The Rise of the Cult of Rembrandt

The Rise of the Cult of Rembrandt PDF

Author: Alison McQueen

Publisher: Amsterdam University Press

Published: 2003

Total Pages: 392

ISBN-13: 9789053566244

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Rembrandt's life and art had an almost mythic resonance in nineteenth-century France with artists, critics, and collectors alike using his artistic persona both as a benchmark and as justification for their own goals. This first in-depth study of the traditional critical reception of Rembrandt reveals the preoccupation with his perceived "authenticity," "naturalism," and "naiveté," demonstrating how the artist became an ancestral figure, a talisman with whom others aligned themselves to increase the value of their own work. And in a concluding chapter, the author looks at the playRembrandt, staged in Paris in 1898, whose production and advertising are a testament to the enduring power of the artist's myth.

Jews and Journeys

Jews and Journeys PDF

Author: Joshua Levinson

Publisher: University of Pennsylvania Press

Published: 2021-08-06

Total Pages: 362

ISBN-13: 0812252950

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What happens when Jewish authors—whether by force or of their own free will, whether in reality or in the imagination—travel from one place to another? Jews and Journeys explores what it is about travel writing that enables it to become a central mechanism for exploring the realities and fictions of individual and collective identity.

Rembrandt: The Painter Thinking

Rembrandt: The Painter Thinking PDF

Author: Ernst van de Wetering

Publisher: Univ of California Press

Published: 2016-04-18

Total Pages: 348

ISBN-13: 0520290259

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Throughout his life, Rembrandt van Rijn (1606-1669) was considered an exceptional artist by contemporary art lovers. In this highly original book, Ernst van de Wetering investigates why Rembrandt, from a very early age, was praised by high-placed connoisseurs like Constantijn Huygens. It turns out that Rembrandt, from his first endeavours in painting on, had embarked on a journey past all the 'foundations of the art of painting' which were considered essential in the seventeenth century. In his systematic exploration of these foundations, Rembrandt achieved mastery in all of them, thus becoming the 'pittore famoso' that count Cosimo the Medici visited at the end of his life. Rembrandt never stopped searching for ever better solutions to the pictorial problems he saw himself confronted with; this sometimes led to radical decisions and alterations in his way of working, which cannot simply be explained by attributing them to a 'change in style' or a 'natural development'. In a quest as rigorous and novel as Rembrandt's, Van de Wetering shows us how Rembrandt dealt with the foundations of his art and used them to try and become the best painter the world had ever seen. His book sheds new light both on Rembrandt's exceptional accomplishments and on the practice of painting in the Dutch Golden Age at large.

The Self-Portrait: A Cultural History

The Self-Portrait: A Cultural History PDF

Author: James Hall

Publisher: Thames & Hudson

Published: 2014-04-22

Total Pages: 288

ISBN-13: 050077207X

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Sheds new light on the long history of self-portraiture with fresh interpretations of famous examples and new works, ideas, and anecdotes This broad cultural history of self-portraiture brilliantly maps the history of the genre, from the earliest myths of Narcissus and the Christian tradition of “bearing witness” to the prolific self-image-making of today’s contemporary artists. Focusing on a perennially popular subject, the book tells the vivid history of works that offer insights into artists’ personal, psychological, and creative worlds. Topics include the importance of the medieval mirror craze in early self-portraiture; the confessional self-portraits of Titian and Michelangelo; the mystique of the artist’s studio, from Vermeer to Velázquez; the role of biography and geography for serial self-portraitists such as Courbet and Van Gogh; the multiple selves of modern and contemporary artists such as Cahun and Sherman; and recent developments in the era of globalization. Comprehensive and beautifully illustrated, the book features the work of a wide range of artists including Beckmann, Caravaggio, Dürer, Gentileschi, Ghiberti, Giotto, Goya, Kahlo, Kauffman, Magritte, Mantegna, Picasso, Poussin, Raphael, Rembrandt and Van Eyck. The full range of the subject is explored, including comic and caricature self-portraits, “invented” or imaginary self-portraits, and important collections of self-portraiture such as that of the Medici.

