The Romantic Ideology

The Romantic Ideology PDF

Author: Jerome J. McGann

Publisher: University of Chicago Press

Published: 1985-02-15

Total Pages: 182

ISBN-13: 0226558509

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Claiming that the scholarship and criticism of Romanticism and its works have for too long been dominated by a Romantic ideology—by an uncritical absorption in Romanticism's own self-representations—Jerome J. McGann presents a new, critical view of the subject that calls for a radically revisionary reading of Romanticism. In the course of his study, McGann analyzes both the predominant theories of Romanticism (those deriving from Coleridge, Hegel, and Heine) and the products of its major English practitioners. Words worth, Coleridge, Shelley, and Byron are considered in greatest depth, but the entire movement is subjected to a searching critique. Arguing that poetry is produced and reproduced within concrete historical contexts and that criticism must take these contexts into account, McGann shows how the ideologies embodied in Romantic poetry and theory have shaped and distorted contemporary critical activities.

Romanticism and Ideology

Romanticism and Ideology PDF

Author: David Aers

Publisher: Routledge

Published: 2016-03-31

Total Pages: 202

ISBN-13: 1317272226

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First published in 1981.The primary purpose of this book is to serve as an introduction to writing in the late eighteenth and early nineteenth centuries. In addition to major Romantic poets – Blake, Wordsworth, Coleridge and Shelly – the authors discuss writers such as Austen, Hazlitt and Burke, who are usually studied in a different context, and genres such as fiction and political writing, which are often cut off from the central body of poetry. An original and highly stimulated study, this book will appeal to all those who are dissatisfied with the conventional categories into which writers and literary movements are usually placed. .

The Perversity of Poetry

The Perversity of Poetry PDF

Author: Dino Franco Felluga

Publisher: SUNY Press

Published: 2005-01-01

Total Pages: 230

ISBN-13: 9780791462997

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Explains why poetry gave way to the realist novel as the dominant literary form in nineteenth-century England.

In The Name of Love

In The Name of Love PDF

Author: Aaron Ben-Ze'ev

Publisher: OUP Oxford

Published: 2008-02-21

Total Pages: 296

ISBN-13: 0191546534

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We yearn to experience the idealized love depicted in so many novels, movies, poems, and popular songs. Ironically, it is the idealization of love that arms it with its destructive power. Popular media consistently remind us that love is all we need, but statistics concerning the rate of depression and suicides after divorce or romantic break up remind us what might happened if "all that we need" is taken away. This book is about our ideals of love, our experiences, of love, the actual disparity between the two, and the manners of coping with this disparity. A major study case of the book concerns men who have murdered their wives or partners allegedly 'out of love'. It is estimated that over 30% of all female murder victims in the United States die at the hands of a former or present spouse or boyfriend. How can murdering a loved one be associated with the assumed moral and altruistic love? Not only is love intrinsically ambivalent, but it can also give rise to dangerous consequences. Some of the worst evils have been committed in the name of love (as in the name of God). A unique collaboration between a leading philosopher in the field of emotions and a social scientist, In the Name of Love presents fascinating insights into romantic love and its future in modern society.

