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Theory of Fiction: Henry James

Author: Henry James

Publisher: U of Nebraska Press

Published: 1972-01-01

Total Pages: 394

ISBN-13: 9780803257474

Comprised of more than 250 selections from Henry James's stories about writers, his critical and speculative essays, his Notebooks, Prefaces, and letters, this collection brings together for the first time, in a single, systematic volume, all the important passages in James's work which have implications for or ideas about his theory of fiction. The result is the most comprehensive, exhaustive, and innovative volume of fictional theory ever published; in many ways it is the consummation of James's contribution to letters. In a masterful introductory essay, James E. Miller Jr., presents James's theory of fiction in outline; he also contributes brief introductions to each of the seventeen chapters, summarizing the major points. Abundant guides direct the reader to subjects and sources.

The Art of Criticism

Author: Henry James

Publisher: University of Chicago Press

Published: 1986-06-15

Total Pages: 524

ISBN-13: 0226391973

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A collection of "the most important" of Henry James' Prefaces; "his studies of Hawthorne, George Eliot, Balzac, Zola, de Maupassant, Turgenev, Sainte-Beuve, and Arnold; and his essays on the function of criticism and the future of the novel."--P. [4] of cover.

Essentials of the Theory of Fiction

Author: Michael J. Hoffman

Publisher: Duke University Press

Published: 2005-07-06

Total Pages: 521

ISBN-13: 0822386593

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What accounts for the power of stories to both entertain and illuminate? This question has long compelled the attention of storytellers and students of literature alike, and over the past several decades it has opened up broader dialogues about the nature of culture and interpretation. This third edition of the bestselling Essentials of the Theory of Fiction provides a comprehensive view of the theory of fiction from the nineteenth century through modernism and postmodernism to the present. It offers a sample of major theories of fictional technique while emphasizing recent developments in literary criticism. The essays cover a variety of topics, including voice, point of view, narration, sequencing, gender, and race. Ten new selections address issues such as oral memory in African American fiction, temporality, queer theory, magical realism, interactive narratives, and the effect of virtual technologies on literature. For students and generalists alike, Essentials of the Theory of Fiction is an invaluable resource for understanding how fiction works. Contributors. M. M. Bakhtin, John Barth, Roland Barthes, Wayne Booth, John Brenkman, Peter Brooks, Catherine Burgass, Seymour Chatman, J. Yellowlees Douglas, Rachel Blau DuPlessis, Wendy B. Faris, Barbara Foley, E. M. Forster, Joseph Frank, Joanne S. Frye, William H. Gass, Henry Louis Gates Jr., Gérard Genette, Ursula K. Heise, Michael J. Hoffman, Linda Hutcheon, Henry James, Susan S. Lanser, Helen Lock, Georg Lukács, Patrick D. Murphy, Ruth Ronen, Joseph Tabbi, Jon Thiem, Tzvetan Todorov, Virginia Woolf

Theory of Fiction: Henry James

Author:

Publisher:

Published: 1962

Total Pages:

ISBN-13:

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The Art of Fiction

Author: Walter Besant

Publisher:

Published: 1885

Total Pages: 106

ISBN-13:

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The Cambridge Companion to Henry James

Author: Jonathan Freedman

Publisher: Cambridge University Press

Published: 1998-05-28

Total Pages: 284

ISBN-13: 1139825364

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The Cambridge Companion to Henry James provides a critical introduction to James's work. Throughout the major critical shifts of the last fifty years, and despite suspicions of the traditional high literary culture which was James's milieu, he has retained a powerful hold on readers and critics alike. All essays are written at a level free from technical jargon, designed to promote accessibility to the study of James and his work.

