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The Theater of War

Author: Bryan Doerries

Publisher: Vintage

Published: 2016-08-23

Total Pages: 306

ISBN-13: 0307949729

For years theater director Bryan Doerries has been producing ancient Greek tragedies for a wide range of at-risk people in society. His is the personal and deeply passionate story of a life devoted to reclaiming the timeless power of an ancient artistic tradition to comfort the afflicted. Doerries leads an innovative public health project—Theater of War—that produces ancient dramas for current and returned soldiers, people in recovery from alcohol and substance abuse, tornado and hurricane survivors, and more. Tracing a path that links the personal to the artistic to the social and back again, Doerries shows us how suffering and healing are part of a timeless process in which dialogue and empathy are inextricably linked. The originality and generosity of Doerries’s work is startling, and The Theater of War—wholly unsentimental, but intensely felt and emotionally engaging—is a humane, knowledgeable, and accessible book that will both inspire and enlighten.

Theatre and War

Author: Nandita Dinesh

Publisher: Open Book Publishers

Published: 2016-07-27

Total Pages: 210

ISBN-13: 1783742615

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Nandita Dinesh places Kipling’s "six honest serving-men" (who, what, when, where, why, how) in productive conversation with her own experiences in conflict zones across the world to offer a theoretical and practical reflection on making theatre in times of war. This timely and important book weaves together Dinesh’s personal narrative with the public story of modern conflict, illustrating as it does, the importance of theatre as a force for ethical deliberation and social justice. In it Dinesh asks how theatre might intervene in times and places of conflict and how we might reflect on such interventions. In pursuit of answers, Theatre and War adopts the methods of auto-ethnography, positioning the theatrical practitioner at the heart of conflict zones in northern Uganda, Guatemala, Northern Ireland, Mexico, Rwanda, Kenya, Nagaland, and Kashmir. No longer a detached observer, the researcher and practitioner has to be able to meld theory with practice; to speak to ‘doing’, without undervaluing the importance of ‘thinking about doing’. Each chapter approaches the need for a synthesis of theory and practice by way of a term of inquiry―Why, Where, Who, What, When―and each is equipped with a set of unflinchingly honest field notes that are designed to reveal some of the ‘hows’ from the author’s own repertoire: questions and issues that were encountered during her own theatrical undertakings, along with first hand reflection on the complexities, potential, and challenges that attended her global work in community theatre. Within these notes are strategies that give the reader a practical insight into how the discussion might find its footing on the ground of war. The range and scope of this book make it required reading for those interested in theatre―practitioners, researchers, and students alike—as well as those seeking to understand the applications of the arts for ethics, politics, and education.

The War of the Theatres

Author: Josiah Harmar Penniman

Publisher:

Published: 1897

Total Pages: 184

ISBN-13:

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"This monograph contains some results of the study of a group of Elizabethan plays, closely related to each other because all connected with the quarrel of Jonson and Marston."--Preface.

Shakespeare’s Theatre of War

Author: Nicholas de Somogyi

Publisher: Routledge

Published: 2016-12-05

Total Pages: 474

ISBN-13: 1351900706

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The period between 1585 (when Elizabeth formally committed her military support to the Dutch wars against Spain) and 1604 (when James at last brought it to an end) was one in which English life was preoccupied by the menace and actuality of war. The same period spans English drama’s coming of age, from Tamburlaine to Hamlet. In this thought-provoking book, Nick de Somogyi draws on a wide range of contemporary military literature (news-letters and war-treatises, maps and manuals), to demonstrate how deeply wartime experience influenced the production and reception of Elizabethan theatre. In a series of vivid parallels, the roles of soldier and actor, the setting of battlefield and stage, and the context of playhouse and muster are shown to have been rooted in the common experience of war. The local armoury served as a props department; the stage as a military lecture-hall. News from the front line has always been shrouded in the fog of war. Shakespeare’s Rumour is here seen as kindred to such equally dubious messengers as his Armado, Falstaff or Pistol; soldiers have always told tall tales, military ghost-stories that are here shown to have seeped into such narratives as The Spanish Tragedy and Henry V. This book concludes with a sustained account of Hamlet, a play which both dramatises the Elizabethan context of war-fever, and embodies in its three variant texts the war and peace that shaped its production. By affording scrutiny to each of its title’s components, Shakespeare’s Theatre of War provides a compelling argument for reassessing the drama of Shakespeare and his contemporaries within the enduring context of the military culture and wartime experience of his age.

