The So Pots of Central Africa

The So Pots of Central Africa PDF

Author: Graham Connah

Publisher:

Published: 2019

Total Pages: 79

ISBN-13: 9781407356082

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This is an original study of very large pots in parts of Chad, Cameroon, and Nigeria. Found in excavations and surface fieldwork, they have been attributed to the So, a group of pre-Islamic inhabitants of the area before the sixteenth century AD, who have become mythologised as giants. Originally for burial, in some cases the pots have been dug up by villagers and reused: for brewing beer or as dye pits for indigo cloth. The book focuses on a group of these pots that survived until the late twentieth century in villages in a small part of Borno, north-eastern Nigeria.

The So Pots of Central Africa

The So Pots of Central Africa PDF

Author: Graham Connah

Publisher: BAR International Series

Published: 2019

Total Pages: 108

ISBN-13:

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African Archaeology, Volume 91 This book is an original study of very large pots in parts of Chad, Cameroon and Nigeria. Found in excavations and surface fieldwork, they have been attributed to the So, a group of pre-Islamic inhabitants of the area before the sixteenth century AD, who have become mythologised as giants. Originally for burial, in some cases the pots have been dug up by villagers and reused: for brewing beer or as dye pits for indigo cloth. The book focuses on a group of these pots that survived until the late twentieth century in villages in a small part of Borno, north-eastern Nigeria. With the passage of time and terrorist activities in the region, their fate is now unknown and the photographs from 1963 to 1993 reproduced in this book have become a major archive of an unusual pottery group.

Mlozi of Central Africa

Mlozi of Central Africa PDF

Author: David Stuart-Mogg

Publisher: African Books Collective

Published: 2024-01-23

Total Pages: 211

ISBN-13: 9996080218

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For more than a century, historians and writers on Africa have almost invariably associated the name Mlozi with all the cruellest excesses of the central and east African slave trade during the nineteenth century. That Mlozi bin Kazbadema was a significant slaver who conducted his trade according to all the brutal conventions of his period is beyond dispute. His subsequent botched hanging at the end of a British-sponsored rope, following a drum-head trial of questionable legality, has been generally regarded as well-deserved and a fitting, if muscular, exemplar of Pax Britannica in action. In The End of the Slaver, a title taken from recollections of Mlozi's hanging by the medical missionary Dr. Kerr Cross, author David Stuart-Mogg examines Mlozi's life and milieu and carefully weighs the often conflicting evidence apparent between official military and government reports and the largely unpublished private letters and diaries written at the time by those who participated in Mlozi's downfall and elimination. Stuart-Mogg's carefully evaluated findings call into serious question the altruism and philanthropy that the ultimate, and inevitable, victors of the struggle accorded their actions and their undoubtedly laudable ultimate objective - the eradication of slavery in British Central Africa. Referring to this book as 'an unusually stimulating study, Professor Shepperson recommends that The End of the Slaver deserves to be widely-read, not only by those whose primary interest is in the history of Malawi but also by students of slavery and the anti-slavery movements in the nineteenth century - and, indeed by all who are concerned with man's inhumanity to man.

The Pot-King

The Pot-King PDF

Author: Jean-Pierre Warnier

Publisher: BRILL

Published: 2007

Total Pages: 336

ISBN-13: 9004152172

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The king of Mankon (Cameroon) acts as a container of ancestral substances he distributes to his people. This book shows how the exercise of power in a contemporary African kingdom is based on the implementation of bodily and material technologies.

The Objects of Life in Central Africa

The Objects of Life in Central Africa PDF

Author:

Publisher: BRILL

Published: 2013-09-15

Total Pages: 295

ISBN-13: 9004256245

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In The Objects of Life in Central Africa the history of consumption and social change from 1840 until 1980 is explored. By taking consumption as a vantage point, the contributions deviate from and add to previous works which have mainly analysed issues of production from an economic and political perspective. The chapters are broad-ranging in temporal and geographical focus, including contributions on Congo, Zambia, Zimbabwe and Angola. Topics range from the social history of firearms to the perception of the railway and include contributions on sewing machines, traders and advertising. By looking at the socio-economic, political and cultural meaning and impact of goods the history of Central Africa is reassessed.

The Lake Regions of Central Africa

The Lake Regions of Central Africa PDF

Author: Richard Francis Burton

Publisher:

Published: 1860

Total Pages: 494

ISBN-13:

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An engrossing record of explorations of central Africa's lake regions. Acute observations on village life, native character, religion and government.

The Scramble for Art in Central Africa

The Scramble for Art in Central Africa PDF

Author: Enid Schildkrout

Publisher: Cambridge University Press

Published: 1998-03-28

Total Pages: 274

ISBN-13: 9780521586788

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Western attitudes to Africa have been influenced to an extraordinary degree by the arts and artefacts that were brought back by the early collectors, exhibited in museums, and celebrated by scholars and artists in the metropolitan centres. The contributors to this volume trace the life history of artefacts that were brought to Europe and America from Congo towards the end of the nineteenth century, and became the subjects of museum displays. They also present fascinating case studies of the pioneering collectors, including such major figures as Frobenius and Torday. They discuss the complex and sensitive issues involved in the business of 'collecting', and show how the collections and exhibitions influenced academic debates about the categories of art and artefact, and the notion of authenticity, and challenged conventional aesthetic values, as modern Western artists began to draw on African models.