The Real Hiphop

The Real Hiphop PDF

Author: Marcyliena Morgan

Publisher: Duke University Press

Published: 2009-04-13

Total Pages: 240

ISBN-13: 0822392127

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Project Blowed is a legendary hiphop workshop based in Los Angeles. It began in 1994 when a group of youths moved their already renowned open-mic nights from the Good Life, a Crenshaw district health food store, to the KAOS Network, an arts center in Leimert Park. The local freestyle of articulate, rapid-fire, extemporaneous delivery, the juxtaposition of meaningful words and sounds, and the way that MCs followed one another without missing a beat, quickly became known throughout the LA underground. Leimert Park has long been a center of African American culture and arts in Los Angeles, and Project Blowed inspired youth throughout the city to consider the neighborhood the epicenter of their own cultural movement. The Real Hiphop is an in-depth account of the language and culture of Project Blowed, based on the seven years Marcyliena Morgan spent observing the workshop and the KAOS Network. Morgan is a leading scholar of hiphop, and throughout the volume her ethnographic analysis of the LA underground opens up into a broader examination of the artistic and cultural value of hiphop. Morgan intersperses her observations with excerpts from interviews and transcripts of freestyle lyrics. Providing a thorough linguistic interpretation of the music, she teases out the cultural antecedents and ideologies embedded in the language, emphases, and wordplay. She discusses the artistic skills and cultural knowledge MCs must acquire to rock the mic, the socialization of hiphop culture’s core and long-term members, and the persistent focus on skills, competition, and evaluation. She brings attention to adults who provided material and moral support to sustain underground hiphop, identifies the ways that women choose to participate in Project Blowed, and vividly renders the dynamics of the workshop’s famous lyrical battles.

The Hip Hop Wars

The Hip Hop Wars PDF

Author: Tricia Rose

Publisher: Civitas Books

Published: 2008-12-02

Total Pages: 322

ISBN-13: 0465008976

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A pioneering expert in the study of hip-hop explains why the music matters--and why the battles surrounding it are so very fierce.

Finding Real Love in the Love & Hip Hop Era

Finding Real Love in the Love & Hip Hop Era PDF

Author: Chris Sain, Jr.

Publisher: Createspace Independent Publishing Platform

Published: 2016-09-15

Total Pages: 150

ISBN-13: 9781541342910

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LOVE is the highest aspiration we should have! Chris Sain Jr. relationship expert among other things, has coined this generations quest for love as the Love & Hip Hop Era where finding real love has been an evasive rollercoaster ride that has eluded most men and women. Everyone is on a quest to find real love. Who isn't looking for love? Love is the goal for everybody in life! At a time where technology, freedom of expression, social media and instant gratification has precedent over love, trust and commitment, men and women alike are in and out of relationships, abandoning friendships, quitting on marriages and giving up on love. Chris Sain Jr's, Finding Real Love in the Love & Hip Hop Era offers a unique, unfiltered perspective as to why love has been so hard to conquer. Chris Sain Jr. provides a modern viewpoint and compelling insights to the tough questions women often ask: - Why does the love feel so real in the beginning and the reasons why it fades away? - Why do men fall in love with "ratchet" but are afraid to pursue class? - Why does your man insist on living with you but refuse to marry you? ...and much more!!!

