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The Violence of the Image

Author: Liam Kennedy

Publisher: Routledge

Published: 2020-09-13

Total Pages: 305

ISBN-13: 1000211746

Photography has visualized international relations and conflicts from the midnineteenth century onwards and continues to be an important medium in framing the worlds of distant, suffering others. Although photojournalism has been challenged in recent decades, claims that it is dead are premature. The Violence of the Image examines the roles of image producers and the functions of photographic imagery in the documentation of wars, violent conflicts and human rights issues; tackling controversial ideas such as 'witnessing', the making of appeals based on displays of human suffering and the much-cited concept of 'compassion fatigue'. In the twenty-first century, the advent of digital photography, camera phones and socialmedia platforms has altered the relationship between photographers, the medium and the audience- as well as contributing to an ongoing blurring of the boundaries between news and entertainment and professional and amateur journalism. The Violence of the Image explores how new vernacular and artistic modes of photographic production articulate international friction.This innovative, timely book makes a major contribution to discussions about the power of the image in conflict.

The Cruel Radiance

Author: Susie Linfield

Publisher: University of Chicago Press

Published: 2012-04-15

Total Pages: 341

ISBN-13: 0226482510

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Susie Linfield addresses the issue of whether photographs depicting past scenes of violence & cruelty are voyeuristic, arguing that if we do not look & understand that we are seeing at people, rather than depersonalised acts of inhumanity, our hopes of curbing political violence today are probably limited.

The Civil Contract of Photography

Author: Ariella Azoulay

Publisher: Princeton University Press

Published: 2021-09-14

Total Pages: 586

ISBN-13: 1935408372

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In this groundbreaking work, Ariella Azoulay thoroughly revises our understanding of the ethical status of photography. It must, she insists, be understood in its inseparability from the many catastrophes of recent history. She argues that photography is a particular set of relations between individuals and the powers that govern them and, at the same time, a form of relations among equals that constrains that power. Anyone, even a stateless person, who addresses others through photographs or occupies the position of a photograph’s addressee, is or can become a member of the citizenry of photography. The crucial arguments of the book concern two groups that have been rendered invisible by their state of exception: the Palestinian noncitizens of Israel and women in Western societies. Azoulay’s leading question is: Under what legal, political, or cultural conditions does it become possible to see and show disaster that befalls those with flawed citizenship in a state of exception? The Civil Contract of Photography is an essential work for anyone seeking to understand the disasters of recent history and the consequences of how they and their victims are represented.

Killer Images

Author: Joram ten Brink

Publisher: Columbia University Press

Published: 2013-01-08

Total Pages: 345

ISBN-13: 0231850247

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Cinema has long shaped not only how mass violence is perceived but also how it is performed. Today, when media coverage is central to the execution of terror campaigns and news anchormen serve as embedded journalists, a critical understanding of how the moving image is implicated in the imaginations and actions of perpetrators and survivors of violence is all the more urgent. If the cinematic image and mass violence are among the defining features of modernity, the former is significantly implicated in the latter, and the nature of this implication is the book's central focus. This book brings together a range of newly commissioned essays and interviews from the world's leading academics and documentary filmmakers, including Ben Anderson, Errol Morris, Harun Farocki, Rithy Phan, Avi Mograbi, Brian Winston, and Michael Chanan. Contributors explore such topics as the tension between remembrance and performance, the function of moving images in the execution of political violence, and nonfiction filmmaking methods that facilitate communities of survivors to respond to, recover, and redeem a history that sought to physically and symbolically annihilate them

The Violent Image

Author: Neville Bolt

Publisher:

