The Symbolism of Paul Gauguin

The Symbolism of Paul Gauguin PDF

Author: Henri Dorra

Publisher: Univ of California Press

Published: 2007-02-20

Total Pages: 370

ISBN-13: 0520241304

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"Modern Gauguin studies—complex interpretations of the works based on the identification of the artist's sources in ancient sacred art from around the world—began in the early 1950s with the pioneering research of Bernard Dorival and Henri Dorra. The Symbolism of Paul Gauguin: Erotica, Exotica, and the Great Dilemmas of Humanity, Dorra's ultimate meditation on the art of Gauguin, constitutes a milestone in the history of Post-Impressionism."—Charles Stuckey is an independent scholar and consultant

Gauguin

Gauguin PDF

Author: Paul Gauguin

Publisher: Philip Wilson Publishers

Published: 2004-11-12

Total Pages: 338

ISBN-13:

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This work shows how Impressionist and Symbolist painter, Paul Gauguin became one of the major influences on the general non-naturalistic trends of 20th century art.

Technique and Meaning in the Paintings of Paul Gauguin

Technique and Meaning in the Paintings of Paul Gauguin PDF

Author: Vojtěch Jirat-Wasiutyński

Publisher: Cambridge : Cambridge University Press

Published: 2000-01

Total Pages: 286

ISBN-13: 9780521642903

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Reconstructing the artist's painting techniques, Jirat-Wasiutynski and Newton demonstrate that Gauguin's technical choices were meaningful.

Van Gogh and Gauguin

Van Gogh and Gauguin PDF

Author: Debora Silverman

Publisher: Macmillan

Published: 2004-07-17

Total Pages: 518

ISBN-13: 9780374529321

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An original account of the tortuous and revealing relationship between two seminal figures of modern painting, Vincent van Gogh and Paul Gauguin.

Savage Tales

Savage Tales PDF

Author: Linda Goddard

Publisher: Yale University Press

Published: 2019-09-03

Total Pages: 210

ISBN-13: 0300240597

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"An original study of Gauguin's writings, unfolding their central role in his artistic practice and negotiation of colonial identity. As a French artist who lived in Polynesia, Paul Gauguin (1848-1903) occupies a crucial position in histories of European primitivism. This is the first book devoted to his wide-ranging literary output, which included journalism, travel writing, art criticism, and essays on aesthetics, religion, and politics. It analyzes his original manuscripts, some of which are richly illustrated, reinstating them as an integral component of his art. The seemingly haphazard, collage-like structure of Gauguin's manuscripts enabled him to evoke the "primitive" culture that he celebrated, while rejecting the style of establishment critics. Gauguin's writing was also a strategy for articulating a position on the margins of both the colonial and the indigenous communities in Polynesia; he sought to protect Polynesian society from "civilization" but remained implicated in the imperialist culture that he denounced. This critical analysis of his writings significantly enriches our understanding of the complexities of artistic encounters in the French colonial context."--Publisher's description.

Paul Gauguin

Paul Gauguin PDF

Author: Anna Barskaya

Publisher: Parkstone International

Published: 2011-07-01

Total Pages: 160

ISBN-13: 1780424868

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Paul Gauguin was first a sailor, then a successful stockbroker in Paris. In 1874 he began to paint at weekends as a Sunday painter. Nine years later, after a stock-market crash, he felt confident of his ability to earn a living for his family by painting and he resigned his position and took up the painter’s brush full time. Following the lead of Cézanne, Gauguin painted still-lifes from the very beginning of his artistic career. He even owned a still-life by Cézanne, which is shown in Gauguin’s painting Portrait of Marie Lagadu. The year 1891 was crucial for Gauguin. In that year he left France for Tahiti, where he stayed till 1893. This stay in Tahiti determined his future life and career, for in 1895, after a sojourn in France, he returned there for good. In Tahiti, Gauguin discovered primitive art, with its flat forms and violent colours, belonging to an untamed nature. With absolute sincerity, he transferred them onto his canvas. His paintings from then on reflected this style: a radical simplification of drawing; brilliant, pure, bright colours; an ornamental type composition; and a deliberate flatness of planes. Gauguin termed this style “synthetic symbolism”.