The Triumph of the Sea Gods

The Triumph of the Sea Gods PDF

Author: Steven Sora

Publisher: Simon and Schuster

Published: 2007-06-19

Total Pages: 260

ISBN-13: 1594777527

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An investigation of the geographical incongruities in Homer’s epics locates Troy on the coast of Iberia, in a conflict that changed history • Cites the rise in sea level in 1200 B.C. as leading to the invasion and victory of the Atlantean sea people over the goddess-worshipping Trojans who ruled the coasts • Identifies Troia (Troy) as part of a tri-city area that later became Lisbon, Portugal In The Triumph of the Sea Gods, Steven Sora argues compellingly that Homer’s tales do not describe adventures in the Mediterranean, but are adaptations of Celtic myths that chronicle an Atlantic coastal war that took place off the Iberian Peninsula around 1200 B.C. It was a war between the pro-goddess Celtic culture that presided over what is now Portugal and the patriarchal culture of the sea-faring Atlanteans. The invasion of the Atlantean sea peoples brought destruction to the entire region stretching from Western Europe’s Atlantic border to Egypt, Syria, and Turkey. This was a turning point not only politically but also spiritually. The goddess became demonized, as seen in myths such as Pandora’s Box in which woman was seen as the source of evil, not the origin of life, and Homer’s tale of the epic Greek and Trojan war, which was triggered by the abduction of a woman. The actual historical struggle described in Homer’s stories, Sora explains, occurred during what was the last in a series of rises in sea level that inundated various land masses (Atlantis) and permitted sea passage to areas previously accessible only by land. The “Sea Gods” (Atlanteans) attacked the tri-city region of Troia (Troy), near present-day Lisbon, which, shortly thereafter, fell victim to a devastating series of seaquakes and tsunamis. The war and the subsequent destructive weather broke the power of this seaboard civilization, leading to a wholesale invasion by the sea peoples and the rapid decline of the region’s goddess-worshipping culture that had reigned there since Neolithic times. Sora shows how Homer’s tales allow the modern world to glimpse this ancient conflict, which has been obscured for centuries.

A World Full of Gods

A World Full of Gods PDF

Author: Keith Hopkins

Publisher: Penguin

Published: 2001-07-01

Total Pages: 433

ISBN-13: 0452282616

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“Evokes the sights and sounds of the ancient world with daring and imagination… An intellectual tour-de-force that challenges us to see the history of Christianity through the eyes of those who actually lived it.”—Los Angeles Times In this provocative, irresistibly entertaining book, Keith Hopkins takes readers back in time to explore the roots of Christianity in ancient Rome. Combining exacting scholarship with dazzling invention, Hopkins challenges our perceptions about religion, the historical Jesus, and the way history is written. He puts us in touch with what he calls "empathetic wonder"—imagining what Romans, pagans, Jews, and Christians thought, felt, experienced, and believed-by employing a series of engaging literary devices. These include a TV drama about the Dead Sea Scrolls; the first-person testimony of a pair of time-travelers to Pompeii; a meditation on Jesus' apocryphal twin brother; and an unusual letter on God, demons, and angels.

The Ben Jonson Encyclopedia

The Ben Jonson Encyclopedia PDF

Author: D. Heyward Brock

Publisher: Rowman & Littlefield

Published: 2016-05-12

Total Pages: 644

ISBN-13: 0810890755

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Friend and rival of Shakespeare, Ben Jonson was one of the most learned and interesting men of his age. Throughout his fascinating life, he served not only as a bricklayer but also a soldier, an adventurer, an actor, a poet, and a playwright. The breadth of his experiences, acquaintances, friends, and enemies was legendary, and his literary canon is equally as diverse. The Ben Jonson Encyclopedia covers in detail the works, life, and times of this seminal figure of the English Renaissance. The cross-referenced entries include summaries of all Jonson’s plays, masques, and entertainments, as well as sketches of Jonson’s friends, enemies, patrons, disciples, actors, and fellow writers. In addition, the book identifies historical figures, mythological characters, and classical authors, as well as Jonson’s contemporaries and London place names mentioned in the works. Individuals who danced or participated in the masques and entertainments or tournaments for which Jonson wrote speeches are noted, as are the main actors known to have acted in the plays. All major scholars—from Jonson’s own day until the twenty-first century—who have commented on Jonson or his works are also included. An extensive bibliography completes this invaluable scholarly reference tool. Because of Jonson’s centrality to—and influence in and beyond—his age, this encyclopedia provides a dynamic, unparalleled vision of the English Renaissance literary scene. Capturing the depth and breadth of Jonson’s understanding of early Modern England, The Ben Jonson Encyclopedia will be especially useful for students, librarians, and academics interested in the literary and cultural scene from 1500 to 1650.

