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The Representation of Blackness in Walt Disney's "The Princess and the Frog"

Author: Anna Wertenbruch

Publisher: GRIN Verlag

Published: 2013-01-24

Total Pages: 24

ISBN-13: 3656359083

Seminar paper from the year 2012 in the subject American Studies - Literature, grade: 1,3, Ruhr-University of Bochum (Englisches Seminar), course: New Orleans, language: English, abstract: The Princess and the Frog immediately captured the media’s and critics’ attention since the heroine and later princess, Tiana, is Disney’s first African-American protagonist. Some scholars claim that the timely release of the film in the first year of Barack Obama’s presidency renders The Princess and the Frog an appropriate marker of America’s so-called ‘new age’ of racial harmony: While a black president resides in the White House, a black princess lives in the Disney castle. When the characters sing “Dreams Do Come True in New Orleans” (Newman), the city – though accurately and authentically depicted – is presented as a dreamspace with racial harmony, contrary to the real New Orleans at that time. In this context, the peculiar absence of racial tension throughout the film might be an approach to overwrite the problematic position the city occupies in the minds of many Americans with a romantic fairy tale by Disney. Therefore it can be said that The Princess and the Frog serves as a tourist brochure for the city which makes viewers nostalgically look back. To prove my theses of how blackness is formed in The Princess and the Frog, I will have a closer look at the setting of the Disney-movie since New Orleans, which is often considered as a place of ‘racial difference’, plays an important role in the film’s construction of blackness. At first I will give a brief overview of the city’s colonial history before explaining the concept of Creolization and link this idea to New Orleans. In the following part of my paper, I will analyze the representation of blackness in Walt Disney’s film The Princess and the Frog by on the one hand referring to the setting and its depiction and on the other hand taking into account Tiana, the first African American princess, and her illustration in the film. Due to limitations of space and since the portrayals of New Orleans and Tiana provide lots of interesting material for an analysis, the display of voodoo and the study of other characters in the film is omitted in this paper. Finally, in the conclusion I sum up my findings and elaborate on an issue, or respectively, answer a question which was often posed and discussed about after the release of the film: Does Disney neglect stereotypes in The Princess and the Frog or promote them?

The Advocate

Author:

Publisher:

Published: 2005-01-18

Total Pages: 80

ISBN-13:

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The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States.

Diversity in Disney Films

Author: Johnson Cheu

Publisher: McFarland

Published: 2013-01-24

Total Pages: 317

ISBN-13: 0786446013

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Although its early films featured racial caricatures and exclusively Caucasian heroines, Disney has, in recent years, become more multicultural in its filmic fare and its image. From Aladdin and Pocahontas to the Asian American boy Russell in Up, from the first African American princess in The Princess and the Frog to "Spanish-mode" Buzz Lightyear in Toy Story 3, Disney films have come to both mirror and influence our increasingly diverse society. This essay collection gathers recent scholarship on representations of diversity in Disney and Disney/Pixar films, not only exploring race and gender, but also drawing on perspectives from newer areas of study, particularly sexuality/queer studies, critical whiteness studies, masculinity studies and disability studies. Covering a wide array of films, from Disney's early days and "Golden Age" to the Eisner era and current fare, these essays highlight the social impact and cultural significance of the entertainment giant. Instructors considering this book for use in a course may request an examination copy here.

The representation of gender roles in Disney movies

Author:

Publisher: GRIN Verlag

Published: 2018-01-06

Total Pages: 27

ISBN-13: 3668604037

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Seminar paper from the year 2017 in the subject Communications - Movies and Television, grade: 1,3, University of Duisburg-Essen (Department of Anglophone Studies), course: Applied Linguistics, language: English, abstract: Media is a big part of people’s everyday lives. It influences both how we see ourselves and how the world sees us. Media can be divided in many different types, for example: television, shows, movies, the radio, newspapers, advertisements and the internet. One of the most famous producers of children’s media is the Walt Disney Company. Since 1937 many movies, shows and other products were designed and published in order to entertain children. Thus, results a huge influence on children’s perception of the world and how they see themselves in the world. In all of them are images of women and men, which are represented in different ways and with different traits. One popular production of Disney is the Disney princess line which was created 2001 and includes more than 25,000 different products. Currently, the line includes ten movies; four of them will be analysed in this term paper: "Snow White and the Seven Dwarfs" (1937), "Pocahontas" (1995), "Tangled" (2010) and "Frozen" (2013). These movies have an influence on children and their images of gender roles. But, how are gender roles represented in these movies and is there a remarkable change over time? This term paper will give an overview about the most influential movies of the Disney Princess line and how the image of female characters is presented. It is difficult to analyse all aspects of gender roles but the most obvious ones are regarded and how many differences exist in these four movies.

