The Posthumous Voice in Women's Writing from Mary Shelley to Sylvia Plath

The Posthumous Voice in Women's Writing from Mary Shelley to Sylvia Plath PDF

Author: Claire Raymond

Publisher: Routledge

Published: 2016-12-05

Total Pages: 405

ISBN-13: 1351883666

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This provocative book posits a new theory of women's writing characterized by what Claire Raymond calls 'the posthumous voice.'This suggestive term evokes the way that women's writing both forefronts and hides the author's implied body within and behind the written work. Tracing the use of the disembodied posthumous voice in fiction and poetry by Mary Shelley, Emily Brontë, Emily Dickinson, and Sylvia Plath, Raymond's study sounds out the ways that the trope of the posthumous voice succeeds in negotiating the difficult cultural space between the concept of woman's body and the production of canonical literature. Arguing that the nineteenth-century cult of mourning opens to women's writing the possibility of a post-Romantic 'self-elegy,' Raymond explores how the woman writer's appropriation and alteration of elegiac conventions signifies and revises her disrupted relationship to audience. Theorizing the posthumous voice as a gesture by which the woman writer claims, and in some cases gains, canonicity, Raymond contends that the elegy posed as if written by a dead woman for herself both describes and subverts the woman writer's secondary status in the English canon. For the woman writer, the self-elegy permits access to a topos central to canonical literature, with the implementation of the trope of the posthumous voice marking a crucial site of woman's interaction with the English canon.

Sylvia Plath

Sylvia Plath PDF

Author: Paul Mitchell

Publisher: Universitat de València

Published: 2011-11-28

Total Pages: 217

ISBN-13: 8437083974

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Sylvia Plath es una de las poetas más conocidas y controvertidas del siglo XX. Desde su muerte en 1963, el debate crítico sobre su obra ha sido animado y, en ocasiones, incluso hostil. Esta obra ilustra cómo leer a Plath desde una perspectiva alternativa, utilizando la teoría de Julia Kristeva sobre el lenguaje político, y que permite una apreciación de los poemas que va más allá de lo biográfico al hacer énfasis, en cambio, en los textos; de ese modo, se engrana con la primera persona como una herramienta heurística compleja e inestable. Al explorar los poemas en términos de su trascendencia en lugar de centrarse exclusivamente en su significado explora la manera en la que la obra de Plath produce una crisis de subjetividad oratoria y, a partir de ahí, emerge la naturaleza «revolucionaria» de la voz poética.

The Contemporary Writer and Their Suicide

The Contemporary Writer and Their Suicide PDF

Author: Josefa Ros Velasco

Publisher: Springer Nature

Published: 2023-07-05

Total Pages: 315

ISBN-13: 303128982X

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This volume is the continuation of the book Suicide in Modern Literature, edited by Josefa Ros Velasco. Considering the positive reception of this book, Ros Velasco launches the second part, entitled The Contemporary Writer and their Suicide. This time, leading representatives of various disciplines analyze the literary, philosophical, and biographical works of contemporary writers worldwide who attempted to commit suicide or achieved their goal, looking for covert and overt clues about their intentions in their writings. This book aims to continue shedding light on the social and structural causes that lead to suicide and on the suicidal mind, but also to show that people assiduous to writing usually reflect their intentions to commit suicide in their writings, to explain how these frequently veiled intentions can be revealed and interpreted, and to highlight the potential of artistic, philosophical, and autobiographical writing as a tool to detect suicidal ideation and prevent its consummation in vulnerable people. This book analyzes several case studies and their allusions to their contexts and the socio-structural and environmental violence and pressures they suffered, expressions of their will and agency, feelings of dislocation between the individual, reality, and existential alienation, and literary styles, writing techniques, and metaphorical language.

Women and Death 3

Women and Death 3 PDF

Author: Clare Bielby

Publisher: Camden House

Published: 2010

Total Pages: 236

ISBN-13: 1571134395

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Studies representations of women and death by women to see whether and how they differ from patriarchal versions.

Romantic Outlaws

Romantic Outlaws PDF

Author: Charlotte Gordon

Publisher: Random House Trade Paperbacks

Published: 2016-02-02

Total Pages: 674

ISBN-13: 0812980476

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NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE SEATTLE TIMES This groundbreaking dual biography brings to life a pioneering English feminist and the daughter she never knew. Mary Wollstonecraft and Mary Shelley have each been the subject of numerous biographies, yet no one has ever examined their lives in one book—until now. In Romantic Outlaws, Charlotte Gordon reunites the trailblazing author who wrote A Vindication of the Rights of Woman and the Romantic visionary who gave the world Frankenstein—two courageous women who should have shared their lives, but instead shared a powerful literary and feminist legacy. In 1797, less than two weeks after giving birth to her second daughter, Mary Wollstonecraft died, and a remarkable life spent pushing against the boundaries of society’s expectations for women came to an end. But another was just beginning. Wollstonecraft’s daughter Mary was to follow a similarly audacious path. Both women had passionate relationships with several men, bore children out of wedlock, and chose to live in exile outside their native country. Each in her own time fought against the injustices women faced and wrote books that changed literary history. The private lives of both Marys were nothing less than the stuff of great Romantic drama, providing fabulous material for Charlotte Gordon, an accomplished historian and a gifted storyteller. Taking readers on a vivid journey across revolutionary France and Victorian England, she seamlessly interweaves the lives of her two protagonists in alternating chapters, creating a book that reads like a richly textured historical novel. Gordon also paints unforgettable portraits of the men in their lives, including the mercurial genius Percy Shelley, the unbridled libertine Lord Byron, and the brilliant radical William Godwin. “Brave, passionate, and visionary, they broke almost every rule there was to break,” Gordon writes of Wollstonecraft and Shelley. A truly revelatory biography, Romantic Outlaws reveals the defiant, creative lives of this daring mother-daughter pair who refused to be confined by the rigid conventions of their era. Praise for Romantic Outlaws “[An] impassioned dual biography . . . Gordon, alternating between the two chapter by chapter, binds their lives into a fascinating whole. She shows, in vivid detail, how mother influenced daughter, and how the daughter’s struggles mirrored the mother’s.”—The Boston Globe

