Theatre, Opera and Consciousness.

Theatre, Opera and Consciousness. PDF

Author: Daniel Meyer-Dinkgräfe

Publisher: Rodopi

Published: 2013

Total Pages: 236

ISBN-13: 9401209294

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The study of consciousness has developed considerably over the past ten years, with an emphasis on seeking to explain subjective experience. Our understanding of key questions relating to the performing arts, in theory and practice, benefits from the insights of consciousness studies. Theatre, Opera and Consciousness discusses selected concerns of theatre history from a consciousness studies perspective, develops a new perspective on ethical implications of theatre practice, reassesses the concept of the guru, and offers a new approach to the actor’s cool-down. The book expands the framework from theatre to opera, and presents a new consideration of the spiritual aspects of singing in opera, conducting for opera, and the opera experience for singers and spectators alike.

Consciousness, Performing Arts and Literature

Consciousness, Performing Arts and Literature PDF

Author: Daniel Meyer-Dinkgräfe

Publisher: Cambridge Scholars Publishing

Published: 2018-09-30

Total Pages: 423

ISBN-13: 1527516903

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Against the background of personal, institutional and cultural trajectories, this book considers dance, opera, theatre and practice as research from a consciousness studies perspective. Highlights include a conversation with Barbara Sellers-Young on the nature of dance; an assessment of the work of International Opera Theater; a new perspective on liveness and livecasts; a reassessment, with Anita S. Hammer, of the concept of a universal language of the theatre; a discussion of two productions of new plays; the development of a new concept of theatre of the heart; a comparison of Western and Thai positions on the concept of beauty; and an examination of the role of conflict for theatre. The final chapter of the book is taken up by the author’s first novel, which launches the new genre of spiritual romance.

Staging Consciousness

Staging Consciousness PDF

Author: William W. Demastes

Publisher: University of Michigan Press

Published: 2002

Total Pages: 214

ISBN-13: 9780472112029

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How theater has challenged the mind/body dualism that underpins much of Western thought

Theatre and Consciousness

Theatre and Consciousness PDF

Author: Daniel Meyer-Dinkgräfe

Publisher: Intellect (UK)

Published: 2005

Total Pages: 244

ISBN-13:

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The book discusses a range of questions relevant to understanding the phenomenon of theatre against a consciousness studies background.

Goethe's Faust I

Goethe's Faust I PDF

Author: David W. Lovell

Publisher: Cambridge Scholars Publishing

Published: 2017-01-06

Total Pages: 174

ISBN-13: 1443862266

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In March 2014, the University of Delaware’s Resident Ensemble Players staged the first Part of Goethe’s Faust, adapted and directed by Heinz-Uwe Haus, which forms the centrepiece and raison d’être of this book. This book tracks the creative process of Haus’s adaptation of the play and his attempts to elicit responses from his international networks to his question: how is Goethe’s Faust relevant today? It brings together comments from stage and costume designers as they brought their own creativity and understanding of the audience to bear on the play, and presents a brief record of the production itself, through stage directions and the photography of Bill Browning. The book then explores the reactions the production has elicited amongst some of its audience.

In the Theater of Consciousness

In the Theater of Consciousness PDF

Author: Bernard J. Baars

Publisher: Oxford University Press, USA

Published: 1997

Total Pages: 210

ISBN-13: 0195102657

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Topics like hypnosis, absorbed states of mind, adaptation to trauma, and the human propensity to project expectations on uncertainty, all fit into the expanded theater metaphor.

Consciousness, Theatre, Literature and the Arts 2011

Consciousness, Theatre, Literature and the Arts 2011 PDF

Author: Daniel Meyer-Dinkgräfe

Publisher: Cambridge Scholars Publishing

Published: 2011-10-18

Total Pages: 360

ISBN-13: 1443834912

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The essays collected in this volume were initially presented at the Fourth International Conference on Consciousness, Theatre, Literature and the Arts, held at the University of Lincoln, May 28–30, 2011. The conference was organised on the basis of the success of its predecessors in 2005, 2007 and 2009, and on the basis of the success of the Rodopi book series Consciousness, Literature and the Arts, which has to date seen thirty volumes in print, with another twelve in press or in the process of being written. The 2011 conference and the book series highlight the continuing growth of interest within the interdisciplinary field of consciousness studies, and in the distinct disciplines of theatre studies, literary studies, film studies, fine arts and music in the relationship between the object of these disciplines and human consciousness. Fifty-five delegates from twenty-eight countries across the world attended the May 2011 conference in Lincoln; their range of disciplines and approaches is reflected well in this book.

