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Theatrical Reality

Author: Campbell Edinborough

Publisher: Intellect Books

Published: 2016-09-01

Total Pages: 304

ISBN-13: 1783205881

Performance, dramaturgy and scenography are often explored in isolation, but in Theatrical Reality, Campbell Edinborough describes their connectedness in order to investigate how the experience of reality is constructed and understood during performance. Drawing on sociological theory, cognitive psychology and embodiment studies, Edinborough analyses our seemingly paradoxical understanding of theatrical reality, guided by the contexts shaping relationships between performer, spectator and performance space. Through a range of examples from theatre, dance, circus and film, Theatrical Reality examines how the liminal spaces of performance foster specific ways of conceptualising time, place and reality.

Theatrical Reality

Author: Francis Lis

Publisher: Trafford Publishing

Published: 2011-09-30

Total Pages: 437

ISBN-13: 1426937512

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When the guys gather weekly at Johns pub, it seems as if no topic is off-limits for these middle-aged men as they ponder the state of life and the world over a cold beer. Many of the guys are regulars, and they come to the table from many walks of life. Theres Henry, of Russian-Jewish descent; Sal, a Cuban; Chip, the Irish Republican; and George, an American biblical Christian black man. The men hash out and discuss an array of topics such as the role of big business, alcohol as a drug, homosexuality, Jews in America, multiculturism, materialism, political correctness, the death penalty, abortion, religion and the role of God, and immigration and race. There isnt a topic they wont tackle. Peppered with historical background and with a glimpse into the future, these lively conversations provide insight into the important political situations in the world and nation today.

Real Theatre

Author: Paul Rae

Publisher: Cambridge University Press

Published: 2018-12-27

Total Pages: 251

ISBN-13: 1107186595

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Draws on musicals, plays and experimental performances to show what theatre is made of and how we experience it.

Reality Isn't What It Used to Be

Author: Walter Truet Anderson

Publisher: Harper Collins

Published: 2009-10-13

Total Pages: 475

ISBN-13: 0061736678

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Anderson reveals the reality of postmodernism in politics, popular culture, religion, literary criticism, art, and philosophy -- making sense of everything from deconstructionism to punk.

Redefining Theatre Communities

Author: Szabolcs Musca

Publisher: Intellect (UK)

Published: 2019

Total Pages: 0

ISBN-13: 9781789380767

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Redefining Theatre Communities explores the interplay between contemporary theatre and communities. It considers the aesthetic, social and cultural aspects of community-conscious theatre-making. It also reflects on transformations in structural, textual and theatrical conventions, and explores changing modes of production and spectatorship.

Ethnodrama

Author: Johnny Saldaña

Publisher: Rowman Altamira

Published: 2005

Total Pages: 252

ISBN-13: 9780759108134

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Seven ethnodramas illustrate this emerging genre of arts-based research, a burgeoning but evident trend in the field of theatre production itself. With their focus on the personal, immediate and contextual, these plays about marginalized identities, abortion, street life and oppression manage a unique balance between theoretical research and everyday realism.

Theatrical Reality

Author: Campbell Edinborough

Publisher: Intellect (UK)

Published: 2016

Total Pages: 0

ISBN-13: 9781783205868

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Theatrical Reality examines how the liminal spaces of performance foster specific ways of conceptualising time, place and reality. Campbell Edinborough draws on sociological theory, cognitive psychology and embodiment studies to analyse our understanding of theatrical reality and the relationships between performer, spectator and performance space.

The Show and the Gaze of Theatre

Author: Erika Fischer-Lichte

Publisher: University of Iowa Press

Published: 1997

Total Pages: 428

ISBN-13: 9781587290633

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Theatre, in some respects, resembles a market. Stories, rituals, ideas, perceptive modes, conversations, rules, techniques, behavior patterns, actions, language, and objects constantly circulate back and forth between theatre and the other cultural institutions that make up everyday life in the twentieth century. These exchanges, which challenge the established concept of theatre in a way that demands to be understood, form the core of Erika Fischer-Lichte's dynamic book. Each eclectic essay investigates the boundaries that separate theatre from other cultural domains. Every encounter between theatre and other art forms and institutions renegotiates and redefines these boundaries as part of an ongoing process. Drawing on a wealth of fascinating examples, both historical and contemporary, Fischer-Lichte reveals new perspectives in theatre research from quite a number of different approaches. Energetically and excitingly, she theorizes history, theorizes and historicizes performance analysis, and historicizes theory.

Theatrical Worlds (Beta Version)

Author: Charles Mitchell

Publisher: Orange Grove Texts Plus

Published: 2014

Total Pages: 0

ISBN-13: 9781616101664

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"From the University of Florida College of Fine Arts, Charlie Mitchell and distinguished colleagues form across America present an introductory text for theatre and theoretical production. This book seeks to give insight into the people and processes that create theater. It does not strip away the feeling of magic but to add wonder for the artistry that make a production work well." -- Open Textbook Library.

Philosophy and Theatre

Author: Tom Stern

Publisher: Routledge

Published: 2013-10-01

Total Pages: 225

ISBN-13: 1134575912

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The relationship between philosophy and theatre is a central theme in the writings of Plato and Aristotle and of dramatists from Aristophanes to Stoppard. Where Plato argued that playwrights and actors should be banished from the ideal city for their suspect imitations of reality, Aristotle argued that theatre, particularly tragedy, was vital for stimulating our emotions and helping us to understanding ourselves. Despite this rich history the study of philosophy and theatre has been largely overlooked in contemporary philosophy. This is the first book to introduce philosophy and theatre. It covers key topics and debates, presenting the contributions of major figures in the history of philosophy, including: what is theatre? How does theatre compare with other arts? theatre as imitation, including Plato on mimesis truth and illusion in the theatre, including Nietzsche on tragedy theatre as history theatre and morality, including Rousseau’s criticisms of theatre audience and emotion, including Aristotle on catharsis theatre and politics, including Brecht’s Epic Theatre. Including annotated further reading and summaries at the end of each chapter, Philosophy and Theatre is an ideal starting point for those studying philosophy, theatre studies and related subjects in the arts and humanities.