Published: 2012

Total Pages: 0

ISBN-13: 9780231703161

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Fast-moving, self-perpetuating images of violence have radically changed the nature of insurgency in modern times, and the global media trafficking in these images have fundamentally transformed the act and speed of the exchange among populations. First satellite TV, then laptops and the Internet, and now cellphones and social media, new technologies have revolutionized the act of communication and have collapsed the impediments of time and distance. Rebels who hope to overthrow states and revolutionaries who aim to establish transnational, ideological communities have only to utilize these dynamic technologies to advance their goals. Yet trial and error has also taught a key lesson: in a visual world, the pull of the violent image is more powerful and resonant than the draw of the carefully-crafted word. Neville Bolt dives headfirst into the innovative strategies of today's revolutionaries and their fascinating appropriation of the nineteenth-century practice of "propaganda of the deed," or the political act of violence. No longer is the terrorist act simply a means to push governments to overreact, therefore shredding their legitimacy and credibility. The deed has instead become an efficient tool to initiate a campaign of shock and awe, exposing and exploiting the grievances that underlie communities' fragile ties. Images of 9/11, 7/7, Abu Ghraib, and "collateral damage" are the contemporary weapons of choice. The Violent Image explores the emotional and psychological components of this visual "moment of shock," or the binding of emotive pictures to messages causing popular uprisings. From terrorist groups such as the Fenians and the Taliban to the architects of the ongoing Arab Spring, this study follows insurgents and their manipulation of violent imagery to build narratives and bring social change. Taking advantage of the "war of ideas," new revolutionaries generate surges of support that spread virally through global networks, often so quickly that states are unable to respond in time and kind. This book ultimately asks whether the world has reached a point in which insurgents and populations are driving images and ideas so rapidly that we are already in the grip of a new era of revolutionary politics.

On Photography

Author: Susan Sontag

Publisher:

Published: 1977

Total Pages: 224

ISBN-13:

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Picturing Atrocity

Author: Geoffrey Batchen

Publisher:

Published: 2012

Total Pages: 324

ISBN-13:

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This title taps into the widespread interest in, and concern about, photographs of atrocity. The book contains a broad range of atrocity photographs from throughout history and around the world, as well as essays by well-known artists and photographers.

The violence of colonial photography

Author: Daniel Foliard

Publisher: Manchester University Press

Published: 2022-11-15

Total Pages: 396

ISBN-13: 1526163306

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The late nineteenth century saw a rapid increase in colonial conflicts throughout the French and British empires. It was also the period in which the camera began to be widely available. Colonial authorities were quick to recognise the power of this new technology, which they used to humiliate defeated opponents and to project an image of supremacy across the world. Drawing on a wealth of visual materials, from soldiers’ personal albums to the collections of press agencies and government archives, this book offers a new account of how conflict photography developed in the decades leading up to the First World War. It explores the various ways in which the camera was used to impose order on subject populations in Africa and Asia and to generate propaganda for the public in Europe, where a visual economy of violence was rapidly taking shape. At the same time, it reveals how photographs could escape the intentions of their creators, offering a means for colonial subjects to push back against oppression.

Violence in Fifteenth-century Text and Image

Author: Edelgard E. DuBruck

Publisher: Camden House

Published: 2002

Total Pages: 312

ISBN-13: 1571130810

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Special issue focusing on violence in fifteenth-century life, text, and image: warfare and justice, violence in family and milieu (court, town, village, and forest), hagiography, ethnicity and xenophobia, gender relations and sexual violence, brutality on the stage, and the relation of text and image in the depiction of violence.

Legacies of the Degraded Image in Violent Digital Media

Author: Stuart Marshall Bender

Publisher: Palgrave Macmillan

Published: 2018-08-11

Total Pages: 0

ISBN-13: 9783319878003

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This book undertakes a concentrated study of the impact of degraded and low-quality imagery in contemporary cinema and real-world portrayals of violence. Through a series of case studies, the book explores examples of corrupted digital imagery that range from mainstream cinema portrayals of drone warfare and infantry killing, through to real-world recordings of terrorist attacks and executions, as well as perpetrator-created murder videos live-streamed on the internet. Despite post-modernist concerns of cultural inurement during the seminal period of digitalized and virtualized killing in the 1990s, real-world reactions to violent media indicate that our culture is anything but desensitized to these media depictions. Against such a background, this book is a concentrated study of how these images are created and circulated in the contemporary media landscape and how the effect and affect of violent material is impacted by the low-resolution aesthetic.