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The Topos of Music III: Gestures

Author: Guerino Mazzola

Publisher: Springer

Published: 2018-03-28

Total Pages: 604

ISBN-13: 3319644815

This is the third volume of the second edition of the now classic book “The Topos of Music”. The authors present gesture theory, including a gesture philosophy for music, the mathematics of gestures, concept architectures and software for musical gesture theory, the multiverse perspective which reveals the relationship between gesture theory and the string theory in theoretical physics, and applications of gesture theory to a number of musical themes, including counterpoint, modulation theory, free jazz, Hindustani music, and vocal gestures.

The Topos of Music

Author: Guerino Mazzola

Publisher: Birkhäuser

Published: 2012-12-06

Total Pages: 1310

ISBN-13: 303488141X

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With contributions by numerous experts

The Topos of Music II: Performance

Author: Guerino Mazzola

Publisher: Springer

Published: 2018-03-28

Total Pages: 408

ISBN-13: 3319644440

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This is the second volume of the second edition of the now classic book “The Topos of Music”. The author explains his theory of musical performance, developed in the language of differential geometry, introducing performance vector fields that generalize tempo and intonation. The author also shows how Rubato, a software platform for composition, analysis, and performance, allows an experimental evaluation of principles of expressive performance theories.

The Topos of Music

Author: Guerino Mazzola

Publisher: Springer

Published: 2018-04-12

Total Pages: 1580

ISBN-13: 9783319644332

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This four-volume set is the second edition of the now classic book “The Topos of Music”. In Vol. I the author explains the theory's conceptual framework of denotators and forms, the classification of local and global musical objects, the mathematical models of harmony and counterpoint, and topologies for rhythm and motives. In Vol. II the author explains his theory of musical performance, developed in the language of differential geometry, introducing performance vector fields that generalize tempo and intonation. Volume III presents gesture theory, including a gesture philosophy for music, the mathematics of gestures, concept architectures and software for musical gesture theory, the multiverse perspective which reveals the relationship between gesture theory and the string theory in theoretical physics, and applications of gesture theory to a number of musical themes, including counterpoint, modulation theory, free jazz, Hindustani music, and vocal gestures. Finally, Vol. IV contains appendices, explaining background topics in sound, mathematics, and music.

Creativity and Theory in Musicianship

Author: Guerino Mazzola

Publisher: Cambridge Scholars Publishing

Published: 2023-03-31

Total Pages: 149

ISBN-13: 1527501574

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This book fills a gap between theory and creativity in musicianship. This frequently observed gap fixes theory as a rigidified level of thought, where creativity is excluded from a canonized corpus of ideas. Creativity, on the other hand, is preconceived as a theory-less, wild activity that blossoms while performing pre-composed musical structures. This book provides a discussion of the creative drive in theory and theory-inspired thoughts while understanding how these ideas shape performance. The future of music is only as limited as one’s imagination, and, to this end, the text illuminates examples of creative musicianship.

Flow, Gesture, and Spaces in Free Jazz

Author: Guerino Mazzola

Publisher: Springer Science & Business Media

Published: 2008-12-21

Total Pages: 140

ISBN-13: 3540921958

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Free jazz, as performed by such artists as John Coltrone and Archie Shepp, is a creative, collaborative art form. This book examines free jazz and develops geometric theories of gestures and distributed identities, also known as swarm intelligence.

Classification of Musical Objects for Analysis and Composition

Author: Linshujie Zheng

Publisher: Springer Nature

Published: 2023-07-01

Total Pages: 156

ISBN-13: 3031301838

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This book presents and discusses the fundamental topic of classification of musical objects, such as chords, motifs, and gestures. Their classification deals with the exhibition of isomorphism classes. Our structure types include local and global constructions, the latter being similar to global structures in geometry, such as differentiable manifolds. The discussion extends to the role, which classification plays for the creative construction of musical compositions. Our examples include references to classical compositions, such as Beethoven’s sonatas, and some of the author’s own compositions of classical and jazz styles. We also discuss software that enables the application of classification to musical creativity. The volume is addressed to an audience that would apply classification to programming and creative musical construction.

The Topos of Music IV: Roots

Author: Guerino Mazzola

Publisher: Springer

Published: 2018-03-29

Total Pages: 325

ISBN-13: 3319644955

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This is the fourth volume of the second edition of the now classic book “The Topos of Music”. The author presents appendices with background material on sound and auditory physiology; mathematical basics such as sets, relations, transformations, algebraic geometry, and categories; complements in physics, including a discussion on string theory; and tables with chord classes and modulation steps.

The Topos of Music I: Theory

Author: Guerino Mazzola

Publisher: Springer

Published: 2018-03-28

Total Pages: 656

ISBN-13: 3319643649

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This is the first volume of the second edition of the now classic book “The Topos of Music”. The author explains the theory's conceptual framework of denotators and forms, the classification of local and global musical objects, the mathematical models of harmony and counterpoint, and topologies for rhythm and motives.

The Future of Music

Author: Guerino Mazzola

Publisher: Springer Nature

Published: 2020-03-21

Total Pages: 237

ISBN-13: 3030397092

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The idea of this monograph is to present an overview of decisive theoretical, computational, technological, aesthetical, artistic, economical, and sociological directions to create future music. It features a unique insight into dominant scientific and artistic new directions, which are guaranteed by the authors' prominent publications in books, software, musical, and dance productions. Applying recent research results from mathematical and computational music theory and software as well as new ideas of embodiment approaches and non-Western music cultures, this book presents new composition methods and technologies. Mathematical, computational, and semiotic models of artistic presence (imaginary time, gestural creativity) as well as strategies are also covered. This book will be of interest to composers, music technicians, and organizers in the internet-based music industry, who are offered concrete conceptual architectures and tools for their future strategies in musical creativity and production.