The United States and Germany in the Era of the Cold War, 1945-1990

The United States and Germany in the Era of the Cold War, 1945-1990 PDF

Author: Detlef Junker

Publisher: Cambridge University Press

Published: 2004-05-17

Total Pages: 688

ISBN-13: 9780521791120

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This multi-author work reviews all aspects of German-American relations following Germany's defeat in World War II through the fall of the Berlin Wall and Germany's reunification. Besides chapters on political and military relations, its broad view of German-American relations provides extensive coverage of the economic, cultural, and social contacts between the U.S. and the two German states that led to the dramatic events of 1989-90.

A Companion to Ronald Reagan

A Companion to Ronald Reagan PDF

Author: Andrew L. Johns

Publisher: John Wiley & Sons

Published: 2015-02-10

Total Pages: 696

ISBN-13: 1118607821

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A Companion to Ronald Reagan evaluates in unprecedenteddetail the events, policies, politics, and people of Reagan’sadministration. It assesses the scope and influence of his variouscareers within the context of the times, providing wide-rangingcoverage of his administration, and his legacy. Assesses Reagan and his impact on the development of the UnitedStates based on new documentary evidence and engagementwith the most recent secondary literature Offers a mix of historiographic chapters devoted to foreign anddomestic policy, with topics integrated thematically andchronologically Includes a section on key figures associated politically andpersonally with Reagan

The Rise and Fall of American Art, 1940s–1980s

The Rise and Fall of American Art, 1940s–1980s PDF

Author: Assoc Prof Catherine Dossin

Publisher: Ashgate Publishing, Ltd.

Published: 2015-06-28

Total Pages: 329

ISBN-13: 1472471326

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In The Rise and Fall of American Art, 1940s-1980s, Catherine Dossin challenges the now-mythic perception of New York as the undisputed center of the art world between the end of World War II and the fall of the Berlin Wall, a position of power that brought the city prestige, money, and historical recognition. Dossin reconstructs the concrete factors that led to the shift of international attention from Paris to New York in the 1950s, and documents how ‘peripheries’ such as Italy, Belgium, and West Germany exerted a decisive influence on this displacement of power. As the US economy sank into recession in the 1970s, however, American artists and dealers became increasingly dependent on the support of Western Europeans, and cities like Cologne and Turin emerged as major commercial and artistic hubs - a development that enabled European artists to return to the forefront of the international art scene in the 1980s. Dossin analyses in detail these changing distributions of geopolitical and symbolic power in the Western art worlds - a story that spans two continents, forty years, and hundreds of actors. Her transnational and interdisciplinary study provides an original and welcome supplement to more traditional formal and national readings of the period.

The Rise and Fall of American Art, 1940s–1980s

The Rise and Fall of American Art, 1940s–1980s PDF

Author: Catherine Dossin

Publisher: Routledge

Published: 2016-03-03

Total Pages: 325

ISBN-13: 1317017684

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In The Rise and Fall of American Art, 1940s-1980s, Catherine Dossin challenges the now-mythic perception of New York as the undisputed center of the art world between the end of World War II and the fall of the Berlin Wall, a position of power that brought the city prestige, money, and historical recognition. Dossin reconstructs the concrete factors that led to the shift of international attention from Paris to New York in the 1950s, and documents how ’peripheries’ such as Italy, Belgium, and West Germany exerted a decisive influence on this displacement of power. As the US economy sank into recession in the 1970s, however, American artists and dealers became increasingly dependent on the support of Western Europeans, and cities like Cologne and Turin emerged as major commercial and artistic hubs - a development that enabled European artists to return to the forefront of the international art scene in the 1980s. Dossin analyses in detail these changing distributions of geopolitical and symbolic power in the Western art worlds - a story that spans two continents, forty years, and hundreds of actors. Her transnational and interdisciplinary study provides an original and welcome supplement to more traditional formal and national readings of the period.