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Towards a Romantic Conception of Nature

Author: H. R. Rookmaaker

Publisher: John Benjamins Publishing

Published: 1984-01-01

Total Pages: 225

ISBN-13: 9027222053

This study describes in detail the development of Coleridge's attitude to nature as it is reflected in his poetry. It analyses the different stages of Coleridge's search for a meaningful relation to nature from an uncritical adoption of the eighteenth century conventions in his early poetry to a projectionist view in his poems of 1802. It offers challenging new readings of some of Coleridge's major poems like 'The Ancient Mariner' and 'Dejection: an Ode', and tries to rehabilitate some minor ones, like 'The Picture'. Attention is also paid to his relation with Wordsworth. It discusses in detail the philosophical background of Coleridge's views and considers the contribution of German thought to his development. As a whole this study affords a new insight into the genesis of romanticism in England.

Towards a Romantic Conception of Nature: Coleridge's Poetry up to 1803

Author: H.R. Rookmaaker

Publisher: John Benjamins Publishing

Published: 1984-01-01

Total Pages: 226

ISBN-13: 9027279896

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This study describes in detail the development of Coleridge’s attitude to nature as it is reflected in his poetry. It analyses the different stages of Coleridge’s search for a meaningful relation to nature from an uncritical adoption of the eighteenth century conventions in his early poetry to a projectionist view in his poems of 1802. It offers challenging new readings of some of Coleridge’s major poems like ‘The Ancient Mariner’ and ‘Dejection: an Ode’, and tries to rehabilitate some minor ones, like ‘The Picture’. Attention is also paid to his relation with Wordsworth. It discusses in detail the philosophical background of Coleridge’s views and considers the contribution of German thought to his development. As a whole this study affords a new insight into the genesis of romanticism in England.

Yeats, Coleridge and the Romantic Sage

Author: M. Gibson

Publisher: Springer

Published: 2000-07-05

Total Pages: 224

ISBN-13: 0230286496

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This work explores an aspect of Yeats's writing largely ignored until now: namely, his wide-ranging absorption in S.T. Coleridge. Gibson explores the consistent and densely woven allusions to Coleridge in Yeats's prose and poetry, often in conjunction with other Romantic figures, arguing that the earlier poet provided him with both a model of philosopher - 'the sage' - and an interpretation of metaphysical ideas which were to have a resounding effect on his later poetry, and upon his rewriting of A Vision.

British Romanticism in Asia

Author: Alex Watson

Publisher: Springer

Published: 2019-02-15

Total Pages: 414

ISBN-13: 9811330018

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This book examines the reception of British Romanticism in India and East Asia (including China, Japan, Korea and Taiwan). Building on recent scholarship on “Global Romanticism”, it develops a reciprocal, cross-cultural model of scholarship, in which “Asian Romanticism” is recognized as itself an important part of the Romantic literary tradition. It explores the connections between canonical British Romantic authors (including Austen, Blake, Byron, Shelley, and Wordsworth) and prominent Asian writers (including Natsume Sōseki, Rabindranath Tagore, and Xu Zhimo). The essays also challenge Eurocentric assumptions about reception and periodization, exploring how, since the early nineteenth century, British Romanticism has been creatively adapted and transformed by Asian writers.

Coleridge's Political Poetics

Author: Jacob Lloyd

Publisher: Springer Nature

Published: 2024-01-19

Total Pages: 292

ISBN-13: 3031418778

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This book considers Samuel Taylor Coleridge’s engagement with ‘Whig poetry’: a tradition of verse from the eighteenth century which celebrated the political and constitutional arrangements of Britain as guaranteeing liberty. It argues that, during the 1790s, Coleridge was able to articulate radical ideas under the cover of widely accepted principles through his references to this poetry. He positioned his poetry within a mainstream discourse, even as he favoured radical social change. Jacob Lloyd argues that the poets Mark Akenside, William Lisle Bowles, and William Cowper each provided Coleridge with a kind of Whig poetics to which he responded. When these references are understood, much of Coleridge’s work which seems purely personal or imaginative gains a political dimension. In addition, Lloyd reassess Coleridge’s relationship with Thomas Percy’s Reliques of Ancient English Poetry, to provide an original, political reading of ‘The Rime of the Ancyent Marinere’. This book revises our understanding of the political and poetic development of a major poet and, in doing so, provides a new model for the origins of British Romanticism more broadly

Romantic Writing and Pedestrian Travel

Author: R. Jarvis

Publisher: Springer

Published: 1997-08-04

Total Pages: 246

ISBN-13: 0230371361

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Romantic Writing and Pedestrian Travel is an exploration of the relationship between walking and writing. Robin Jarvis here reconstructs the scene of walking, both in Britain and on the Continent, in the 1790s, and analyses the mentality and motives of the early pedestrian traveller. He then discusses the impact of this cultural revolution on the creativity of major Romantic writers, focusing especially on William and Dorothy Wordsworth, Coleridge, Clare, Keats, Hazlitt and Hunt. In readings which engage current debates around literature and travel, landscape aesthetics, ecocriticism, the poetics of gender, and the materiality of Romantic discourse, Jarvis demonstrates how walking became not only a powerful means of self-enfranchisement but also the focus of restless textual energies.

