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The Royal Opera House in the Twentieth Century

Author: Frances Donaldson

Publisher: A&C Black

Published: 2011-09-28

Total Pages: 404

ISBN-13: 1448205522

The Royal Opera House, Covent Garden is home of two of the most famous opera and ballet companies in the world. In this official history, Frances Donaldson discusses Covent Garden's many legendary achievements - Der Rosenkavalier with Lotte Lehmann, the unparalleled partnership of Fonteyn and Nureyev, the recent Otello with Domingo. She follows the attitude of the English to opera and their Opera House, and the crusade for opera to be sung in English. She looks at the internal politics and at the often charismatic personalities who have worked at the Opera House: Thomas Beecham, George Solti, Maria Callas, Tito Gobbi, Ninette de Valois and Frederick Ashton. Underlying the story, despite the many successful seasons, are the ever-present problems of financial support and uncertainty of the future. The history is superbly well-documented from the Royal Opera House archives. Comments from journalists of the time -whose critical reviews sometimes led to singers of international acclaim refusing to return to Covent Garden - lend spice to this fine analysis of administrative and artistic management at the Garden.

A Twentieth-Century Life

Author: Frances Donaldson

Publisher: A&C Black

Published: 2011-09-28

Total Pages: 370

ISBN-13: 1448204496

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First published in 1992, this is the story of Frances Donaldson and a wonderfully multi-faceted life. As the daughter of the playwright Frederick Lonsdale, she grew up in the frivolous world of 1920s cafe society, yet she became a committed socialist. As the wife of Lord Donaldson, who was on the board of both London opera houses and was subsequently Minister for the Arts, she was at the centre of cultural life in Britain. Yet for many years she had been a farmer, since, during the Second World War, alone and with no experience, she was determined to make a go of it. Her first two books, both highly successful, were about farming; they were followed by a portrait of Evelyn Waugh, a biography of her father, and biographies of Edward VIII and P.O. Wodehouse, whom she knew as a child. Populated by characters as diverse as Waugh and Frederick Ashton, Tony Crosland and Ann Fleming, this delightful, highly personal memoir reflects the dramatically changing times which have shaped Frances Donaldson's fascinating life.

The Royal Opera House Guidebook

Author: Royal Opera House

Publisher: Bloomsbury Publishing

Published: 2013-10-18

Total Pages: 96

ISBN-13: 1783194553

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Explore the Royal Opera House, its history, performance, architecture and backstage.

The Cambridge Companion to Twentieth-Century Opera

Author: Mervyn Cooke

Publisher: Cambridge University Press

Published: 2005-12-08

Total Pages: 430

ISBN-13: 1139826344

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This Companion celebrates the extraordinary riches of the twentieth-century operatic repertoire in a collection of specially commissioned essays written by a distinguished team of academics, critics and practitioners. Beginning with a discussion of the century's vital inheritance from late-romantic operatic traditions in Germany and Italy, the text embraces fresh investigations into various aspects of the genre in the modern age, with a comprehensive coverage of the work of individual composers from Debussy and Schoenberg to John Adams and Harrison Birtwistle. Traditional stylistic categorizations (including symbolism, expressionism, neo-classicism and minimalism) are reassessed from new critical perspectives, and the distinctive operatic traditions of Continental and Eastern Europe, Russia and the Soviet Union, the United Kingdom and United States are subjected to fresh scrutiny. The volume includes essays devoted to avant-garde music theatre, operettas and musicals, filmed opera, and ends with a discussion of the position of the genre in today's cultural marketplace.

Twentieth-Century British Authors and the Rise of Opera in Britain

Author: Irene Morra

Publisher: Routledge

Published: 2016-02-17

Total Pages: 146

ISBN-13: 1317005856

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This book is the first to examine in depth the contributions of major British authors such as W. H. Auden and E. M. Forster, as critics and librettists, to the rise of British opera in the twentieth century. The perceived literary values of British authors, as much as the musical innovations of British composers, informed the aesthetic development of British opera. Indeed, British opera emerged as a simultaneously literary and musical project. Too often, operatic adaptations are compared superficially to their original sources. This is a particular problem for British opera, which has become increasingly defined artistically by the literary sophistication of its narrative sources. The resulting collaborations between literary figures and composers have crucial implications for the development of both opera and literature. Twentieth-Century British Authors and the Rise of Opera in Britain reveals the importance of this literary involvement in operatic adaptation to literature and literary studies, to music and musicology, and to cultural and theoretical studies.

Twenty-five Years of Opera and Ballet, Covent Garden, Royal Opera House

Author: Royal Opera House (London, England)

Publisher:

Published: 1971

Total Pages:

ISBN-13:

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Covent Garden

Author: Norman Lebrecht

Publisher: UPNE

Published: 2001

Total Pages: 612

ISBN-13: 9781555534882

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The turbulent story of one of Britain's most famous concert halls.

Twentieth Century Actor Training

Author: Alison Hodge

Publisher: Psychology Press

Published: 2000

Total Pages: 271

ISBN-13: 0415194512

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THE SECOND EDITION OF THIS TITLE, ENTITLED ACTOR TRAINING, IS NOW AVAILABLE. Actor training is arguably the central phenomenon of twentieth century theatre making. Here for the first time, the theories, training exercises and productions of fourteen directors are analysed in a single volume, each one written by a leading expert. The practitioners included are: * Stella Adler * Bertolt Brecht * Joseph Chaikin * Jacques Copeau * Joan Littlewood * Vsevelod Meyerhold * Konstantin Stanislavsky * Eugenio Barba * Peter Brook * Michael Chekhov * Jerzy Grotowski * Sanford Meisner * Wlodimierz Staniewski * Lee Strasbourg Each chapter provides a unique account of specific training exercises and an analysis of their relationship to the practitioners theoretical and aesthetic concerns. The collection examines the relationship between actor training and production and considers how directly the actor training relates to performance. With detailed accounts of the principles, exercises and their application to many of the landmark productions of the past hundred years, this book will be invaluable to students, teachers, practitioners, and academics alike.

Digital Scenography in Opera in the Twenty-First Century

Author: Caitlin Vincent

Publisher: Routledge

Published: 2021-09-15

Total Pages: 207

ISBN-13: 1000440737

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Digital Scenography in Opera in the Twenty-First Century is the first definitive study of the use of digital scenography in Western opera production. The book begins by exploring digital scenography’s dramaturgical possibilities and establishes a critical framework for identifying and comparing the use of digital scenography across different digitally enhanced opera productions. The book then investigates the impacts and potential disruptions of digital scenography on opera’s longstanding production conventions, both on and off the stage. Drawing on interviews with major industry practitioners, including Paul Barritt, Mark Grimmer, Donald Holder, Elaine J. McCarthy, Luke Halls, Wendall K. Harrington, Finn Ross, S. Katy Tucker, and Victoria ‘Vita’ Tzykun, author Caitlin Vincent identifies key correlations between the use of digital scenography in practice and subsequent impacts on creative hierarchies, production design processes, and organisational management. The book features detailed case studies of digitally enhanced productions premiered by Dutch National Opera, Komische Oper Berlin, Opéra de Lyon, The Royal Opera, Covent Garden, San Francisco Opera, Santa Fe Opera, Théâtre Royal de la Monnaie, The Metropolitan Opera, Victorian Opera, and Washington National Opera.