Manet and the Post-Impressionists

Manet and the Post-Impressionists PDF

Author: Grafton Galleries

Publisher: Forgotten Books

Published: 2018-01-10

Total Pages: 50

ISBN-13: 9780428362713

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Excerpt from Manet and the Post-Impressionists: Nov. 8th to Jan. 15th, 1910-11, 10 A. M. To 6 P. M The pictures collected together in the present Exhibi tion are the work of a group of artists who cannot be defined by any single term. The term Synthesists, which has been applied to them by learned criti cism, does indeed express a quality underlying their diversity; and it is the principal business of this introduction to expand the meaning of that word, which sounds too like the hiss of an angry gander to be a happy appellation. As a definition it has the drawback that this quality, common to all, is not always the one most impressive in each artist. In no school does individual temperament count for more. In fact, it is the boast of those who believe in this school, that its methods enable the individuality of the artist to find completer self-expression in his work than is possible to those who have committed themselves to representing objects more literally. This, indeed, is the first source of their quarrel with the Impressionists the post-impressionists consider the Impressionists too naturalistic. Yet their own connection with Impressionism is extremely close; Cezanne, Gauguin and Van Gogh all learnt in the Impressionist school. There are pictures on the walls by these three artists, painted in their earlier years, which at first strike the eye as being more impressionist than anything else; but, nevertheless, the connection of these artists with the Impressionists is accidental rather than intrinsic. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The Post Impressionists (Classic Reprint)

The Post Impressionists (Classic Reprint) PDF

Author: C. Lewis Hind

Publisher: Forgotten Books

Published: 2017-10-14

Total Pages: 160

ISBN-13: 9780266306160

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Excerpt from The Post Impressionists If a child were to ask - What is Post Impres sionism? I think I should tell that child about the Sermon on The Mount, and say If the Spirit that gives life to the movement we call Post Impressionism is in your heart you will always be trying to express yourself, in your life and in your work, with the Simple and profound Simplicity of the Sermon on The Mount. You will say what you have to say as if there were nobody else but you and' Nature or God. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Cubists and Post-Impressionism (Classic Reprint)

Cubists and Post-Impressionism (Classic Reprint) PDF

Author: Arthur Jerome Eddy

Publisher:

Published: 2015-07-04

Total Pages: 330

ISBN-13: 9781330714751

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Excerpt from Cubists and Post-Impressionism This book was written in 1913 and published in March, 1914. Six months later Europe was in war. The academic historian will seek the cause or causes of the war in more or less concrete events and more or less obvious ambitions and aspirations of this or that nation. The profounder and more philosophical searcher after the motives and forces that control the destinies of man may reach the conclusion that the development of the western world had reached a condition where an explosion was inevitable, or, as one might say, an equilibrium so unstable a crash could not be avoided. The assassination of a Grand Duke could not plunge a world into war unless the world was on the verge of war. Princes, Grand-dukes, Kings and Queens have been assassinated with no results other than a few headlines and messages of condolence, but when Europe is ready for war and war is inevitable one excuse is as good as another. For a long time prior to the assassination of the Grand Duke at Sarajevo, 1914, the nations of not only Europe but the Orient were on edge. A war spirit was prevalent in even this country. In 1912 a the writer published a book which dealt with the existing competitive conditions in the industrial and commercial world. On pages 41-42 of that book I said: "The history of nations shows how the pendulum of progress swings to and fro from perfection in little things to perfection in big things. At the same period one nation may be doing things intensively, while another is doing things in a spirit of extension; one may be living a life of extraordinary fullness within its gates, another may find satisfaction only in conquering the earth. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The Letters of a Post-Impressionist

The Letters of a Post-Impressionist PDF

Author:

Publisher:

Published: 2015-07-01

Total Pages: 224

ISBN-13: 9781330538128

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Excerpt from The Letters of a Post-Impressionist: Being the Familiar Correspondence of Vincent Van Gogh Though the collection of lettedr contained in Cassirer's publication, "Vincent Van Gogh. Briefe," is not a complete one, from my knowledge of a very large number of the letters which are not included in this volume, I feel able to say that the present selection is in any case very representative and contains all that is essential in respect to Van Gogh's art-credo and general attitude of mind. For reasons into which it is unnecessary for me to enter here, it was found convenient to adopt the form of Cassirer's publication arranged by Margarete Mauthner, and my translation has therefore been made from the German (Fourth Edition, 1911). Still, with the view of avoiding the errors which were bound to creep into a double translation of this sort, I took care, when my version was complete, to compare it with as many of the original French letters as I was able to find, and I am glad to say that by this means I succeeded in satisfying myself as to the accuracy of every line from page 39 to the end. The letters printed up to page 38, some of which I fancy must have been written in Dutch - a language which in any case I could not have read - have not been compared with the originals. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Manet and the Post-impressionists; Nov. 8th to Jan. 15th, 1910-11... (under Revision)