Poseidon

Poseidon PDF

Author: Charles River Charles River Editors

Publisher: Createspace Independent Publishing Platform

Published: 2017-05-03

Total Pages: 66

ISBN-13: 9781546456964

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*Includes pictures *Includes ancient accounts of Poseidon *Includes online resources and a bibliography for further reading "I begin to sing about Poseidon, the great god, mover of the earth and fruitless sea, god of the deep who is also lord of Helicon and wide Aegae. A two-fold office the gods allotted you, O Shaker of the Earth, to be a tamer of horses and a savior of ships! Hail, Poseidon, Holder of the Earth, dark-haired lord! O blessed one, be kindly in heart and help those who voyage in ships!" = Homeric Hymn to Poseidon Poseidon is one of the most easily recognizable characters in all of ancient Greek mythology. His signature trident is iconic; one sight of it invariably floods the modern mind with images of aquatic chariots and daunting typhoons. But there is so much more to the character of Poseidon than maritime denizens and disasters, which shouldn't really come as a surprise. Poseidon was one of the most revered gods of the ancient Mediterranean for centuries - if not millennia - and that kind of reverence brings with it the layering of myths, rituals, and history like the strata of sediments on a river bed. The idea of a god like Poseidon being only the god of the sea is too minimalistic and too reductionist to come anywhere near the truth of how an ancient worshipper may have pictured him in her prayers. In Aristophanes's comedy The Birds, Poseidon is depicted as a haughty, stern character with little changeability or volatility. He is the typical "pillar" of the Pantheon of Olympian gods that Poseidon came to represent to later audiences. However, it is vital to remember that The Birds was performed nearly two centuries after the opening quote of this book, and the evolution of Poseidon's character is a stark one. A "Shaker of the Earth" and a "savior of ships" can hardly be expected to be mundane. Acclaimed historian Robert Parker put it best when he said, "Poseidon was a god of the old-fashioned, ambiguous type who had the power to quell storms because he also had power to raise them." Notice "old-fashioned" has nothing to do with "reliability" or "dependability." If anything, very early religion in ancient Greece was more fluid and volatile. Gods could be dismissed or assimilated by other gods and cults could "invade" territories and overthrow or adopt the local gods as facets of their own personalities. In Archaic Greece, the cult idol was often an amorphous block of wood called a Xoanon, which people would worship as an aniconic symbol of a numinous power with a name. This ambiguity of character granted Poseidon and the other gods the ability to gradually adopt the characteristics of their personalities and cults over time. Their personas evolved thanks to a series of catastrophic and logical events visible in both the literary and archaeological record and continued to do so until they became the calcified, easily understandable stock characters of modern-day mythology books. With just a cursory look into the evolution of his character, however, Poseidon becomes as mercurial and turbulent and fascinating as the sea itself. Poseidon: The Origins and History of the Greek God of the Sea looks at the story of the Sea God and the various roles he played in Greek mythology. Along with pictures depicting important people, places, and events, you will learn about Poseidon like never before.

The Sea-god's Herb

The Sea-god's Herb PDF

Author: John Domini

Publisher:

Published: 2014

Total Pages: 325

ISBN-13: 9781938103780

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A witty and sophisticated examination of nontraditional storytelling in contemporary art and literature, The Sea-God's Herb contains reviews and essays on some of the most interesting authors and artists of the last forty years. From William Gass and Thomas Pynchon to Brian Evenson and Steve Erickson, John Domini takes readers beyond that which is "impossible" to explain. John Domini, noted poet, essayist, and author, has had his work appear in the New York Times, GQ, Paris Review, and Ploughshares. A former National Endowment for the Arts and Ingram-Merrill Foundation fellow, he teaches at Iowa State University and lives in Des Moines, Iowa.

The Villa Farnesina

The Villa Farnesina PDF

Author: James Grantham Turner

Publisher: Cambridge University Press

Published: 2022-10-06

Total Pages: 927

ISBN-13: 1009041630

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The frescoes of Peruzzi, Raphael and Sodoma still dazzle visitors to the Villa Farnesina, but they survive in a stripped-down environment bereft of its landscape, sealed so it cannot breathe. Turner takes you outside that box, restoring these canonical images to their original context, when each element joined in a productive conversation. He is the first to reconstruct the architect-painter Peruzzi's original, well-proportioned, well-appointed building and to re-visualize his lost façade decoration‒erotic scenes and mythological figures who make it come alive and soar upward. More comprehensively than any previous scholar, he reintegrates painting, sculpture, architecture, garden design, topographical prints and drawings, archaeological discoveries and literature from the brilliant circle around the patron Agostino Chigi, the powerful banker who 'loved all virtuosi' and commissioned his villa-palazzo from the best talents in multiple arts. It can now be understood as a Palace of Venus, celebrating aesthetic, social and erotic pleasure.