Coleridge's Dejection Ode

Author: J.C.C. Mays

Publisher: Springer

Published: 2019-01-22

Total Pages: 281

ISBN-13: 303004131X

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Coleridge's Dejection Ode completes J.C.C. Mays’ analysis of Coleridge’s poetry, following Coleridge’s Ancient Mariner (Palgrave 2016) and Coleridge’s Experimental Poetics (Palgrave 2013). "Dejection: An Ode" stands alone in Coleridge's oeuvre: written at a time of personal crisis, it reaches far back and deeply into his thinking in an attempt to find a poematic solution to ideas and problems he had mulled over for a long time. Mays reveals how the poem also marks the opening of the second half of Coleridge's career as both poet and thinker. In three central chapters Mays examines the new style that evolved in the process of writing the Ode: the technical means of metrics, rhyme and grammar; language and allusion; and symbol and structure. He recounts the complex, sometimes controversial critical history of the Ode, and suggests an editorial solution to the problem created by the Letter to Sara Hutchinson; re-evaluates the position of Wordsworth in the poem apropos the political statement it makes; clarifies the distinction between the views on Imagination expressed and those contained in Biographia Literaria; and traces the links of the concept "dejection" as it underpins Coleridge's late poems.

Christianity and Western Literature

Author: Ambrose Mong

Publisher: BoD – Books on Demand

Published: 2023-01-01

Total Pages: 182

ISBN-13: 0227179412

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Some of the greatest works of Western literature have been inspired or influenced by powerful Christian themes. In this fresh evaluation of this relationship and its development over the last two millennia, Ambrose Mong studies a series of authors representative of the changing epochs. Augustine, Dante and Milton all wrote to serve the needs of the Christian community, and combine their religious themes with scholarly excellence. Meanwhile Shakespeare’s plays and Coleridge’s The Rime of the Ancient Mariner, though not specific to the Christian faith, nevertheless betray the dominant Christian values and imagery of their time. Finally, in Dostoevsky’s The Brothers Karamazov and Greene’s The Power and the Glory, Christianity is put under scrutiny, reflecting the increasing insecurity of its place in society. Throughout, Mong also shows that the themes in these works are to a certain extent universal. Creation, sin, suffering and forgiveness are perennial human concerns, beyond the exclusive purview of Christianity, and these texts serve to challenge Christian assumptions as much as they are influenced by them. Always thorough and sensitive to the unique context of each writer, Mong’s analysis provides an important grounding in the way Western literature has shaped and been shaped by the religion of its day.

The Psychology and Sociology of Literature

Author: Dick Schram

Publisher: John Benjamins Publishing

Published: 2001-12-21

Total Pages: 487

ISBN-13: 9027297185

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The Psychology and Sociology of Literature is a collection of 25 chapters on literature by some of the leading psychologists, sociologists, and literary scholars in the field of the empirical study of literature. Contributors include Ziva Ben-Porat, Gerry Cupchik, Art Graesser, Rachel Giora, Norbert Groeben, Colin Martindale, David Miall, Willie van Peer, Kees van Rees, Siegfried Schmidt, Hugo Verdaasdonk, and Rolf Zwaan. Topics include literature and the reading process; the role of poetic language, metaphor, and irony; cathartic and Freudian effects; literature and creativity; the career of the literary author; literature and culture; literature and multicultural society, literature and the mass media; literature and the internet; and literature and history. An introduction by the editors situates the empirical study of literature within an academic context. The chapters are all invited and refereed contributions, collected to honor the scholarship and retirement of professor Elrud Ibsch, of the Free University of Amsterdam. Together they represent the state of the art in the empirical study of literature, a movement in literary studies which aims to produce reliable and valid scientific knowledge about literature as a means of verbal communication in its cultural context. Elrud Ibsch was one of the pioneers in Europe to promote this approach to literature some 25 years ago, and this volume takes stock of what has happened since. The Psychology and Sociology of Literature presents an invaluable overview of the results, promises, gaps, and needs of the empirical study of literature. It addresses social scientists as well as scholars in the humanities who are interested in literature as discourse.

Approaching Postmodernism

Author: Douwe W. Fokkema

Publisher: John Benjamins Publishing Company

Published: 1986-01-01

Total Pages: 314

ISBN-13: 9027286329

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Most of the essays collected in this volume deal with theoretical issues that dominate the international debate on Postmodernism, issues such as the shifting nature of the concept, the problem of periodization and the problem of historicity. Other essays offer readings of Postmodernist texts and relate practical criticism to a theoretical framework. Hans Bertens (Utrecht) sketches the historical development of the concept Postmodernism in American criticism, distinguishing between the various definitions that have been proposed over the last twenty-five years, in an attempt to bring some order to the field and to facilitate future discussion. Brian McHale (Tel Aviv) and Douwe Fokkema (Utrecht) offer models for the description of Postmodernist texts. Richard Todd (Amsterdam) argues convincingly that Postmodernism is much more of a presence in contemporary British fiction than has so far been assumed, and Herta Schmid (Munich) presents a similar argument with respect to Russian avant-garde theater. Elrud Ibsch (Amsterdam) presents a contrastive analysis of Thomas Bernhard and Robert Musil; Ulla Musarra (Nijmegen) writes on Italo Calvino. The relation between Existentialism and Postmodernism is examined by Gerhard Hoffman (Würzburg); Theo D'haen (Utrecht) finds important parallels between Postmodernism in literature and in the visual arts; Matei Calinescu (Bloomington, Ind.) relates literary Postmodernism to a far more general cultural shift, rejecting, however, Foucault's notion of an epistemic break and arguing for both continuity and discontinuity. Finally, Helmut Lethen (Utrecht) and Susan Suleiman (Harvard) sharply question the concept of Postmodernism. Suleiman argues that the supposed Postmodernist reaction against Modernism may well be a critical myth or, if it isn't, a reaction limited to the American literary situation.