Romanticism and Parenting

Romanticism and Parenting PDF

Author: Carolyn Weber

Publisher: Cambridge Scholars Publishing

Published: 2009-03-26

Total Pages: 160

ISBN-13: 1443809179

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If the child is the father of the man, as William Wordsworth so famously declared, then what of the father that child grows to become? How does a daughter born of her mother’s death, as in the case of Mary Shelley, navigate the politics of production and reproduction within a loaded language of mythological allusion between generational authorships? How do the visual arts perpetuate or challenge cultural agendas, such as portraying patriarchal anxieties about the “effeminization” of homeland by the foreign “other”, or attempting, iconically, to “save the soul” of a nation? How do parents both encode and decode our world? With the rise of the cult of the child in the later 18th and 19th centuries, Romantic writers of Britain and Europe, and eventually of North America, were perfectly positioned to explore, by extension, what it meant to “parent,” whether it be in within the domestic or the political sphere. The essays in Romanticism and Parenting: Image, Instruction and Ideology offer a fresh, timely, and cutting edge contribution to the field of Romantic studies. The collection has its roots in conference proceedings from the 2005 Romanticism and Parenting Conference held at Seattle University in Seattle, Washington. Essays acknowledge traditional discussions of such quintessentially “Romantic” themes as the child, education and familial politics while building upon contemporary innovative arguments within the contexts of Romanticism. As a result, chapters in the collection range from examining didactic children’s literature to complicating constructions of the family politic at personal, communal and nationalistic levels. While challenging and deepening an understanding of Romantic studies, the collection also points to current, dynamic issues, such as the burgeoning discussion of the experience that actual parents face in academia. Consequently, the collection reveals how the Romantic period has come to profoundly influence our own current constructions of the politics of parenting.

The Ideology of Imagination

The Ideology of Imagination PDF

Author: Forest Pyle

Publisher: Stanford University Press

Published: 1995

Total Pages: 240

ISBN-13: 0804728623

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To demonstrate his thesis, the author undertakes critical re-readings of four major Romantic authors - Coleridge, Wordsworth, Shelley, and Keats - and shows how the legacy of ideology and imagination is reflected in the novels of George Eliot. He shows that for each of these writers, the imagination is neither a faculty that can be presumed nor one idea among others; it is something that must be theorized and, in Coleridge's words, "instituted." Once instituted, Coleridge asserts, the imagination can address England's fundamental social antagonisms and help restore national unity. More pointedly, the institution of the imagination is the cornerstone of a "revolution in philosophy" that would prevent the importation of a more radical - and more French - political revolution.

Musical Genre and Romantic Ideology

Musical Genre and Romantic Ideology PDF

Author: Matthew Gelbart

Publisher: Oxford University Press

Published: 2022-09-30

Total Pages: 553

ISBN-13: 0190646926

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European Romanticism gave rise to a powerful discourse equating genres to constrictive rules and forms that great art should transcend; and yet without the categories and intertextual references we hold in our minds, "music" would be meaningless noise. Musical Genre and Romantic Ideology teases out that paradox, charting the workings and legacies of Romantic artistic values such as originality and anti-commercialism in relation to musical genre. Genre's persistent power was amplified by music's inevitably practical social, spatial, and institutional frames. Furthermore, starting in the nineteenth century, all music, even the most anti-commercial, was stamped by its relationship to the marketplace, entrenching associations between genres and target publics (whether based on ideas of nation, gender, class, or more subtle aspects of identity). These newly strengthened correlations made genre, if anything, more potent rather than less, despite Romantic claims. In case studies from across nineteenth-century Europe engaging with canonical music by Bizet, Chopin, Verdi, Wagner, and Brahms, alongside representative genres such as opéra-comique and the piano ballade, Matthew Gelbart explores the processes through which composers, performers, critics, and listeners gave sounds, and themselves, a sense of belonging. He examines genre vocabulary and discourse, the force of generic titles, how avant-garde music is absorbed through and into familiar categories, and how interpretation can be bolstered or undercut by genre agreements. Even in a modern world where transcription and sound recording can take any music into an infinite array of new spatial and social situations, we are still locked in the Romantics' ambivalent tussle with genre.

In the Name of Love

In the Name of Love PDF

Author: Aharon Ben-Zeʼev

Publisher: Oxford University Press, USA

Published: 2008

Total Pages: 297

ISBN-13: 9780198566496

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"A major case study of the book concerns men who have murdered their wives or partners allegedly 'out of love'. It is estimated that over 30% of all female murder victims in the United States die at the hands of a former or present spouse or partner. How can murdering a loved one be associated with the assumed moral and altruistic love? Not only is love intrinsically ambivalent, but it can also give rise to dangerous consequences. Some of the worst evils have been committed in the name of love."--BOOK JACKET.