Post-War British Theatre (Routledge Revivals)

Author: John Elsom

Publisher: CRC Press

Published: 2014-10-17

Total Pages: 204

ISBN-13: 1317557743

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Since the Second World War, we have witnessed exciting, often confusing developments in the British theatre. This book, first published in 1976, presents an enlightening, objective history of the many facets of post-war British theatre and a fresh interpretation of theatre itself. The remarkable and profound changes which have taken place during this period range from the style and content of plays, through methods of acting, to shapes of theatres and the organisational habits of managers. Two national theatres have been brought almost simultaneously into existence; while at the other end of the financial scale, the fringe and pub theatres have kicked their way into vigorous life. The theatre in Britain has been one of the post-war success stories, to judge by its international renown and its mixture of experimental vitality and polished experience. In this book Elsom presents an approach to the problems of criticism and appreciation which range beyond those of literary analysis.

Theatres of War

Author: R J J Hall

Publisher: Troubador Publishing Ltd

Published: 2013-09-01

Total Pages: 352

ISBN-13: 1783060840

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On the landing beaches at Salerno in September 1943, two soldiers face the German bombardment together but they come from different worlds: Frank grew up in the backstreets of London but he’s clever and is now an officer; Edmund is a cricketer from a landed family. Vermillion had fallen for Edmund in Cairo where she monitored German communications. Desperate to see him again, she gets transferred to war-torn Naples. But when Frank discovers an abandoned theatre and stages a revue, she can’t stay away. It proves such a success that Frank is ordered to stay in Naples and put on more shows. Vermillion joins him and her life becomes enmeshed with both men. While Edmund fights in the bitter winter battles near Monte Cassino, Frank dreams of staging an opera. Vermillion still loves Edmund, but she doesn’t want him running her life. And working with Frank, she experiences the independence she’s longed for. Vermillion feels fulfilled, but a time is soon coming when she’ll have to choose… Theatres of War is a love story about sacrifice and duty, and a war story about self-discovery and love. Seen through the eyes of combatants and civilians, it evokes the convulsions of the ‘forgotten’ Italian campaign of World War II. It makes a gripping read for anyone with an interest in historical wartime novels, Italy, opera and love stories.

The War of the Theatres

Author: Josiah Harmar Penniman

Publisher:

Published: 1897

Total Pages: 0

ISBN-13: 9780841492202

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Theatre, Globalization and the Cold War

Author: Christopher B. Balme

Publisher: Springer

Published: 2017-06-05

Total Pages: 350

ISBN-13: 3319480847

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This book examines how the Cold War had a far-reaching impact on theatre by presenting a range of current scholarship on the topic from scholars from a dozen countries. They represent in turn a variety of perspectives, methodologies and theatrical genres, including not only Bertolt Brecht, Jerzy Grotowski and Peter Brook, but also Polish folk-dancing, documentary theatre and opera production. The contributions demonstrate that there was much more at stake and a much larger investment of ideological and economic capital than a simple dichotomy between East versus West or socialism versus capitalism might suggest. Culture, and theatrical culture in particular with its high degree of representational power, was recognized as an important medium in the ideological struggles that characterize this epoch. Most importantly, the volume explores how theatre can be reconceptualized in terms of transnational or even global processes which, it will be argued, were an integral part of Cold War rivalries.