The Survival of American Silent Feature Films

The Survival of American Silent Feature Films PDF

Author: Council on Council on Library and Information Resources and The Library of Congress

Publisher: CreateSpace

Published: 2014-04-11

Total Pages: 68

ISBN-13: 9781497595248

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The era of the American silent feature film lasted from 1912 until 1929. During that time, filmmakers established the language of cinema, and the motion pictures they created reached a height of artistic sophistication. These films, with their recognizable stars and high production values, spread American culture around the world. Silent feature films disappeared from sight soon after the coming of sound, and many vanished from existence. This report focuses on those titles that have managed to survive to the present day and represents the first comprehensive survey of the survival of American silent feature films. The American Film Institute Catalog of Feature Films documents 10,919 silent feature films of American origin released through 1930. Treasures from the Film Archives, published by the International Federation of Film Archives (FIAF), is the primary source of information regarding silent film survival in the archival community. The FIAF information has been enhanced by information from corporations, libraries, and private collectors. We have good documentation on what American silent feature films were produced and released. This study quantifies the "what," "where," and "why" of their survival. The survey was designed to answer five questions:

Still

Still PDF

Author: David S. Shields

Publisher: University of Chicago Press

Published: 2013-06-18

Total Pages: 416

ISBN-13: 022601343X

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The success of movies like The Artist and Hugo recreated the wonder and magic of silent film for modern audiences, many of whom might never have experienced a movie without sound. But while the American silent movie was one of the most significant popular art forms of the modern age, it is also one that is largely lost to us, as more than eighty percent of silent films have disappeared, the victims of age, disaster, and neglect. We now know about many of these cinematic masterpieces only from the collections of still portraits and production photographs that were originally created for publicity and reference. Capturing the beauty, horror, and moodiness of silent motion pictures, these images are remarkable pieces of art in their own right. In the first history of still camera work generated by the American silent motion picture industry, David S. Shields chronicles the evolution of silent film aesthetics, glamour, and publicity, and provides unparalleled insight into this influential body of popular imagery. Exploring the work of over sixty camera artists, Still recovers the stories of the photographers who descended on early Hollywood and the stars and starlets who sat for them between 1908 and 1928. Focusing on the most culturally influential types of photographs—the performer portrait and the scene still—Shields follows photographers such as Albert Witzel and W. F. Seely as they devised the poses that newspapers and magazines would bring to Americans, who mimicked the sultry stares and dangerous glances of silent stars. He uncovers scene shots of unprecedented splendor—visions that would ignite the popular imagination. And he details how still photographs changed the film industry, whose growing preoccupation with artistry in imagery caused directors and stars to hire celebrated stage photographers and transformed cameramen into bankable names. Reproducing over one hundred and fifty of these gorgeous black-and-white photographs, Still brings to life an entire long-lost visual culture that a century later still has the power to enchant.

Silent Film Adaptations of Novels by British and American Women Writers, 1903-1929

Silent Film Adaptations of Novels by British and American Women Writers, 1903-1929 PDF

Author: Jamie Barlowe

Publisher: Taylor & Francis

Published: 2024-08-08

Total Pages: 166

ISBN-13: 1040100805

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Silent Film Adaptations of Novels by British and American Women Writers, 1903–1929 focuses on fifty-three silent film adaptations of the novels of acclaimed authors George Eliot, Charlotte Brontë, Emily Brontë, Mary Shelley, Louisa May Alcott, Harriet Beecher Stowe, Willa Cather, and Edith Wharton. Many of the films are unknown or dismissed, and most of them are degraded, destroyed, or lost—burned in warehouse fires, spontaneously combusted in storage cans, or quietly turned to dust. Their content and production and distribution details are reconstructed through archival resources as individual narratives that, when considered collectively, constitute a broader narrative of lost knowledge—a fragmented and buried early twentieth-century story now reclaimed and retold for the first time to a twenty-first-century audience. This collective narrative also demonstrates the extent to which the adaptations are intertextually and ideologically entangled with concurrently released early “woman’s films” to re-promote and re-instill the norm of idealized white, married, domesticated womanhood during a time of extraordinary cultural change for women. Retelling this lost narrative also allows for a reassessment of the place and function of the adaptations in the development of the silent film industry and as cinematic precedent for the hundreds of sound adaptations of the literary texts of these eight women writers produced from 1931 to the 2020s.

Silent Film Sound

Silent Film Sound PDF

Author: Rick Altman

Publisher: Columbia University Press

Published: 2004

Total Pages: 492

ISBN-13: 9780231116633

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Silent films were, of course, never silent at all. However, the sound that used to accompany the screen picture in the early days of cinema has been neglected as an area of study. Altman explores the various musical, narrative, and even synchronized sound systems that enriched cinema before Jolson spoke.