Observing Theatre

Observing Theatre PDF

Author: Daniel Meyer-Dinkgräfe

Publisher: Rodopi

Published: 2013-12-01

Total Pages: 229

ISBN-13: 9401210292

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Daniel Meyer-Dinkgräfe and co-authors take the exploration of the subjective dimension of theatre, its spiritual context, its relation to consciousness and natural law, further than ever before, thanks to the context provided by the thinking of German geobiologist Hans Binder. We present relevant aspects of Binder’s approach as precisely as possible, then take Binder’s approach for granted to tease out the implications of that approach to the issues of theatre, including nostalgia, intercultural theatre, theatre criticism, dealing with demanding roles, the canon, theatre and philosophy, digital performance, practice as research, and applied theatre. Overall, the book proposes an overarching emphasis on the importance of living in the present and the concomitant need to abandon obsolete but still powerful patterns of the past. In this context, theatre, according to Binder, has a global responsibility for the new world in which humans are liberated from the scourge of the past. Theatre has the power and thus the responsibility to be path-breaking for a new “fiction”, to show to people, in a playful and creative manner, the direction in which the new consciousness can move. Daniel Meyer-Dinkgräfe is Professor of Drama at the Lincoln School of Performing Arts, University of Lincoln. He has numerous publications on the topic of ‘Theatre and Consciousness’ to his credit, and is founding editor of the peer-reviewed web-journal Consciousness, Literature and the Arts and the book series of the same title with Rodopi.

Consciousness, Theatre, Literature and the Arts 2015

Consciousness, Theatre, Literature and the Arts 2015 PDF

Author: Daniel Meyer-Dinkgräfe

Publisher: Cambridge Scholars Publishing

Published: 2016-12-14

Total Pages: 325

ISBN-13: 144384876X

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This book brings together essays based on papers presented at the 6th International Conference on Consciousness, Theatre, Literature and the Arts (CTLA), held from June 10 to 12, 2015, at St Francis College, Brooklyn Heights, New York. The conference was attended by seventy delegates from twenty countries across the world – the twenty-three essays collected here come from delegates from twelve of those countries. The range of contributions reflects the variety of material presented and discussed at the conference, across the fields of philosophy, literature, fine arts, music, dance, performance and theatre. The book, the sixth in the series, will appeal to the growing international community of researchers active and interested in the study of literature, theatre and the arts from a consciousness studies perspective.

Consciousness, Theatre, Literature and the Arts 2013

Consciousness, Theatre, Literature and the Arts 2013 PDF

Author: Daniel Meyer-Dinkgräfe

Publisher: Cambridge Scholars Publishing

Published: 2014-06-26

Total Pages: 280

ISBN-13: 1443862479

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The essays collected in this volume were initially presented at the Fifth International Conference on Consciousness, Theatre, Literature and the Arts, held at the University of Lincoln, June 15–17, 2013. The conference was organised on the basis of the success of its predecessors in 2005, 2007, 2009 and 2011, and on the basis of the success of the Rodopi book series Consciousness, Literature and the Arts, which has to date seen 34 volumes in print, with another 12 in press or in the process of being written. The 2013 conference and the book series highlight the continuing growth of interest within the interdisciplinary field of consciousness studies, and in the distinct disciplines of theatre studies, literary studies, film studies, fine arts and music in the relationship between the object of these disciplines and human consciousness. 35 delegates from 12 countries across the world attended the June 2013 conference in Lincoln; their range of disciplines and approaches is reflected well in this book.