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Author: Mariangela Esposito
Publisher: BRILL
Published: 2022-12-12
Total Pages: 185
ISBN-13: 9004534547
DOWNLOAD EBOOK →Orality versus writing is a vexed issue in Plato, but is it necessarily an opposition? This book places Plato’s work in the realm of mimesis and argues that we do not necessarily have to see this issue as demonstrating a straightforward opposition.
Author: Verdenius
Publisher: BRILL
Published: 2016-08-01
Total Pages: 56
ISBN-13: 900432013X
DOWNLOAD EBOOK →Author: Andre Gaudreault
Publisher: University of Toronto Press
Published: 2009-03-11
Total Pages: 265
ISBN-13: 1442693088
DOWNLOAD EBOOK →With this lucid translation of Du litteraire au filmique, André Gaudreault's highly influential and original study of film narratology is now accessible to English-language audiences for the first time. Building a theory of narrative on sources as diverse as Plato, The Arabian Nights,and Proust, From Plato to Lumière challenges narratological orthodoxy by positing that all forms of narrative are mediated by an "underlying narrator" who exists between the author and narrative text. Offering illuminating insights, definitions, and formal distinctions, Gaudreault examines the practices of novelists, playwrights, and filmmakers and applies his theory to the early cinema of the Lumière brothers and more recent films. He also enhances our understanding of how narrative develops visually without language - monstration - by detailing how the evolution of the medium influenced narratives in cinema. From Plato to Lumière includes a translation of Paul Ricoeur's preface to the French-language edition as well as a new preface by Tom Gunning. It is a must-read for cinema and media students and scholars and an essential text on the study of narrative.
Author: Irene Han
Publisher: Oxford University Press
Published: 2023-07-20
Total Pages: 197
ISBN-13: 0192849581
DOWNLOAD EBOOK →Plato and the Metaphysical Feminine offers a new interpretation of the role of the female and the feminine in Plato's political dialogues--the Republic, Laws, and Timaeus--informed by Deleuze's film theory and Irigaray's psychoanalytic feminism. Irene Han reads Plato against the grain in order to close the gap between the vitalists and Plato, instead of magnifying their differences. Han explores the ambivalence that the vitalist tradition, Irigaray, and Derrida have towards Platonism. The application of Deleuzian and Irigarayan concepts to the ancient texts produces a new reading of Plato, focusing on the centrality and importance of motion, change, sensuality, and becoming to Platonic philosophy and, thereby, reinterprets Platonic philosophy in the direction of Heraclitus rather than Parmenides: as feminist rather than masculinist, and as mimetic. It therefore prioritizes Heraclitean principles of movement and flux over Form, the feminine over masculine, and materiality, feeling, or sensation over abstraction and universal essence. Han's exploration illustrates how, in Plato's thought, the feminine maps itself onto the plane of phenomena--a plane associated with vitalist themes such as motion, tactility, and change (metabolē). Platonic metaphysics is recontextualized by illustrating how Being expresses itself through processes of (feminine) becoming. With this reformulation, the resulting account of Platonic Being destabilizes any purported Platonic dualism.
Author: Martin Puchner
Publisher: Oxford University Press
Published: 2010-04-14
Total Pages: 272
ISBN-13: 9780199742240
DOWNLOAD EBOOK →Most philosophy has rejected the theater, denouncing it as a place of illusion or moral decay; the theater in turn has rejected philosophy, insisting that drama deals in actions, not ideas. Challenging both views, The Drama of Ideas shows that theater and philosophy have been crucially intertwined from the start. Plato is the presiding genius of this alternative history. The Drama of Ideas presents Plato not only as a theorist of drama, but also as a dramatist himself, one who developed a dialogue-based dramaturgy that differs markedly from the standard, Aristotelian view of theater. Puchner discovers scores of dramatic adaptations of Platonic dialogues, the most immediate proof of Plato's hitherto unrecognized influence on theater history. Drawing on these adaptations, Puchner shows that Plato was central to modern drama as well, with figures such as Wilde, Shaw, Pirandello, Brecht, and Stoppard using Plato to create a new drama of ideas. Puchner then considers complementary developments in philosophy, offering a theatrical history of philosophy that includes Kierkegaard, Nietzsche, Burke, Sartre, Camus, and Deleuze. These philosophers proceed with constant reference to theater, using theatrical terms, concepts, and even dramatic techniques in their writings. The Drama of Ideas mobilizes this double history of philosophical theater and theatrical philosophy to subject current habits of thought to critical scrutiny. In dialogue with contemporary thinkers such as Martha Nussbaum, Iris Murdoch, and Alain Badiou, Puchner formulates the contours of a "dramatic Platonism." This new Platonism does not seek to return to an idealist theory of forms, but it does point beyond the reigning philosophies of the body, of materialism and of cultural relativism.
Author: Vern Neufeld Redekop
Publisher: Lexington Books
Published: 2013-11-21
Total Pages: 350
ISBN-13: 0739168991
DOWNLOAD EBOOK →For half a century René Girard’s theories of mimetic desire and scapegoating have captivated the imagination of thinkers and doers in many fields as an incisive look into the human condition, particularly the roots of violence. In a 1993 interview with Rebecca Adams, he highlighted the positive dimensions of mimetic phenomena without expanding on what they might be. Now, two decades later, this groundbreaking book systematically explores the positive side of mimetic theory in the context of the multi-faceted world of creativity. Several authors build on Adams’ insight that loving mimesis can be understood as desiring the subjectivity of the other, particularly when the other may be young or wounded. With highly nuanced arguments authors show how mimetic theory can be used to address child and adult development, including the growth of consciousness and a capacity to handle complexity. Mimetic theory is brought to bear on big questions about creativity in nature, evolutionary development, originality, and religious intrusion into politics.
Author: Noël Carroll
Publisher: Springer Nature
Published: 2019-10-30
Total Pages: 1047
ISBN-13: 3030196011
DOWNLOAD EBOOK →This handbook brings together essays in the philosophy of film and motion pictures from authorities across the spectrum. It boasts contributions from philosophers and film theorists alike, with many essays employing pluralist approaches to this interdisciplinary subject. Core areas treated include film ontology, film structure, psychology, authorship, narrative, and viewer emotion. Emerging areas of interest, including virtual reality, video games, and nonfictional and autobiographical film also have dedicated chapters. Other areas of focus include the film medium’s intersection with contemporary social issues, film’s kinship to other art forms, and the influence of historically seminal schools of thought in the philosophy of film. Of emphasis in many of the essays is the relationship and overlap of analytic and continental perspectives in this subject.
