The Voices of Medieval English Lyric

The Voices of Medieval English Lyric PDF

Author: Anne L. Klinck

Publisher: McGill-Queen's Press - MQUP

Published: 2019-11-28

Total Pages:

ISBN-13: 0228000173

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What was the medieval English lyric? Moving beyond the received understanding of the genre, The Voices of Medieval English Lyric explores, through analysis, discussion, and demonstration, what the term "lyric" most meaningfully implies in a Middle English context. A critical edition of 131 poems that illustrate the range and rich variety of lyric poetry from the mid-twelfth century to the early sixteenth century, The Voices of Medieval English Lyric presents its texts - freshly edited from the manuscripts - in thirteen sections emphasizing contrasting and complementary voices and genres. As well as a selection of religious poetry, the collection includes a high proportion of secular lyrics, many on love and sexuality, both earnest and humorous. In general, major authors who have been covered thoroughly elsewhere are excluded from the edited texts, but some, especially Chaucer, are quoted or mentioned as illuminating comparisons. Charles d'Orléans and the Scots poets Robert Henryson and William Dunbar add an extra-national dimension to a single-language collection. Textual and thematic notes are provided, as well as versions of the poems in Latin or French when these exist. Adopting new perspectives, The Voices of Medieval English Lyric offers an up-to-date, accessible, and distinctive take on Middle English poetry.

The Voices of Medieval English Lyric

The Voices of Medieval English Lyric PDF

Author: Anne L. Klinck

Publisher:

Published: 2019

Total Pages: 419

ISBN-13: 9780228000181

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"What was the medieval English lyric? Moving beyond the received understanding of the genre, The Voices of Medieval English Lyric explores, through analysis, discussion, and demonstration, what the term "lyric" most meaningfully implies in a Middle English context. A critical edition of 131 poems that illustrate the range and rich variety of lyric poetry from the mid-twelfth century to the early sixteenth century, The Voices of Medieval English Lyric presents its Texts--freshly edited from the manuscripts--in thirteen sections emphasizing contrasting and complementary voices and genres. As well as a selection of religious poetry, the collection includes a high proportion of secular lyrics, many on love and sexuality, both earnest and humorous. In general, major authors who have been covered thoroughly elsewhere are excluded from the edited Texts, but some, especially Chaucer, are quoted or mentioned as illuminating comparisons. Charles d'Orléans and the Scots poets Robert Henryson and William Dunbar add an extra-national dimension to a single-language collection. Textual and thematic Notes are provided, as well as versions of the poems in Latin or French when these exist. Adopting new perspectives, Voices of Medieval English Lyric offers an up-to-date, accessible, and distinctive take on Middle English poetry."--

Medieval English Lyrics

Medieval English Lyrics PDF

Author: Reginald Thorne Davies

Publisher: Northwestern University Press

Published: 1964

Total Pages: 388

ISBN-13: 9780810100756

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Contains over 180 poems, songs, and carols of medieval England in Middle English with extensive linguistic and critical notes.

Medieval Lyric

Medieval Lyric PDF

Author: John C. Hirsh

Publisher: John Wiley & Sons

Published: 2008-04-15

Total Pages: 240

ISBN-13: 0470755512

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Medieval Lyric is a colourful collection of lyrical poems, carols, and traditional British ballads written between the thirteenth and fifteenth centuries, together with some twentieth-century American versions of them. A lively and engaging collection of lyrical poems, carols, and traditional British ballads written in between the thirteenth and fifteenth centuries, together with some twentieth-century American versions of them. Introduces readers to the rich variety of Middle English poetry. Presents poems of mourning and of celebration, poems dedicated to the Blessed Virgin and to Christ, poems inviting or disparaging love, poems about sex, and more. Reader-friendly - uses modernized letter forms, punctuation and capitalization, and side glosses explaining difficult words. Opens with a substantial introduction by the editor to the medieval lyric as a genre, and features short introductions to each section and poem. Also includes an annotated bibliography, glossary, index of first lines, and list of manuscripts cited.

Medieval English Lyrics

Medieval English Lyrics PDF

Author: Theodore Silverstein

Publisher: Hodder Education

Published: 1971

Total Pages: 200

ISBN-13:

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Brings together 144 examples of lyric poetry, notable in quality and representative of their times. Besides an introduction on the nature of the lyric, there are commentaries at the head of each poem, textual and explanatory footnotes, a general bibliography and a comprehensive glossary keyed to the text. The commentaries make reference to the manuscript sources, the scholarly indexes and, where available, the music, but also offer historical and critical observations as aids to interpretation and judgment. In all but a few instrances the texts are freshly edited from the manuscripts, and hence often vary significantly in their readings from the earlier standard editions, with which they have in every case been compared.