Theatre-Fiction in Britain from Henry James to Doris Lessing

Author: Graham Wolfe

Publisher: Routledge

Published: 2019-06-10

Total Pages: 225

ISBN-13: 1000124363

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This volume posits and explores an intermedial genre called theatre-fiction, understood in its broadest sense as referring to novels and stories that engage in concrete and sustained ways with theatre. Though theatre has made star appearances in dozens of literary fictions, including many by modern history’s most influential authors, no full-length study has dedicated itself specifically to theatre-fiction—in fact there has not even been a recognized name for the phenomenon. Focusing on Britain, where most of the world’s theatre-novels have been produced, and commencing in the late-nineteenth century, when theatre increasingly took on major roles in novels, Theatre-Fiction in Britain argues for the benefits of considering these works in relation to each other, to a history of development, and to the theatre of their time. New modes of intermedial analysis are modelled through close studies of Henry James, Somerset Maugham, Virginia Woolf, J. B. Priestley, Ngaio Marsh, Angela Carter, and Doris Lessing, all of whom were deeply involved in the theatre-world as playwrights, directors, reviewers, and theorists. Drawing as much on theatre scholarship as on literary theory, Theatre-Fiction in Britain presents theatre-fiction as one of the past century’s most vital means of exploring, reconsidering, and bringing forth theatre’s potentials.

Social Formalism

Author: Dorothy J. Hale

Publisher: Stanford University Press

Published: 1998

Total Pages: 264

ISBN-13: 0804733562

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In recent decades, literary critics have praised novel theory for abandoning its formalist roots and defining the novel as a vehicle of social discourse. The old school of novel theory has long been associated with Henry James; the new school allies itself with the Russian theorist Mikhail Bakhtin. In this book, the author argues that actually it was the compatibility of Bakhtin with James that prompted Anglo-American theorists to embrace Bakhtin with such enthusiasm. Far from rejecting James, in other words, recent novel theorists have only refined Jamess foundational recharacterization of the novel as the genre that does not simply represent identity through its content but actually instantiates it through its form. Social Formalismdemonstrates the persistence of Jamess theoretical assumptions from his writings and those of his disciple Percy Lubbock through the critique of Jamesian theory by Roland Barthes, Wayne Booth, and Gérard Genette to the current Anglo-American assimilation of Bakhtin. It also traces the expansion of Jamess influence, as mediated by Bakhtin, into cultural and literary theory. Jamesian social formalism is shown to help determine the widely influential theories of minority identity expounded by such important cultural critics as Barbara Johnson and Henry Louis Gates. Social Formalismthus explains why a tradition that began by defining novelistic value as the formal instantiation of identity ends by defining minority political empowerment as aestheticized self-representation.

The Other Henry James

Author: John Carlos Rowe

Publisher: Duke University Press

Published: 1998

Total Pages: 260

ISBN-13: 9780822321477

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Rowe uses recent work on the oppressive treatment of gays, women and children in his analysis of Henry James, arguing that James mounts a critique of bourgeois values and lack of historical consciousness.

The Art of Fiction

Author: Henry James

Publisher: Phoemixx Classics Ebooks

Published: 2021-10-18

Total Pages: 64

ISBN-13: 3986471197

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The Art of Fiction Henry James - World-renowned novelist and short story author Henry James offers practical advice and considerable insight on what makes quality fiction, and how good writers can create it.A common theme seen in Henry James' works is contrasting the naivete and untrammeled freedom of the New World with the knowledgeable but corrupt nature of Europe and the Old World. Beginning with short stories while in his 20s, James quickly gained a reputation as a skilled wordsmith and compelling narrator. His innovative style was emblematic of new forms of penmanship which partly displaced and partly accentuated the prevalent Romantic and Victorian literary forms.Much of Henry James teaching contains his opinions on the nature and purpose of fiction. His theories about what a novel should present - as entertainment, as art, and as a reflection upon the author - offer readers thoughtful and informed analysis of creative writing. What roles that characters should take, and how description should reflect such characters and their surroundings and doings, are also considered.In differentiating how people tell stories to one another day-to-day, and how a professional storyteller should put his tale to paper, James offers a distinctive and valuable opinion on the subject. While aspects of his thought belong to their time, the view of an experienced and lauded author on the subject of writing good stories both short and long holds certain value to aspiring authors and enthusiastic readers to this day.