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Theocritus and the Invention of Fiction

Author: Mark Payne

Publisher: Cambridge University Press

Published: 2007-04-12

Total Pages: 25

ISBN-13: 1139464302

The bucolic Idylls of Theocritus are the first literature to invent a fully fictional world that is not an image of reality but an alternative to it. It is thereby distinguished from the other Idylls and from Hellenistic poetry as a whole. This book examines these poems in the light of ancient and modern conceptions of fictionality. It explores how access to this fictional world is mediated by form and how this world appears as an object of desire for the characters within it. The argument culminates in a fresh reading of Idyll 7, where Professor Payne discusses the encounter between author and fictional creation in the poem and its importance for the later pastoral tradition. Close readings of Theocritus, Callimachus, Hermesianax and the Lament for Bion are supplemented with parallels from modern contemporary fiction and an extended discussion of the heteronymic poetry of Fernando Pessoa.

Theocritus and the invention of fiction

Author:

Publisher:

Published: 2006

Total Pages: 183

ISBN-13: 9780511274824

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Virgil's Eclogues and the Art of Fiction

Author: Raymond Kania

Publisher: Cambridge University Press

Published: 2016-03-08

Total Pages: 185

ISBN-13: 1107080851

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A new, comprehensive study of Virgil's Eclogues that reinterprets an ancient text and genre as imaginative fiction.

The Man Who Invented Fiction

Author: William Egginton

Publisher: Bloomsbury Publishing USA

Published: 2017-01-10

Total Pages: 273

ISBN-13: 1635570247

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“A heroic history of novel-reading itself.” --The Atlantic In the early seventeenth century, a crippled, graying, almost toothless veteran of Spain's wars against the Ottoman Empire published a book. It was the story of a poor nobleman, his brain addled from reading too many books of chivalry, who deludes himself that he is a knight errant and sets off on hilarious adventures. That book, Don Quixote, went on to sell more copies than any other book beside the Bible, making its author, Miguel de Cervantes, the single most-read author in human history. Cervantes did more than just publish a bestseller, though. He invented a way of writing. This book is about how Cervantes came to create what we now call fiction, and how fiction changed the world. The Man Who Invented Fiction explores Cervantes's life and the world he lived in, showing how his influences converged in his work, and how his work--especially Don Quixote--radically changed the nature of literature and created a new way of viewing the world. Finally, it explains how that worldview went on to infiltrate art, politics, and science, and how the world today would be unimaginable without it. William Egginton has brought thrilling new meaning to an immortal novel.

Brill's Companion to Theocritus

Author:

Publisher: BRILL

Published: 2021-08-16

Total Pages: 852

ISBN-13: 9004466711

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Brill's Companion to Theocritus offers an up-to-date guide to a thorough understanding of Theocritus’ literary output. Exploring his corpus from a variety of novel perspectives, it presents a detailed account of the intricacy of Theocritus’ poetic art.

The Routledge Companion to Narrative Theory

Author: Paul Dawson

Publisher: Taylor & Francis

Published: 2022-07-18

Total Pages: 781

ISBN-13: 100057637X

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The Routledge Companion to Narrative Theory brings together top scholars in the field to explore the significance of narrative to pressing social, cultural, and theoretical issues. How does narrative both inform and limit the way we think today? From conspiracy theories and social media movements to racial politics and climate change future scenarios, the reach is broad. This volume is distinctive for addressing the complicated relations between the interdisciplinary narrative turn in the academy and the contemporary boom of instrumental storytelling in the public sphere. The scholars collected here explore new theories of causality, experientiality, and fictionality; challenge normative modes of storytelling; and offer polemical accounts of narrative fiction, nonfiction, and video games. Drawing upon the latest research in areas from cognitive sciences to complexity theory, the volume provides an accessible entry point for those new to the myriad applications of narrative theory and a point of departure for new scholarship.

