The Role of Exaíphnes in Early Greek Literature

The Role of Exaíphnes in Early Greek Literature PDF

Author: Joseph Cimakasky

Publisher: Lexington Books

Published: 2017-04-12

Total Pages: 186

ISBN-13: 1498525423

DOWNLOAD EBOOK →

There are thirty-six appearances of the Greek word exaíphnes in Plato’s dialogues. Usually translated as “all of a sudden” or “suddenly,” exaíphnes emerges in several significant passages. For example, exaíphnes appears three times in the “allegory of the cave” from Republic vii and heralds the vision of the Beautiful in Symposium. Commonly translated in the Parmenides as “the instant,” exaíphnes also surfaces in a crucial section of the dialogue’s training exercise. The Role of Exaíphnes in Early Greek Literature: Philosophical Transformation in Plato’s Dialogues and Beyond connects the thirty-six scattered appearances of exaíphnes and reveals the role it plays in linking Plato’s theory of Ideas with education. Joe Cimakasky discloses how Plato’s step-by-step, methodical approach to philosophical education climaxes with a dynamic conversion experience signified by the appearance of exaíphnes. Cimakasky shows how Plato’s conception of exaíphnes was transformative with respect to how the term was used in Greek literature by his predecessors and influential for ensuing philosophers. Following Plato, exaíphnes and its cognates came to represent the peak of philosophical or theological enlightenment. The Role of Exaíphnes in Early Greek Literature traces the meaning of the term in Greek literature prior to and contemporaneous with Plato, Plato’s innovative use of exaíphnes, and the impact of Plato’s notion of “the sudden” upon subsequent thinkers. This book will be of interest to students and scholars of philosophy, ancient philosophy, pedagogy, ethics, and hermeneutics. In addition, those working in religious studies will appreciate the focus on conversion narratives and their emergence in ancient philosophical and Biblical texts.

Sculpture, weaving, and the body in Plato

Sculpture, weaving, and the body in Plato PDF

Author: Zacharoula Petraki

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2023-08-21

Total Pages: 366

ISBN-13: 3111178218

DOWNLOAD EBOOK →

Plato’s Timaeus is unique in Greek Antiquity for presenting the creation of the world as the work of a divine demiurge. The maker bestows order on sensible things and imitates the world of the intellect by using the Forms as models. While the creation-myth of the Timaeus seems unparalleled, this book argues that it is not the first of Plato’s dialogues to use artistic language to articulate the relationship of the objects of the material world to the world of the intellect. The book adopts an interpretative angle that is sensitive to the visual and art-historical developments of Classical Athens to argue that sculpture, revolutionized by the advent of the lost-wax technique for the production of bronze statues, lies at the heart of Plato’s conception of the relation of the human soul and body to the Forms. It shows that, despite the severe criticism of mimēsis in the Republic, Plato’s use of artistic language rests on a positive model of mimēsis. Plato was in fact engaged in a constructive dialogue with material culture and he found in the technical processes and the cultural semantics of sculpture and of the art of weaving a valuable way to conceptualise and communicate complex ideas about humans’ relation to the Forms.

Beauty and the Good

Beauty and the Good PDF

Author: Alice M. Ramos

Publisher: Catholic University of America Press

Published: 2020-10-30

Total Pages: 430

ISBN-13: 0813233534

DOWNLOAD EBOOK →

In the past twenty years or more, there has been a growing interest among philosophers and theologians alike in the transcendentals and especially in the beautiful. This seems fortuitous since so much of contemporary culture is fixated in many ways on beauty, on what might be called a superficial or man-made beauty, intent on outward appearance, with little or no concern for the human person’s interiority and distinctive nature. The Ancients and the Medievals, on the contrary, were sensitive not only to the beauty of nature and art but also to beauty as intelligible, that is, to the beauty of moral harmony and of metaphysical splendor. While the question of whether the beautiful is in fact a transcendental aspect of being continues to be a subject of dispute in contemporary scholarship, the relationship between the beautiful and the good has been accepted since ancient times and has been attended to in recent publications. None of these publications, however, offers a systematic treatment of this relationship by drawing from the wisdom of both ancient and medieval thought in such a way as to bring together the work of scholars in this tradition. Beauty and the Good intends therefore to make a singular contribution by presenting a richer alternative to the contemporary cult of beauty and appearance on the one hand, and to the concomitant decline of real beauty on the other hand. In addition to highlighting the centrality of beauty in the Aristotelian account of moral virtue, where virtue is kalon and virtuous actions are done for the sake of kalon—an account which is found echoed in the medieval notion of intrinsic goodness (bonum honestum), understood as intelligible or spiritual beauty—this volume will provide the metaphysical and theological grounding for beauty, as influenced in part by Plato and Neoplatonism, together with a much needed account of how we know and judge beauty, and how for the recognition of true good and real beauty we need to be properly disposed. The integration of philosophical and theological reflection on the nature and relationship of beauty and the good, on our perception and judgment of beauty and of the good as beautiful, and on the motivational role of beauty in human action has as its goal to produce a coherent volume of essays.

The Pregnant Male as Myth and Metaphor in Classical Greek Literature

The Pregnant Male as Myth and Metaphor in Classical Greek Literature PDF

Author: David D. Leitao

Publisher: Cambridge University Press

Published: 2012-04-30

Total Pages: 321

ISBN-13: 1107379342

DOWNLOAD EBOOK →

This book traces the image of the pregnant male in Greek literature as it evolved over the course of the classical period. The image - as deployed in myth and in metaphor - originated as a representation of paternity and, by extension, 'authorship' of ideas, works of art, legislation, and the like. Only later, with its reception in philosophy in the early fourth century, did it also become a way to figure and negotiate the boundary between the sexes. The book considers a number of important moments in the evolution of the image: the masculinist embryological theory of Anaxagoras of Clazomenae and other fifth century pre-Socratics; literary representations of the birth of Dionysus; the origin and functions of pregnancy as a metaphor in tragedy, comedy and works of some Sophists; and finally the redeployment of some of these myths and metaphors in Aristophanes' Assemblywomen and in Plato's Symposium and Theaetetus.

Lanterna Rally - Theme by Grace Themes