-PDF Download- Tonal Counterpoint EBOOK

Tonal Counterpoint for the 21st-Century Musician

Author: Teresa Davidian

Publisher: Rowman & Littlefield

Published: 2015-02-10

Total Pages: 260

ISBN-13: 1442234601

Students today have grown up in the age of digital technology. As a result, they process information in radically different ways than preceding generations. They like their information fast and consider visual images as important as textual content. In Tonal Counterpoint for the 21st-Century Musician, Teresa Davidian finally provides students a textbook that is quick, direct, and visual—a direct reflection of the age in which they live. This book is easy to understand, comprehensive, and distinctly modern in its approach to the study of counterpoint. Written in a style that is clear, simple, and informal writing style, Davidian artfully mixes the history of counterpoint with an outline of its structure, placing musical examples from J. S. Bach side by side with those from The Beatles to illustrate the universality and currency of counterpoint in music analysis and composition. Designed as a single-semester introduction, Tonal Counterpoint brings the study of counterpoint into the present by: Making ample use of diagrams and flow charts Including helpful step-by-step prompt sheets for analyzing inventions and fugues Placing just as much emphasis on the composition as on the analysis of counterpoint Offering a broad array of musical examples, including the work of women composers, American songwriters, current students, and pop music composers Throughout, Davidian explains how the techniques of 18th-century contrapoint still readily apply to how music is composed today. Tonal Counterpoint for the 21st-Century Musician is ideal for students in the fields of music theory, composition, music history, and performance.

Modal and Tonal Counterpoint

Author: Harold Owen

Publisher: Cengage Learning

Published: 1992

Total Pages: 414

ISBN-13:

DOWNLOAD EBOOK →

This is a comprehensive study of the development of counterpoint form the sixteenth century through the first half of the twentieth century. Deriving the rules of counterpoint from the music itself, each chapter begins with a complete musical example followed by questions for class discussion. Chapter observations and subsequent musical examples amplify the concepts discoverd through individual analysis. --book cover.

The Craft of Tonal Counterpoint

Author: Thomas Benjamin

Publisher:

Published: 2023

Total Pages: 0

ISBN-13:

DOWNLOAD EBOOK →

A Practical Approach to 16th Century Counterpoint

Author: Robert Gauldin

Publisher: Waveland Press

Published: 2013-03-04

Total Pages: 312

ISBN-13: 1478608757

DOWNLOAD EBOOK →

Practical work in writing counterpoint! Gauldin emphasizes the acquisition of writing skills in the contrapuntal discipline and the simulation of sixteenth-century sacred polyphonic idioms in this volume. The author follows a didactic method of a non-species or direct approach. While no previous contrapuntal training is necessary to absorb this material, some acquaintance with Baroque polyphonic terminology proves helpful. Key features include: musical examples illustrating specific devices are taken from musical literature or composed by the author; demonstrates the possibility of employing a single given pitch series within the contexts of different compositional techniques; includes a collection of complete or excerpted movements drawn from musical literature at the conclusion of each major textual division; emphasizes Palestrina and the Counter-Reformation sacred style; discusses various compositional procedures of the late Renaissance, including paraphrase, cantus firmus, familiar style, parody, polychoral technique, and chromaticism.

The Principles and Practice of Tonal Counterpoint

Author: Evan Jones

Publisher: Routledge

Published: 2015-08-27

Total Pages: 283

ISBN-13: 1317518772

DOWNLOAD EBOOK →

The Principles and Practice of Tonal Counterpoint is a comprehensive textbook that combines practical, "how-to" guidance in 18th-century techniques with extensive historical examination of contrapuntal works and genres. Beginning with an introductory grounding in species counterpoint, tonal harmony, and figured bass, students progress through the study of chorale preludes, invertible counterpoint, and canonic and fugal writing. This textbook thoroughly joins principle with practice, providing a truly immersive experience in the study of tonal counterpoint and familiarizing students with contrapuntal styles from the Baroque period to the 21st century. Also available is a companion volume, The Principles and Practice of Modal Counterpoint, which focuses on 16th-century techniques and covers modal music from Gregorian chant through the 17th century.

Tonal Counterpoint

Author: Walter R. Spalding

Publisher: Lulu.com

Published: 2019-11-30

Total Pages: 272

ISBN-13: 1794776850

DOWNLOAD EBOOK →

Attention is particularly called to the fact that very few rules are given as to " what not to do " in music. Almost anything can be done at some time or other (for music is not a matter of morals), when for the sake of special effect a departure is made from the normal rules. What is needed is a well-trained instinct as to whether any given effect justifies itself. In no way is this power gained so surely or quickly as by a thorough study of the compositions of the great masters, Bach, Handel, Haydn, Mozart, Beethoven, and others. No one ever becomes a geologist merely by the study of books on the subject but rather by going out into the fields and examining the works of nature at first hand. Likewise in music, example is much better than precept. Very few prohibitive rules will be found in this book, and as far as possible every suggestion and recommendation is confirmed and illustrated by an example from some standard composer.

Study of Counterpoint

Author: Johann Fux

Publisher: W. W. Norton & Company

Published: 1965

Total Pages: 164

ISBN-13: 9780393002775

DOWNLOAD EBOOK →

The most celebrated book on counterpoint is Fux's great theoretical work GRADUS AD PARNASSUM. Since its appearance in 1725, it has been used by and has directly influenced the work of many of the great composers, including J.S. Bach, Haydn, and Beethoven. Originally written in Latin, this work has been translated in to the principal European languages. The present translation by Alfred Mann is the first faithful rendering in English, presenting the essence of Fux's teachings.

The Craft of Modal Counterpoint

Author: Thomas Benjamin

Publisher: Psychology Press

Published: 2005

Total Pages: 216

ISBN-13: 9780415971713

DOWNLOAD EBOOK →

First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.

Counterpoint in Composition

Author: Felix Salzer

Publisher: Columbia University Press

Published: 1989

Total Pages: 504

ISBN-13: 023107039X

DOWNLOAD EBOOK →

-- Stanley Persky, City University of New York

Harmony, Counterpoint, Partimento

Author: Job IJzerman

Publisher: Oxford University Press, USA

Published: 2018

Total Pages: 417

ISBN-13: 0190695005

DOWNLOAD EBOOK →

A new method of music theory education for undergraduate music students, Harmony, Counterpoint, Partimento is grounded in schema theory and partimento, and takes an integrated, hands-on approach to the teaching of harmony and counterpoint in today's classrooms and studios. A textbook in three parts, the package includes: · the hardcopy text, providing essential stylistic and technical information and repertoire discussion; · an online workbook with a full range of exercises, including partimenti by Fenaroli, Sala, and others, along with arrangements of eighteenth- and nineteenth-century compositions; · an online instructor's manual providing additional information and realizations of all exercises. Linking theoretical knowledge with aural perception and aesthetic experience, the exercises encompass various activities, such as singing, playing, improvising, and notation, which challenge and develop the student's harmonic, melodic, and rhythmic imagination. Covering the common-practice period (Corelli to Brahms), Harmony, Counterpoint, Partimento is a core component of practice-oriented training of musicianship skills, in conjunction with solfeggio, analysis, and modal or tonal counterpoint.