The Principles and Practice of Modal Counterpoint

The Principles and Practice of Modal Counterpoint PDF

Author: Douglass Green

Publisher: Routledge

Published: 2010-11-01

Total Pages: 452

ISBN-13: 1136935096

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Covering modal music from Gregorian chant through the seventeenth-century, The Principles and Practice of Modal Counterpoint is a comprehensive textbook combining stylistic composition, theory and analysis, music history, and performance. By supplementing a modified species approach with a wealth of complete musical examples and historical information, this textbook thoroughly joins principle with practice, providing a truly immersive experience in the study of modal counterpoint and familiarizing students with modal repertoire.

The Principles and Practice of Tonal Counterpoint

The Principles and Practice of Tonal Counterpoint PDF

Author: Evan Jones

Publisher: Routledge

Published: 2015-08-27

Total Pages: 283

ISBN-13: 1317518772

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The Principles and Practice of Tonal Counterpoint is a comprehensive textbook that combines practical, "how-to" guidance in 18th-century techniques with extensive historical examination of contrapuntal works and genres. Beginning with an introductory grounding in species counterpoint, tonal harmony, and figured bass, students progress through the study of chorale preludes, invertible counterpoint, and canonic and fugal writing. This textbook thoroughly joins principle with practice, providing a truly immersive experience in the study of tonal counterpoint and familiarizing students with contrapuntal styles from the Baroque period to the 21st century. Also available is a companion volume, The Principles and Practice of Modal Counterpoint, which focuses on 16th-century techniques and covers modal music from Gregorian chant through the 17th century.

Modal Counterpoint, Renaissance Style

Modal Counterpoint, Renaissance Style PDF

Author: Peter Schubert

Publisher: Oxford University Press, USA

Published: 2008

Total Pages: 372

ISBN-13:

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The only species counterpoint text that draws directly on Renaissance treatises, Modal Counterpoint, Renaissance Style, Second Edition, provides a conceptual framework to guide students through composition and analysis as it teaches them general structural principles. It distinguishes between technical requirements ("hard" rules) and stylistic guidelines ("soft" rules), and includes coordinated exercises that allow students to develop their skills systematically. The second edition integrates improvisation activities and new repertoire examples into many chapters; revises the chapter on three-part writing (Chapter 14) so that it pays more attention to rules and strategies; reworks the chapters on cadences (Chapter 10) and on writing two parts in mixed values (Chapter 11) to make them more accessible to students; incorporates clarified instructions throughout; and includes a summary of rules.

The Craft of Modal Counterpoint

The Craft of Modal Counterpoint PDF

Author: Thomas Benjamin

Publisher: Psychology Press

Published: 2005

Total Pages: 216

ISBN-13: 9780415971713

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First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.

The Craft of Modal Counterpoint

The Craft of Modal Counterpoint PDF

Author: Thomas Benjamin

Publisher: Routledge

Published: 2005-07-08

Total Pages: 203

ISBN-13: 1135874395

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"The Craft of Modal Counterpoint" is the companion book to Benjamin's "The Craft of Tonal Counterpoint," recently republished in a second edition by Routledge. Modal counterpoint is the style of composition that was employed until the "tonal" revolution pioneered by Bach; it is the basis for most Early Music. Benjamin, a composer and pedagogue, offers a complete analysis of this important musical style. He begins by covering general aspects of the style, then covers in detail two, three, and four-part counterpoint. The Motet, an important form of vocal composition in this period, is studied separately. The book concludes with a brief anthology of key scores, 15 in all, for the student to study further. Also includes 132 musical examples.

Study of Counterpoint

Study of Counterpoint PDF

Author: Johann Fux

Publisher: W. W. Norton & Company

Published: 1965

Total Pages: 164

ISBN-13: 9780393002775

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The most celebrated book on counterpoint is Fux's great theoretical work GRADUS AD PARNASSUM. Since its appearance in 1725, it has been used by and has directly influenced the work of many of the great composers, including J.S. Bach, Haydn, and Beethoven. Originally written in Latin, this work has been translated in to the principal European languages. The present translation by Alfred Mann is the first faithful rendering in English, presenting the essence of Fux's teachings.

Modal Counterpoint in the Style of the Sixteenth Century

Modal Counterpoint in the Style of the Sixteenth Century PDF

Author: Ernst Krenek

Publisher:

Published: 1959

Total Pages: 32

ISBN-13:

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"The purpose of this paper is to present the subject matter in concentrated form for the use of teachers and students who can devote only a limited amount of time to the study of modal counterpoint. Observance of the rules in this manual will produce a style close enough to the compositional procedures of Palestrina as to make it possible for the student to achieve, even in his elementary exercises, some of the flavor of living great music. Exclusive purity of style being neither possible nor desirable, a few details of the compositional style of this outline may correspond to the more relaxed practice of composers like Orlando di Lasso and Tomás Luis de Victoria rather than to the strictness of Palestrina. Special emphasis is placed on the development of the student's sense for freely articulated melody (hence the absence of barlines from our examples). Since the traditional training in the 'five species' tends to counteract this attainment rather than to further it, this discipline has been omitted from the present outline. In order to make the student acquainted with this method, its principles are briefly explained in the appendix."--Preface.

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