The Voice in the Machine

The Voice in the Machine PDF

Author: Roberto Pieraccini

Publisher: MIT Press

Published: 2012

Total Pages: 355

ISBN-13: 0262016850

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An examination of more than sixty years of successes and failures in developing technologies that allow computers to understand human spoken language. Stanley Kubrick's 1968 film 2001: A Space Odyssey famously featured HAL, a computer with the ability to hold lengthy conversations with his fellow space travelers. More than forty years later, we have advanced computer technology that Kubrick never imagined, but we do not have computers that talk and understand speech as HAL did. Is it a failure of our technology that we have not gotten much further than an automated voice that tells us to "say or press 1"? Or is there something fundamental in human language and speech that we do not yet understand deeply enough to be able to replicate in a computer? In The Voice in the Machine, Roberto Pieraccini examines six decades of work in science and technology to develop computers that can interact with humans using speech and the industry that has arisen around the quest for these technologies. He shows that although the computers today that understand speech may not have HAL's capacity for conversation, they have capabilities that make them usable in many applications today and are on a fast track of improvement and innovation. Pieraccini describes the evolution of speech recognition and speech understanding processes from waveform methods to artificial intelligence approaches to statistical learning and modeling of human speech based on a rigorous mathematical model--specifically, Hidden Markov Models (HMM). He details the development of dialog systems, the ability to produce speech, and the process of bringing talking machines to the market. Finally, he asks a question that only the future can answer: will we end up with HAL-like computers or something completely unexpected?

The Voice in the Machine

The Voice in the Machine PDF

Author: Roberto Pieraccini

Publisher: MIT Press

Published: 2012-03-23

Total Pages: 355

ISBN-13: 026230077X

DOWNLOAD EBOOK →

An examination of more than sixty years of successes and failures in developing technologies that allow computers to understand human spoken language. Stanley Kubrick's 1968 film 2001: A Space Odyssey famously featured HAL, a computer with the ability to hold lengthy conversations with his fellow space travelers. More than forty years later, we have advanced computer technology that Kubrick never imagined, but we do not have computers that talk and understand speech as HAL did. Is it a failure of our technology that we have not gotten much further than an automated voice that tells us to “say or press 1”? Or is there something fundamental in human language and speech that we do not yet understand deeply enough to be able to replicate in a computer? In The Voice in the Machine, Roberto Pieraccini examines six decades of work in science and technology to develop computers that can interact with humans using speech and the industry that has arisen around the quest for these technologies. He shows that although the computers today that understand speech may not have HAL's capacity for conversation, they have capabilities that make them usable in many applications today and are on a fast track of improvement and innovation. Pieraccini describes the evolution of speech recognition and speech understanding processes from waveform methods to artificial intelligence approaches to statistical learning and modeling of human speech based on a rigorous mathematical model—specifically, Hidden Markov Models (HMM). He details the development of dialog systems, the ability to produce speech, and the process of bringing talking machines to the market. Finally, he asks a question that only the future can answer: will we end up with HAL-like computers or something completely unexpected?

Voice Communication Between Humans and Machines

Voice Communication Between Humans and Machines PDF

Author: for the National Academy of Sciences

Publisher: National Academies Press

Published: 1994-02-01

Total Pages: 562

ISBN-13: 9780309049887

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Science fiction has long been populated with conversational computers and robots. Now, speech synthesis and recognition have matured to where a wide range of real-world applicationsâ€"from serving people with disabilities to boosting the nation's competitivenessâ€"are within our grasp. Voice Communication Between Humans and Machines takes the first interdisciplinary look at what we know about voice processing, where our technologies stand, and what the future may hold for this fascinating field. The volume integrates theoretical, technical, and practical views from world-class experts at leading research centers around the world, reporting on the scientific bases behind human-machine voice communication, the state of the art in computerization, and progress in user friendliness. It offers an up-to-date treatment of technological progress in key areas: speech synthesis, speech recognition, and natural language understanding. The book also explores the emergence of the voice processing industry and specific opportunities in telecommunications and other businesses, in military and government operations, and in assistance for the disabled. It outlines, as well, practical issues and research questions that must be resolved if machines are to become fellow problem-solvers along with humans. Voice Communication Between Humans and Machines provides a comprehensive understanding of the field of voice processing for engineers, researchers, and business executives, as well as speech and hearing specialists, advocates for people with disabilities, faculty and students, and interested individuals.

The Soft Machine

The Soft Machine PDF

Author: William S. Burroughs

Publisher: Grove/Atlantic, Inc.

Published: 2011-02-24

Total Pages: 202

ISBN-13: 0802197213

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In Naked Lunch, William S. Burroughs revealed his genius. In The Soft Machine he begins an adventure that will take us even further into the dark recesses of his imagination, a region where nothing is sacred, nothing taboo. Continuing his ferocious verbal assault on hatred, hype, poverty, war, bureaucracy, and addiction in all its forms, Burroughs gives us a surreal space odyssey through the wounded galaxies in a book only he could create.

The Voice Positioning System

The Voice Positioning System PDF

Author: Katrina Hutchins

Publisher: Re-Source Solutions, LLC

Published: 2018-08-30

Total Pages: 180

ISBN-13: 9781681112626

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Your VOICE is more than your words. It's your attitude, your disposition, your demeanor, your presence -- your ACTIONS. Dr. Katrina Hutchins (Dr. K) has focused her research on the power of women's voices. As a result of her findings, she has developed the "Voice Positioning System (VPS)" The VPS is designed to help you indentify, explore, and navigate the complexities of managing your voice. If you are ready -- really ready, let Dr. K guide you as you harness your power and master your influence!

Postopera: Reinventing the Voice-Body

Postopera: Reinventing the Voice-Body PDF

Author: Jelena Novak

Publisher: Routledge

Published: 2016-03-09

Total Pages: 206

ISBN-13: 1317077199

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Both in opera studies and in most operatic works, the singing body is often taken for granted. In Postopera: Reinventing the Voice-Body, Jelena Novak reintroduces an awareness of the physicality of the singing body to opera studies. Arguing that the voice-body relationship itself is a producer of meaning, she furthermore posits this relationship as one of the major driving forces in recent opera. She takes as her focus six contemporary operas - La Belle et la Bête (Philip Glass), Writing to Vermeer (Louis Andriessen, Peter Greenaway), Three Tales (Steve Reich, Beryl Korot), One (Michel van der Aa), Homeland (Laurie Anderson), and La Commedia (Louis Andriessen, Hal Hartley) - which she terms 'postoperas'. These pieces are sites for creative exploration, where the boundaries of the opera world are stretched. Central to this is the impact of new media, a de-synchronization between image and sound, or a redefinition of body-voice-gender relationships. Novak dissects the singing body as a set of rules, protocols, effects, and strategies. That dissection shows how the singing body acts within the world of opera, what interventions it makes, and how it constitutes opera’s meanings.