Ancient Comedy and Reception

Author: S. Douglas Olson

Publisher: Walter de Gruyter

Published: 2013-12-12

Total Pages: 1098

ISBN-13: 161451125X

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This wide-ranging collection, consisting of 50 essays by leading international scholars in a variety of fields, provides an overview of the reception history of a major literary genre from Greco-Roman antiquity to the present day. Section I considers how the 5th- and 4th-century Athenian comic poets defined themselves and their plays, especially in relation to other major literary forms. It then moves on to the Roman world and to the reception of Greek comedy there in art and literature. Section II deals with the European reception of Greek and Roman comedy in the Medieval, Renaissance, and Early Modern periods, and with the European stage tradition of comic theater more generally. Section III treats the handling of Greco-Roman comedy in the modern world, with attention not just to literary translations and stage-productions, but to more modern media such as radio and film. The collection will be of interest to students of ancient comedy as well as to all those concerned with how literary and theatrical traditions are passed on from one time and place to another, and adapted to meet local conditions and concerns.

Strategies of Ambiguity in Ancient Literature

Author: Martin Vöhler

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2021-02-22

Total Pages: 464

ISBN-13: 3110715848

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Ambiguity in the sense of two or more possible meanings is considered to be a distinctive feature of modern art and literature. It characterizes the "open artwork" (Eco) and is generated by "disruptive tactics" (Wellershoff) and strategies to engender uncertainty. While ambiguity is seen as a "paradigm of modernity" (Bode), there is skepticism regarding its use in the pre-modern era. Older studies were dominated by the conviction that there was a lack of ambiguity in pre-modernity because, according to the rules of the "old rhetoric", ambiguity was seen as an avoidable error (vitium) and a violation of the dictate of clarity (perspicuitas). The aim of the volume is to re-examine the putative "absence of ambiguity" in the pre-modern era. Is it not possible to find clear examples of deliberately employed (intended) ambiguity in antiquity? Are the oracles and riddles, the Palinode of Stesichoros and Socrates (Phaedrus), the dissoi logoi of rhetoric, the ambiguities of the tragedies all exceptions or do they not indicate a distinct interest in the artistic use of ambiguity? The presentations of the conference, which will include scholars from various philologies, will combine a recourse to theoretical concepts of intended ambiguity with exemplary analyses from the field of pre-modern art and literature.

The Victorian Idyll in Art and Literature

Author: Thomas Hughes

Publisher: Taylor & Francis

Published: 2023-12-29

Total Pages: 257

ISBN-13: 1003834124

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Resonating with contemporary ecological and queer theory, this book pioneers the theorization of the Victorian idyll, establishing its nature, lineaments, and significance as a formal mode widely practised in nineteenth-century British culture across media and genre. Chapters trace the Victorian idyll’s emergence in the 1830s, its flourishing in the 1860s, and its evolution up to the century’s close, drawing attention to the radicalism of idyllic experiments with pictorial, photographic, dramatic, literary, and poetic form in the work of canonical and lesser-known figures. Approaching the idyll through three intersecting categories—subject, ecology, and form—this book remaps Victorian culture, reshaping thinking about artistic form in the nineteenth century, and recalibrating accepted chronologies. In the representations by a host of Victorian artists and writers engaging with other-than-human forms, and in the natures of the subjectivities animated by these encounters, we find versions of Victorian ecology providing provocative imaginative material for ecocritics, scholars, writers, and artists today. This book will be of interest to scholars working in art history, English literature, Victorian studies, British history, queer and trans* theory, musicology, and ecocriticism, and will enliven debates pertaining to the environmental across periods.

The Poets of Alexandria

Author: Susan A. Stephens

Publisher: Bloomsbury Publishing

Published: 2018-03-13

Total Pages: 304

ISBN-13: 1838609601

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Alexandria was the greatest of the new cities founded by Alexander the Great as his armies swept eastward. It was ruled by his successors, the Ptolemies, who presided over one of the richest and most productive periods in the whole of Greek literature. Susan A Stephens here reveals a cultural world in transition: reverential of the compositions of the past (especially after construction of the great library, repository for all previous Greek oeuvres), but at the same time forward-looking and experimental, willing to make use of previous forms of writing in exciting new ways. The author examines Alexandria's poets in turn. She discusses the strikingly avant-garde Aetia of Callimachus; the idealized pastoral forms of Theocritus (which anticipated the invention of fiction); and the neo-Homerian epic of Apollonius, the Argonautica, with its impressive combination of narrative grandeur and psychological acuity. She shows that all three poets were innovators, even while they looked to the past for inspiration: drawing upon Homer, Hesiod, Pindar and the lyric poets, they emphasized stories and material that were entirely relevant to their own progressive cosmopolitan environment.