The Psychosocial Implications of Disney Movies

Author: Lauren Dundes

Publisher: MDPI

Published: 2019-07-11

Total Pages: 246

ISBN-13: 3038978485

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In this volume of 15 articles, contributors from a wide range of disciplines present their analyses of Disney movies and Disney music, which are mainstays of popular culture. The power of the Disney brand has heightened the need for academics to question whether Disney’s films and music function as a tool of the Western elite that shapes the views of those less empowered. Given its global reach, how the Walt Disney Company handles the role of race, gender, and sexuality in social structural inequality merits serious reflection according to a number of the articles in the volume. On the other hand, other authors argue that Disney productions can help individuals cope with difficult situations or embrace progressive thinking. The different approaches to the assessment of Disney films as cultural artifacts also vary according to the theoretical perspectives guiding the interpretation of both overt and latent symbolic meaning in the movies. The authors of the 15 articles encourage readers to engage with the material, showcasing a variety of views about the good, the bad, and the best way forward.

How can they tell if I am male or female? Gender stereotypes in Disney movies

Author: Sarah Vogel

Publisher: GRIN Verlag

Published: 2016-08-17

Total Pages: 20

ISBN-13: 3668275807

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Seminar paper from the year 2015 in the subject Communications - Movies and Television, grade: 2,3, LMU Munich, language: English, abstract: If we look behind the “sparkling stars” and “memorizing magic” that is Disney, we might see that these Disney princesses are not the best role models for children. Therefore, this research paper aims at showing these role models in Disney movies and give an awareness of problems they bring with them. “How can they tell if I am male or female?” This last line of The Ballad of Mulan shows that the gender question was already raised in the 6th century. This research aims at analyzing the representation of females in Walt Disney movies: the appearance and intelligence, helplessness and the need of protection and domestication. Before doing so, there has to be a definition what gender role is, in general, but also in Disney movies.

Multiculturalism and the Mouse

Author: Douglas Brode

Publisher: University of Texas Press

Published: 2009-01-27

Total Pages: 313

ISBN-13: 0292783302

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In his latest iconoclastic work, Douglas Brode—the only academic author/scholar who dares to defend Disney entertainment—argues that "Uncle Walt's" output of films, television shows, theme parks, and spin-off items promoted diversity decades before such a concept gained popular currency in the 1990s. Fully understood, It's a Small World—one of the most popular attractions at the Disney theme parks—encapsulates Disney's prophetic vision of an appealingly varied world, each race respecting the uniqueness of all the others while simultaneously celebrating a common human core. In this pioneering volume, Brode makes a compelling case that Disney's consistently positive presentation of "difference"—whether it be race, gender, sexual orientation, ideology, or spirituality—provided the key paradigm for an eventual emergence of multiculturalism in our society. Using examples from dozens of films and TV programs, Brode demonstrates that Disney entertainment has consistently portrayed Native Americans, African Americans, women, gays, individual acceptance of one's sexual orientation, and alternatives to Judeo-Christian religious values in a highly positive light. Assuming a contrarian stance, Brode refutes the overwhelming body of "serious" criticism that dismisses Disney entertainment as racist and sexist. Instead, he reveals through close textual analysis how Disney introduced audiences to such politically correct principles as mainstream feminism. In so doing, Brode challenges the popular perception of Disney fare as a bland diet of programming that people around the world either uncritically deem acceptable for their children or angrily revile as reactionary pabulum for the masses. Providing a long overdue and thoroughly detailed alternative, Brode makes a highly convincing argument that with an unwavering commitment to racial diversity and sexual difference, coupled with a vast global popularity, Disney entertainment enabled those successive generations of impressionable youth who experienced it to create today's aura of multiculturalism and our politically correct value system.