Colonial Australian Women Poets

Colonial Australian Women Poets PDF

Author: Katie Hansord

Publisher: Anthem Press

Published: 2021-01-08

Total Pages: 254

ISBN-13: 1785272705

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My book traces the significant poetic and political contributions made by non-canonical women poets, situating women's poetry both in colonial Australian print culture and in wider imperial and transnational contexts. Women poets in colonial Australia have tended to be represented as marginal and isolated figures or absent. This study intervenes by demonstrating an alternative networked tradition of transnational feminist poetics and politics beyond and around emergent masculine nationalism, particularly within newspapers and periodical print culture. Without the inclusion of periodical literature, women’s poetry in Australia during the colonial period would appear to have been fairly limited. When periodical literature is taken into account, this picture is radically altered, and poets emerge as consistent contributors, often across a variety of newspapers and journals, who were well-known, influential and connected with political figures and literary circles. In examining this poetry in the original context of the newspapers and journals, the political intervention and the reception of that poetry is made much more apparent.

Women Write

Women Write PDF

Author: Susan Cahill

Publisher: NAL

Published: 2004

Total Pages: 0

ISBN-13: 9780451211217

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From Jane Austen and Virginia Woolf to Toni Morrison and Lorrie Moore, this wide-ranging collection features the most brilliant fiction, poetry, memoir, letters, and essays by women writers with a pitch-perfect ear and a rich understanding of the unique female perspective. Writers included: Julian of Norwich € Anne Bradstreet € Aphra Behn Lady Mary Wortley Montagu € Mary Wollstonecraft € Jane Austen Mary Shelley € Margaret Fuller € Harriet Beecher Stowe Harriet A. Jacobs € George Eliot € Frances E. W. Harper Emily Dickinson € Louisa May Alcott € Sarah Orne Jewett Edith Wharton € Willa Cather € Virginia Woolf € Marianne Moore Katherine Mansfield € Zora Neale Hurston € Lorrie Moore Stevie Smith € Kathleen Raine € Elizabeth Bishop Mary Lavin € Tillie Olsen € Muriel Rukeyser € Maeve Brennan Muriel Spark € Grace Paley € Marie Ponsot € Nadine Gordimer Denise Levertov € Flannery O'Conner € Maya Angelou Cynthia Ozick € Adrienne Rich € Toni Morrison € Alice Munro Edna O'Brien € Mary Oliver € Lucille Clifton € June Jordan Marge Piercy € Sharon Olds € Alice Walker € Leslie Marmon Silko Rita Dove € Sandra Cisneros € Edna St. Vincent Millay

Witnessing Sadism in Texts of the American South

Witnessing Sadism in Texts of the American South PDF

Author: Claire Raymond

Publisher: Routledge

Published: 2019-10-28

Total Pages: 269

ISBN-13: 1351872532

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Looking at works by Carrie Mae Weems, Toni Morrison, Emily Dickinson, Flannery O'Connor, Dorothy Allison, Carson McCullers, and Zora Neale Hurston, Claire Raymond uncovers a pattern of femininity constructed around representations of sadistic violence in American women's literature and photography from the late nineteenth and twentieth centuries. Dickinson's poetry is read through its relationship to the Southern Agrarian critics who championed her work. While the representations of violence found in Carrie Mae Weems's installation From Here I Saw What Happened and I Cried, Morrison's Beloved, Dickinson’s poetry, O'Connor's 'A View of the Woods' and 'A Good Man Is Hard to Find,' Allison's Bastard Out of Carolina, McCullers' Ballad of the Sad Café, and Hurston's Mules and Men are diverse in terms of artistic presentation, all allude to or are set in the antebellum and Jim Crow South. In addition, all involve feminine characters whose subjectivity is shaped by the practice of seeing acts of violence inflicted where there can be no effective resistance. While not proposing an equivalence between representing violence in visual images and written text, Raymond does suggest that visual images of violence can be interpreted in context with written evocations of violent imagery. Invoking sadism in its ethical sense of violence enacted on a victim for whom self-defense and recourse of any kind are impossible, Raymond's study is ultimately an exploration of the idea that a femininity constructed by the positioning of feminine characters as witnesses to sadistic acts is a phenomenon distinctly of the American South that is linked to the culture's history of racism.

The Lyric in Victorian Memory

The Lyric in Victorian Memory PDF

Author: Veronica Alfano

Publisher: Springer

Published: 2017-11-11

Total Pages: 372

ISBN-13: 3319513079

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This book is a study of nineteenth-century poems that remember, yearn for, fixate on, and forget the past. Reflecting the current critical drive to reconcile formalist and historicist approaches to literature, it uses close readings to trace the complex interactions between memory as a theme and the (often-memorable) formal traits – such as brevity, stanzaic structure, and sonic repetition – that appear in the lyrics examined. This book considers the interwoven nature of remembering and forgetting in the work of four Victorian poets. It uses this theme to shed new light on the relationship between lyric and narrative, on the connections between gender and genre, and on the way in which Victorians represented and commemorated the past.