What Kind of a Thing Is a Middle English Lyric?

What Kind of a Thing Is a Middle English Lyric? PDF

Author: Cristina Maria Cervone

Publisher: University of Pennsylvania Press

Published: 2022-08-30

Total Pages: 561

ISBN-13: 0812298519

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What Kind of a Thing Is a Middle English Lyric? considers issues pertaining to a corpus of several hundred short poems written in Middle English between the twelfth and early fifteenth centuries. The chapters draw on perspectives from varied disciplines, including literary criticism, musicology, art history, and cognitive science. Since the early 1900s, the poems have been categorized as “lyrics,” the term now used for most kinds of short poetry, yet neither the difficulties nor the promise of this treatment have received enough attention. In one way, the book argues, considering these poems to be lyrics obscures much of what is interesting about them. Since the nineteenth century, lyrics have been thought of as subjective and best read without reference to cultural context, yet nonetheless they are taken to form a distinct literary tradition. Since Middle English short poems are often communal and usually spoken, sung, and/or danced, this lyric template is not a good fit. In another way, however, the very differences between these poems and the later ones on which current debates about the lyric still focus suggest they have much to offer those debates, and vice versa. As its title suggests, this book thus goes back to the basics, asking fundamental questions about what these poems are, how they function formally and culturally, how they are (and are not) related to other bodies of short poetry, and how they might illuminate and be illuminated by contemporary lyric scholarship. Eleven chapters by medievalists and two responses by modernists, all in careful conversation with one another, reflect on these questions and suggest very different answers. The editors’ introduction synthesizes these answers by suggesting that these poems can most usefully be read as a kind of “play,” in several senses of that word. The book ends with eight “new Middle English lyrics” by seven contemporary poets.

A Companion to the Middle English Lyric

A Companion to the Middle English Lyric PDF

Author: Thomas Gibson Duncan

Publisher: Boydell & Brewer

Published: 2005

Total Pages: 330

ISBN-13: 1843840650

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Aims to provide both background information on and assessments of the lyric. This work includes features of formal and thematic importance: they are rhyme scheme, stanzaic form, the carol genre, love poetry in the manner of the troubadour poets, and devotional poems focusing on the love, and suffering and compassion of Christ and the Virgin Mary.

Middle English Lyrics

Middle English Lyrics PDF

Author: Julia Boffey

Publisher: Boydell & Brewer

Published: 2018-08-17

Total Pages: 328

ISBN-13: 9781843844976

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A collection attesting to the richness and lasting appeal of these short forms of Middle English verse.

The Middle English Lyric and Short Poem

The Middle English Lyric and Short Poem PDF

Author: Rosemary Greentree

Publisher: Boydell & Brewer

Published: 2001

Total Pages: 610

ISBN-13: 9780859916219

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This Bibliography assembles annotation of collections and criticism of lyrics of religious and secular love, carols and songs, and rhymes of everyday life. The Middle English lyrics and short poems form a varied group that ranges over most aspects of life to include lyrics of religious and secular love, carols and songs, and mundane rhymes of everyday life. Thus there are expressionsof devotion, ethereal or earthly, theological expositions, and knowledge needed for life. The poems are disparate and generally anonymous, and their survival owes much to chance. The bibliography assembles neutral annotation of collections and criticism of the works, arranged chronologically to show the course of criticism and the growing appreciation of these poems and all they can tell us. The introduction considers these matters, problems of definitionof the genre, and the isolable lyrics, and seeks to reconcile some first impressions of the poems, as disparate and slight, with the rewards of close study. ROSEMARY GREENTREE is currently Visiting Research Fellow, Dept of English, University of Adelaide.

Medieval English Lyrics, 1200-1400

Medieval English Lyrics, 1200-1400 PDF

Author: Thomas Gibson Duncan

Publisher: Penguin Classics

Published: 1995

Total Pages: 324

ISBN-13:

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This is a new edition and selection of the corpus of anonymous medieval English lyrics, drawing on love lyrics, devotional and moral lyrics and miscellaneous secular lyrics. All the texts are presented in their original forms (rather than translated into modern English, as has previously been the case with Penguin publication of these works), freshly edited from the original and normalized to accord with late 14th century London dialect.