'Tis Pity She's A Whore

'Tis Pity She's A Whore PDF

Author: John Ford

Publisher: Routledge

Published: 2006-07-13

Total Pages: 167

ISBN-13: 1134944489

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The last decade has seen a revival of interest in John Ford and especially 'Tis Pity She's a Whore, his tragedy of religious scepticism, incestuous love, and revenge. This text in particular has provided a focus for scholarship as well as being the subject of a number of major theatrical productions. Simon Barker guides the reader through the full range of previous interpretations of the play; moving from an overview of traditional readings he goes on to enlarge upon new questions that have arisen as a consequence of critical and cultural theory.

'Tis Pity She's a Whore and Other Plays

'Tis Pity She's a Whore and Other Plays PDF

Author: John Ford

Publisher: Oxford University Press, USA

Published: 1998

Total Pages: 420

ISBN-13: 9780192834492

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Ford's tragedy, originally printed in 1633, was the first major English play to take as its theme fulfilled incest between brother and sister.

'Tis Pity She's A Whore

'Tis Pity She's A Whore PDF

Author: Lisa Hopkins

Publisher: Bloomsbury Publishing

Published: 2015-04-10

Total Pages: 208

ISBN-13: 1441137556

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John Ford's tragedy 'Tis Pity She's A Whore was first performed between 1629 and 1633 and since then its themes of incest, love versus duty and forbidden passion have made it a widely studied and performed, if controversial, play. This guide offers students an introduction to its critical and performance history, including TV and film adaptations. It includes a keynote chapter outlining major areas of current research on the play and four new critical essays. Finally, a guide to critical, web-based and production-related resources and an annotated bibliography provide a basis for further individual research.

'Tis Pity She's a Whore

'Tis Pity She's a Whore PDF

Author: John Ford

Publisher: A&C Black

Published: 2014-05-29

Total Pages: 188

ISBN-13: 1408144328

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Like Shakespeare's Juliet, Annabella, accompanied by her down-to-earth nurse, is introduced to a series of suitors to her hand. Like Juliet, she finds all of them unsatisfactory - and rightly so, for the audience know that the nastiest of them is having an affair with her domineering aunt. Like Juliet, Annabella is wooed by a sensitive and passionate young man whose love she returns - but this young man happens to be her own brother, Giovanni. When they consummate their love and she, to avoid the scandal of extramarital pregnancy, agrees to marry her aunt's lover, the tragic outcome is inevitable. John Ford, writing his psychologically powerful and intellectually challenging tragedies in the early years of King Charles I's reign, is a playwright of the first rank, as 20th-century directors have shown both in the theatre and on film.

Who is the Real Whore of Parma? – Representation of Women in Ford’s "'Tis Pity She’s a Whore"

Who is the Real Whore of Parma? – Representation of Women in Ford’s

Author: Lisa Sangmeister

Publisher: GRIN Verlag

Published: 2011-02-07

Total Pages: 24

ISBN-13: 364081925X

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Seminar paper from the year 2010 in the subject Didactics for the subject English - Literature, Works, grade: 1,3, University of Marburg, course: Concept of Love, language: English, abstract: Not only because of its provoking title, ‘Tis Pity She’s a Whore can be described as John Ford’s most controversial play (Anderson 92). The play’s main plot portrays the passionate but forbidden love between the siblings Giovanni and Annabella. Moreover, ‘Tis Pity is an extraordinary violent play with “... several vivid action sequences” (Abate 94). All in all, there are five murder victims, Annabella’s tutress Putana is blinded, and her father Florio drops dead. The play reaches its brutal climax when Giovanni enters the feast with Annabella’s heart on his dagger. Nonetheless, the Cardinal does only blame one person for what has happened in the course of the play: “Of one so young, so rich in Nature’s store, | Who could not say, ‘Tis Pity she’s a whore?” (V.vi.158-159). The Cardinal’s final condemnation seems to be “... unnecessarily vindictive” (Hopkins ix) because Annabella has not only repented of her sins, but she was also killed by her brother and her heart was displayed on his dagger. Besides, Corinne S. Abate points out that there are several other characters “... who could claim this denunciation and our pity” (Abate 94).

Handbook of English Renaissance Literature

Handbook of English Renaissance Literature PDF

Author: Ingo Berensmeyer

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2019-10-08

Total Pages: 957

ISBN-13: 3110436086

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This handbook of English Renaissance literature serves as a reference for both students and scholars, introducing recent debates and developments in early modern studies. Using new theoretical perspectives and methodological tools, the volume offers exemplary close readings of canonical and less well-known texts from all significant genres between c. 1480 and 1660. Its systematic chapters address questions about editing Renaissance texts, the role of translation, theatre and drama, life-writing, science, travel and migration, and women as writers, readers and patrons. The book will be of particular interest to those wishing to expand their knowledge of the early modern period beyond Shakespeare.

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