programs, as well as artists, curators, and museum professionals. Each chapter can stand on its own, making the companion a flexible resource for students and educators working in art history, museum studies, community practice/socially engaged art, political science, sociology, and ethnic and cultural studies.

The Art of Solidarity

Author: Jessica Stites Mor

Publisher: University of Texas Press

Published: 2018-10-17

Total Pages: 310

ISBN-13: 1477316426

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The Cold War claimed many lives and inflicted tremendous psychological pain throughout the Americas. The extreme polarization that resulted from pitting capitalism against communism held most of the creative and productive energy of the twentieth century captive. Many artists responded to Cold War struggles by engaging in activist art practice, using creative expression to mobilize social change. The Art of Solidarity examines how these creative practices in the arts and culture contributed to transnational solidarity campaigns that connected people across the Americas from the early twentieth century through the Cold War and its immediate aftermath. This collection of original essays is divided into four chronological sections: cultural and artistic production in the pre–Cold War era that set the stage for transnational solidarity organizing; early artistic responses to the rise of Cold War polarization and state repression; the centrality of cultural and artistic production in social movements of solidarity; and solidarity activism beyond movements. Essay topics range widely across regions and social groups, from the work of lesbian activists in Mexico City in the late 1970s and 1980s, to the exchanges and transmissions of folk-music practices from Cuba to the United States, to the uses of Chilean arpilleras to oppose and protest the military dictatorship. While previous studies have focused on politically engaged artists or examined how artist communities have created solidarity movements, this book is one of the first to merge both perspectives.

Transnational Women's Activism

Author: Rumi Yasutake

Publisher: NYU Press

Published: 2004-08

Total Pages: 206

ISBN-13: 9780814797037

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Following landmark trade agreements between Japan and the United States in the 1850s, Tokyo began importing a unique American commodity: Western social activism. As Japan sought to secure its future as a commercial power and American women pursued avenues of political expression, Protestant church-women and, later, members of the Women's Christian Temperance Union (WCTU) traveled to the Asian coast to promote Christian teachings and women's social activism. Rumi Yasutake reveals in Transnational Women's Activism that the resulting American, Japanese, and first generation Japanese-American women's movements came to affect more than alcohol or even religion. While the WCTU employed the language of evangelism and Victorian family values, its members were tactfully expedient in accommodating their traditional causes to suffrage and other feminist goals, in addition to the various political currents flowing through Japan and the United States at the turn of the nineteenth century. Exploring such issues as gender struggles in the American Protestant church and bourgeois Japanese women's attitudes towards the "pleasure class" of geishas and prostitutes, Yasutake illuminates the motivations and experiences of American missionaries, U.S. WCTU workers, and their Japanese protégés. The diverse machinations of WCTU activism offer a compelling lesson in the complexities of cultural imperialism.