Mental Illnesses in Symbolism

Mental Illnesses in Symbolism PDF

Author: Rosina Neginsky

Publisher: Cambridge Scholars Publishing

Published: 2017-06-23

Total Pages: 191

ISBN-13: 1443873853

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For the artists, writers and musicians of the Symbolist Movement of the turn of the century, true art, an extension of one’s “soul” or unconscious, was often regarded as dark, mysterious and unreliable – the world of Dionysus. Such artists, writers and musicians searched for symbols to express or suggest psychological pathologies manifested in exaltation, madness, and other extreme mental states. Mental Illness in Symbolism inquires into the mysteries of the Symbolist psyche through essays on works of art, literature and music created as part or extension of the Symbolist Movement.

Akim Volynsky

Akim Volynsky PDF

Author: Helen Tolstoy

Publisher: BRILL

Published: 2016-11-28

Total Pages: 188

ISBN-13: 9004335323

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In Akim Volynsky: A Hidden Russian-Jewish Prophet Helen Tolstoy offers a new view of controversial Silver Age critic Akim Volynsky by presenting him as an influential theater figure and, in his later years, as a Russian-Jewish thinker.

Théodore Rousseau and the Rise of the Modern Art Market

Théodore Rousseau and the Rise of the Modern Art Market PDF

Author: Simon Kelly

Publisher: Bloomsbury Publishing USA

Published: 2021-03-25

Total Pages: 281

ISBN-13: 1501343807

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The 19th century in France witnessed the emergence of the structures of the modern art market that remain until this day. This book examines the relationship between the avant-garde Barbizon landscape painter, Théodore Rousseau (1812-1867), and this market, exploring the constellation of patrons, art dealers and critics who surrounded the artist. It argues for the pioneering role of Rousseau, his patrons and his public in the origins of the modern art market, and, in so doing, shifts attention away from the more traditional focus on the novel careers of the Impressionists and their supporters. Drawing on extensive archival research, the book provides new insight into the role of the modern artist as professional. It provides a new understanding of the complex iconographical and formal choices within Rousseau's work, rediscovering the original radical charge that once surrounded the artist's work and led to extensive and peculiarly modern tensions with the market place.

New Approaches to Neo-Kantianism

New Approaches to Neo-Kantianism PDF

Author: Nicolas de Warren

Publisher: Cambridge University Press

Published: 2015-06-11

Total Pages: 335

ISBN-13: 1107032571

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A collection of new essays examining the impact of Neo-Kantianism on a range of philosophical topics and fields of study.

Private Collecting, Exhibitions, and the Shaping of Art History in London

Private Collecting, Exhibitions, and the Shaping of Art History in London PDF

Author: Stacey J. Pierson

Publisher: Routledge

Published: 2017-01-12

Total Pages: 204

ISBN-13: 1315311917

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The Burlington Fine Arts Club was founded in London in 1866 as a gentlemen’s club with a singular remit – to exhibit members’ art collections. Exhibitions were proposed, organized, and furnished by a group of prominent members of British society who included aristocrats, artists, bankers, politicians, and museum curators. Exhibitions at their grand house in Mayfair brought many private collections and collectors to light, using members’ social connections to draw upon the finest and most diverse objects available. Through their unique mode of presentation, which brought museum-style display and interpretation to a grand domestic-style gallery space, they also brought two forms of curatorial and art historical practice together in one unusual setting, enabling an unrestricted form of connoisseurship, where new categories of art were defined and old ones expanded. The history of this remarkable group of people has yet to be presented and is explored here for the first time. Through a framework of exhibition themes ranging from Florentine painting to Ancient Egyptian art, a study of lenders, objects, and their interpretation paints a picture of private collecting activities, connoisseurship, and art world practice that is surprisingly diverse and interconnected.