The Theory of Islamic Art (Ukrainian Language)

The Theory of Islamic Art (Ukrainian Language) PDF

Author: Idham Mohammed Hanash

Publisher: International Institute of Islamic Thought (IIIT)

Published: 2021-03-03

Total Pages: 126

ISBN-13: 1642054968

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Divine oneness as the principle of beauty is perhaps quintessentially Islamic artistic expression and experience and what it celebrates. Why has Islamic art evolved as it has, what forms does it take, what is the logic underlying it? What message is the Muslim artist attempting to convey, what emotion is he seeking to evoke? This work views Islamic art as a subject of archeological study and treats its evolution as part of the historical study of art in the broader sense. At the same time, it paves the way for an epistemological shift from viewing Islamic art as a material concept having to do with beautiful rarities and relics that have grown out of Islamic cultural and artistic creativity, to a theoretical concept associated with a vision, a principle, a theory and a method. This theoretical concept provides the intellectual and cultural foundation for a critical philosophical science of Islamic artistic beauty to which we might refer as ‘the science of Islamic art,’ or ‘the Islamic aesthetic’ that evaluates visual artistic creations in terms of both beauty and practical usefulness. In the process the study also explores orientalist misconceptions, challenging some of the premises with which it has approached Islamic art, with judgement rooted in a cultural framework alien to the spiritual perspective of Islam.

Deconstructing the Myths of Islamic Art

Deconstructing the Myths of Islamic Art PDF

Author: Onur Öztürk

Publisher: Routledge

Published: 2022-03-20

Total Pages: 320

ISBN-13: 100055595X

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Deconstructing the Myths of Islamic Art addresses how researchers can challenge stereotypical notions of Islam and Islamic art while avoiding the creation of new myths and the encouragement of nationalistic and ethnic attitudes. Despite its Orientalist origins, the field of Islamic art has continued to evolve and shape our understanding of the various civilizations of Europe, Africa, Asia, and the Middle East. Situated in this field, this book addresses how universities, museums, and other educational institutions can continue to challenge stereotypical or homogeneous notions of Islam and Islamic art. It reviews subtle and overt mythologies through scholarly research, museum collections and exhibitions, classroom perspectives, and artists’ initiatives. This collaborative volume addresses a conspicuous and persistent gap in the literature, which can only be filled by recognizing and resolving persistent myths regarding Islamic art from diverse academic and professional perspectives. The book will be of interest to scholars working in art history, museum studies, visual culture, and Middle Eastern studies.

The Meaning of Islamic Art

The Meaning of Islamic Art PDF

Author: Khursheed Kamal Aziz

Publisher:

Published: 2004

Total Pages: 730

ISBN-13:

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This Extensive Volume Has 9 Chapters. Religions, Art And Culture, The Book, Calligraphy, Painting, Architecture, Gardens. A Matter Of State, The Arts Of Good Living-Symbolism, Music. In Appendices, Bibliogrpahy, Index. Many Colour Illustrations.

Art of Islam

Art of Islam PDF

Author: Titus Burckhardt

Publisher:

Published: 1976

Total Pages: 228

ISBN-13:

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Masterpieces of Islamic architecture, ornamentation, mosaics, and decorative arts illustrate a study of the spiritual significance of art in the Islamic religion and the link between liturgy and iconography.

What is “Islamic” Art?

What is “Islamic” Art? PDF

Author: Wendy M. K. Shaw

Publisher: Cambridge University Press

Published: 2019-10-10

Total Pages: 387

ISBN-13: 1108474659

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An alternate approach to Islamic art emphasizing literary over historical contexts and reception over production in visual arts and music.

Contested Tongues

Contested Tongues PDF

Author: Laada Bilaniuk

Publisher: Cornell University Press

Published: 2005

Total Pages: 252

ISBN-13: 9780801472794

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During the controversial 2004 elections that led to the "Orange Revolution" in Ukraine, cultural and linguistic differences threatened to break apart the country. Contested Tongues explains the complex linguistic and cultural politics in a bilingual country where the two main languages are closely related but their statuses are hotly contested. Laada Bilaniuk finds that the social divisions in Ukraine are historically rooted, ideologically constructed, and inseparable from linguistic practice. She does not take the labeled categories as givens but questions what "Ukrainian" and "Russian" mean to different people, and how the boundaries between these categories may be blurred in unstable times.Bilaniuk's analysis of the contemporary situation is based on ethnographic research in Ukraine and grounded in historical research essential to understanding developments since the fall of the Soviet Union. "Mixed language" practices (surzhyk) in Ukraine have generally been either ignored or reviled, but Bilaniuk traces their history, their social implications, and their accompanying ideologies. Through a focus on mixed language and purism, the author examines the power dynamics of linguistic and cultural correction, through which people seek either to confer or to deny others social legitimacy. The author's examination of the rapid transformation of symbolic values in Ukraine challenges theories of language and social power that have as a rule been based on the experience of relatively stable societies.