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Author: Jeremy Mark Robinson
Publisher: Crescent Moon Publishing
Published: 2006
Total Pages: 698
ISBN-13:
DOWNLOAD EBOOK →A major new study of Russian filmmaker Ardrei Tarkovsky (1932-1986), director of seven feature films, including 'Mirror', 'Solaris' and 'The Sacrifice'. Exploring every aspect of his output, including scripts, budget, production, shooting, editing, camera, sound, music, acting, themes, motifs and spirituality.
Author: Jeremy Robinson
Publisher:
Published: 2020-11-23
Total Pages: 696
ISBN-13: 9781861717917
DOWNLOAD EBOOK →A study of Russian filmmaker ANDREI TARKOVSKY.
Author: Andrey Tarkovsky
Publisher: University of Texas Press
Published: 1989-04
Total Pages: 260
ISBN-13: 9780292776241
DOWNLOAD EBOOK →A director reveals the original inspirations for his films, their history, his methods of work, and the problems of visual creativity
Author: Nariman Skakov
Publisher: Bloomsbury Publishing
Published: 2012-01-30
Total Pages: 280
ISBN-13: 0857721194
DOWNLOAD EBOOK →The phenomenon of time was a central preoccupation of Tarkovsky throughout his career. His films present visions of time by temporal means - that is, in time. Tarkovsky does not represent time through coherent argument, Nariman Skakov proposes, rather he presents it and the viewer experiences the argument. This book explores the phenomenon of spatio-temporal lapse in Tarkovsky's cinema - from Ivan's Childhood (1962) to Sacrifice (1986). Dreams, visions, mirages, memories, revelations, reveries and delusions are phenomena which present alternative spatio-temporal patterns; they disrupt the linear progression of events and create narrative discontinuity. Each chapter is dedicated to the discussion of one of Tarkovsky's seven feature films and in each, one of these phenomena functions as a refrain. Skakov discusses the influence of the flow of and lapses in space and time on the viewer's perception of the Tarkovskian cinematic universe. He opens and closes his original and fascinating book on Tarkovsky's cinema by focusing on the phenomenon of time that is discussed extensively by the filmmaker in his main theoretical treatise Sculpting in Time, as well as in a number of interviews and public lectures.
Author: Robert Bird
Publisher: Reaktion Books
Published: 2008-04-15
Total Pages: 260
ISBN-13: 9781861893420
DOWNLOAD EBOOK →The films of Andrei Tarkovsky have been revered as ranking on a par with the masterpieces of Russia's novelists and composers. His work has had an enormous influence on the style and structure of contemporary European film. This book is an original and comprehensive account of Tarkovsky's entire film output.
Author: Vida T. Johnson
Publisher: Indiana University Press
Published: 1994-12-22
Total Pages: 356
ISBN-13: 9780253208873
DOWNLOAD EBOOK →"Johnson and Petrie have produced an admirable book. Anyone who wants to make sense of Tarkovsky's films—a very difficult task in any case—must read it." —The Russian Review "This book is a model of contextual and textual analysis. . . . the Tarkovsky myth is stripped of many of its shibboleths and the thematic structure and coherence of his work is revealed in a fresh and stimulating manner." —Europe-Asia Studies "[This book,] with its wealth of new research and critical insight, has set the standard and should certainly inspire other writers to keep on trying to collectively explore the possible meanings of Tarkovsky's film world." —Canadian Journal of Film Studies "For Tarkovsky lovers as well as haters, this is an essential book. It might make even the haters reconsider." —Cineaste This definitive study, set in the context of Russian cultural history, throws new light on one of the greatest—and most misunderstood—filmmakers of the past three decades. The text is enhanced by more than 60 frame enlargements from the films.
Author: Thomas Redwood
Publisher: Cambridge Scholars Publishing
Published: 2010-05-11
Total Pages: 280
ISBN-13: 144382240X
DOWNLOAD EBOOK →“If you look for a meaning, you’ll miss everything that happens.” Almost twenty-five years after the death of Andrei Tarkovsky, the mystery of his films remains alive and well. Recent years have witnessed an ever-increasing number of film theorists, critics and philosophers taking up the challenge to decipher what these films actually mean. But what do these films actually show us? In this study Thomas Redwood undertakes a close formal analysis of Tarkovsky’s later films. Charting the stylistic and narrative innovations in Mirror, Stalker, Nostalghia and The Sacrifice, Redwood succeeds in shedding new light on these celebrated but often misunderstood masterpieces of narrative film. Tarkovsky is revealed here both as a cinematic thinker and as an artistic practitioner, a filmmaker of immense poetic significance for the history of cinema.
Author: Mark Le Fanu
Publisher: London : BFI Pub.
Published: 1987
Total Pages: 168
ISBN-13:
DOWNLOAD EBOOK →No Marketing Blurb
Author: Andreĭ Arsenʹevich Tarkovskiĭ
Publisher: Univ. Press of Mississippi
Published: 2006
Total Pages: 236
ISBN-13: 9781578062201
DOWNLOAD EBOOK →A collection of interviews with the Russian filmmaker who directed Andrei Roublev, Solaris, and The Mirror
Author: Alina G. Birzache
Publisher: Routledge
Published: 2016-02-05
Total Pages: 220
ISBN-13: 1317310632
DOWNLOAD EBOOK →This monograph explores the way that the profile and the critical functions of the holy fool have developed in European cinema, allowing this traditional figure to capture the imagination of new generations in an age of religious pluralism and secularization. Alina Birzache traces the cultural origins of the figure of the holy fool across a variety of European traditions. In so doing, she examines the critical functions of the holy fool as well as how filmmakers have used the figure to respond to and critique aspects of the modern world. Using a comparative approach, this study for the first time offers a comprehensive explanation of the enduring appeal of this protean and fascinating cinematic character. Birzache examines the trope of holy foolishness in Soviet and post-Soviet cinema, French cinema, and Danish cinema, corresponding broadly to and permitting analysis of the three main orientations in European Christianity: Orthodox, Catholic, and Protestant. This study will be of keen interest to scholars of religion and film, European cinema, and comparative religion.