The Dawn of Technicolor, 1915-1935

The Dawn of Technicolor, 1915-1935 PDF

Author: James Layton

Publisher:

Published: 2015

Total Pages: 0

ISBN-13: 9780935398229

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"Traces the first two decades of the Technicolor Corporation and the development of its two-color motion picture process, using such resources as corporate documents, studio production files, contemporary accounts, and unpublished interviews. Includes annotated filmography of all two-color Technicolor titles produced between 1915 and 1935"--

Australia's Lost Films

Australia's Lost Films PDF

Author: Ray Edmondson

Publisher: National Library Australia

Published: 1982

Total Pages: 98

ISBN-13: 0642992517

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Australia's Lost Films was published by the National Library of Australia to coincide with THE LAST FILM SEARCH, a project to find as many of these important films as possible and commit them to the care of the National Film and Sound Archive. But with its many photographs and a complete checklist of silent feature films 1896-1930, the book stands as an important record of a necessarily little known part of Australia's cinematic past.

The Art of Adapting Victorian Literature, 1848-1920

The Art of Adapting Victorian Literature, 1848-1920 PDF

Author: Karen E. Laird

Publisher: Routledge

Published: 2016-03-03

Total Pages: 279

ISBN-13: 1317044495

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In The Art of Adapting Victorian Literature, 1848-1920, Karen E. Laird alternates between readings of nineteenth-century stage and twentieth-century silent film adaptations to investigate the working practices of the first adapters of Victorian fiction. Laird’s juxtaposition between stage and screen brings to life the dynamic culture of literary adaptation as it developed throughout the long nineteenth-century. Focusing on Charlotte Brontë’s Jane Eyre, Charles Dickens’s David Copperfield, and Wilkie Collins’s The Woman in White, Laird demonstrates how adaptations performed the valuable cultural work of expanding the original novel’s readership across class and gender divides, exporting the English novel to America, and commemorating the novelists through adaptations that functioned as virtual literary tourism. Bridging the divide between literary criticism, film studies, and theatre history, Laird’s book reveals how the Victorian adapters set the stage for our contemporary film adaptation industry.

King of Jazz

King of Jazz PDF

Author: James Layton

Publisher: Media History Digital Library

Published: 2016

Total Pages: 0

ISBN-13: 9780997380101

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"King of Jazz: Paul Whiteman's Technicolor Revue" tells the story of the making, release, and restoration of Universal s 1930 Technicolor musical extravaganza King of Jazz. Authors James Layton and David Pierce have uncovered original artwork, studio production files, behind-the-scenes photographs, personal papers, unpublished interviews, and a host of other previously unseen documentation. The book offers a richly illustrated narrative of the film's production, with broader context on its diverse musical and theatrical influences. The story concludes with an in-depth look at the challenges Universal overcame in restoring the film in 2016. Additionally, the book's appendix provides a comprehensive guide to all of the film's performers, music, alternate versions, and deleted scenes. "King of Jazz" was one of the most ambitious films ever to emerge from Hollywood. Just as movie musicals were being invented in 1929, Universal Pictures brought together Paul Whiteman, leader of the country s top dance orchestra; John Murray Anderson, director of spectacular Broadway revues; a top ensemble of dancers and singers; early Technicolor; and a near unlimited budget. The film s highlights include a dazzling interpretation of George Gershwin's Rhapsody in Blue, which Whiteman had introduced to the public in 1924; Walter Lantz's A Fable in Jazz, the first cartoon in Technicolor; and Anderson's grand finale The Melting Pot of Music, a visualization of popular music's many influences and styles. The film is not only a unique document of Anderson's theatrical vision and Whiteman's band at its peak, but also of several of America s leading performers of the late 1920s, including Bing Crosby in his first screen appearance, and the Russell Markert Dancers, who would soon become Radio City Music Hall's famous Rockettes

The Art of Adapting Victorian Literature, 1848-1920

The Art of Adapting Victorian Literature, 1848-1920 PDF

Author: Dr Karen Laird

Publisher: Ashgate Publishing, Ltd.

Published: 2015-08-28

Total Pages: 249

ISBN-13: 1472424395

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In The Art of Adapting Victorian Literature, 1848–1920, Karen E. Laird alternates between readings of nineteenth-century stage and twentieth-century silent film adaptations to demonstrate the working practices of the first adapters of Victorian fiction. Focusing on Charlotte Brontë’s Jane Eyre, Charles Dickens’s David Copperfield, and Wilkie Collins’s The Woman in White, Laird charts a new cultural history of literary adaptation as it developed throughout the long nineteenth-century.