Keep It Real. Authenticity in Hip-Hop and Rap Music

Keep It Real. Authenticity in Hip-Hop and Rap Music PDF

Author: Julia Trede

Publisher: GRIN Verlag

Published: 2019-12-19

Total Pages: 30

ISBN-13: 3346086453

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Seminar paper from the year 2013 in the subject American Studies - Culture and Applied Geography, grade: 2,7, University of Kassel, language: English, abstract: Hip-hop does only represent a mere music genre but also constitutes a movement that emerged out of profound economic and social changes in New York of the 1970s. It is a cultural expression of an Afrodiasporic community that faced social and racial inequity. Originally, hip-hop constituted a shelter for ethnic minorities that have been socially marginalized by the dominant American culture. However, hip-hop also constitutes a commercial commodity which is often reduced to its commercial purpose. This balancing act of representing a culture on the one hand, and a commodity on the other hand, evoked a discussion on authenticity. The aim of this paper is to analyze how and to what extent authenticity is claimed in songs of hip-hop artists. In order to understand the discussion of authenticity in hip-hop it is crucial to provide an informational background of the preconditions that contributed to the development of hip-hop. Chapter 1.1 provides this basis and describes social and political circumstances that America and especially New York experienced throughout the 1970s. The resulting evolution of the hip-hop movement is subject to chapter 1.2., explaining the beginnings of the movement and outlining hip-hop’s elements. Chapter 2 is concerned with the concept of authenticity. In the course of this section I will deal with Kembrew McLeod’s six semantic dimensions of authenticity which serve as a basis for the subsequent analyses. The last chapter provides an analysis of five rap songs that will be analyzed according to McLeod’s dimensions of authenticity. The aim of this chapter is to find out, to what extent authenticity claims are used and how many dimensions can be identified in a song. Additionally, it is analyzed, if certain dimensions a used more frequently, or more specifically, if it is possible to allocate priorities to McLeod’s dimensions.

Hip-Hop Revolution

Hip-Hop Revolution PDF

Author: Jeffrey O. G. Ogbar

Publisher: University Press of Kansas

Published: 2007-11-19

Total Pages: 248

ISBN-13: 0700616519

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In the world of hip-hop, "keeping it real" has always been a primary goal-and realness takes on special meaning as rappers mold their images for street cred and increasingly measure authenticity by ghetto-centric notions of "Who's badder?" In this groundbreaking book, Jeffrey O. G. Ogbar celebrates hip-hop and confronts the cult of authenticity that defines its essential character-that dictates how performers walk, talk, and express themselves artistically and also influences the consumer market. Hip-Hop Revolution is a balanced cultural history that looks past negative stereotypes of hip-hop as a monolith of hedonistic, unthinking noise to reveal its evolving positive role within American society. A writer who's personally encountered many of hip-hop's icons, Ogbar traces hip-hop's rise as a cultural juggernaut, focusing on how it negotiates its own sense of identity. He especially explores the lyrical world of rap as artists struggle to define what realness means in an art where class, race, and gender are central to expressions of authenticity-and how this realness is articulated in a society dominated by gendered and racialized stereotypes. Ogbar also explores problematic black images, including minstrelsy, hip-hop's social milieu, and the artists' own historical and political awareness. Ranging across the rap spectrum from the conscious hip-hop of Mos Def to the gangsta rap of 50 Cent to the "underground" sounds of Jurassic 5 and the Roots, he tracks the ongoing quest for a unique and credible voice to show how complex, contested, and malleable these codes of authenticity are. Most important, Ogbar persuasively challenges widely held notions that hip-hop is socially dangerous-to black youths in particular-by addressing the ways in which rappers critically view the popularity of crime-focused lyrics, the antisocial messages of their peers, and the volatile politics of the word "nigga." Hip-Hop Revolution deftly balances an insider's love of the culture with a scholar's detached critique, exploring popular myths about black educational attainment, civic engagement, crime, and sexuality. By cutting to the bone of a lifestyle that many outsiders find threatening, Ogbar makes hip-hop realer than it's ever been before.

I Got Something to Say

I Got Something to Say PDF

Author: Matthew Oware

Publisher: Springer

Published: 2018-07-11

Total Pages: 245

ISBN-13: 331990454X

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What do millennial rappers in the United States say in their music? This timely and compelling book answers this question by decoding the lyrics of over 700 songs from contemporary rap artists. Using innovative research techniques, Matthew Oware reveals how emcees perpetuate and challenge gendered and racialized constructions of masculinity, femininity, and sexuality. Male and female artists litter their rhymes with misogynistic and violent imagery. However, men also express a full range of emotions, from arrogance to vulnerability, conveying a more complex manhood than previously acknowledged. Women emphatically state their desires while embracing a more feminist approach. Even LGBTQ artists stake their claim and express their sexuality without fear. Finally, in the age of Black Lives Matter and the presidency of Donald J. Trump, emcees forcefully politicize their music. Although complicated and contradictory in many ways, rap remains a powerful medium for social commentary.