Manet and the Post-impressionists; Nov. 8th to Jan. 15th, 1910-11... (under Revision) PDF

Author: London Grafton Galleries

Publisher: Legare Street Press

Published: 2021-09-09

Total Pages: 48

ISBN-13: 9781013823855

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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Creation

Creation PDF

Author: Horace Holley

Publisher: Forgotten Books

Published: 2017-12-03

Total Pages: 68

ISBN-13: 9780332376011

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Excerpt from Creation: Post-Impressionist Poems They show the only authentic virtue Desirable in every race and clime To be at home in one's own soul And comfortably fit, like a student's gown, The folds and wrinkles of one's nature. I love to fall upon one of them suddenly Just out the window, or round the corner, When I am vacant or grieving or hateful; I know them by a secret sympathy, And I go straightway healed, as by a spell, Strutting a little, hearty, bold, superb, Spilling over, in short, as a man's life often should. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Critical Readings in Impressionism and Post-Impressionism

Critical Readings in Impressionism and Post-Impressionism PDF

Author: Mary Tompkins Lewis

Publisher: Univ of California Press

Published: 2023-12-22

Total Pages: 368

ISBN-13: 052094044X

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The essays in this wide-ranging, beautifully illustrated volume capture the theoretical range and scholarly rigor of recent criticism that has fundamentally transformed the study of French Impressionist and Post-Impressionist art. Readers are invited to consider the profound issues and penetrating questions that lie beneath this perennially popular body of work as the contributors examine the art world of late nineteenth-century France—including detailed looks at Monet, Manet, Pissarro, Degas, Cézanne, Morisot, Seurat, Van Gogh, and Gauguin. The authors offer fascinating new perspectives, placing the artworks from this period in wider social and historical contexts. They explore these painters' pictorial and market strategies, the critical reception and modern criteria the paintings engendered, and the movement's historic role in the formation of an avant-garde tradition. Their research reflects the wealth of new documents, critical approaches, and scholarly exhibitions that have fundamentally altered our understanding of Impressionism and Post-Impressionism. These essays, several of which have previously been familiar only to scholars, provide instructive models of in-depth critical analysis and of the competing art historical methods that have crucially reshaped the field. Contributors: Carol Armstrong, T. J. Clark, Stephen F. Eisenman, Tamar Garb, Nicholas Green, Robert L. Herbert, John House, Mary Tompkins Lewis, Michel Melot, Linda Nochlin, Richard Shiff, Debora Silverman, Paul Tucker, Martha Ward

Post-impressionism

Post-impressionism PDF

Author: Nathalia Brodskaïa

Publisher: Parkstone International

Published: 2010-01-01

Total Pages: 200

ISBN-13: 1844847462

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Rich in its variety and in the singularity of its artists, Post-Impressionism was a passage taken by the well-known figures of 20th-century painting, including Van Gogh, Cezanne, and Seurat.

French Impressionists and Their Contemporaries Represented in American Collections (Classic Reprint)

French Impressionists and Their Contemporaries Represented in American Collections (Classic Reprint) PDF

Author: Edward Alden Jewell

Publisher: Forgotten Books

Published: 2017-10-28

Total Pages: 192

ISBN-13: 9780266849377

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Excerpt from French Impressionists and Their Contemporaries Represented in American Collections To these technical matters I shall return later on. At this initial juncture it will be well, I think, to get our theme launched on a human basis: a basis of human drama. Of such drama there was, as we peer back at the period in question, no dearth. For, be the precise nature of their paint theories what they might, the artists responsible for the Impressionist movement in France had, like all pioneering artists in the history of art, to battle for their cause against the usual obstacles and with little beyond bootstrap encouragement. Suppose then, first, we consider the Impressionists simply as an insurgent group of artists who, along in the 1860's, found themselves drawn together by interests sufficiently mutual to make some sort of concerted action, when the time came, imperative. It was by no means a group formed over' night, nor, even after it had got pretty well established, was it a closely knit group. One of the underlying factors, as I see it now, was simply a shared wish to make the Salon, failing which where, in those days, would one be? The Paris Salon, like all academic organizations, was governed according to certain fixed canons of taste. It stood for what was accepted and respectable. Young artists with revolutionary ideas, it goes without saying, were treated as disruptive and dangerous rebels who must be suppressed in the interest of maintaining the dignity of Art - even in behalf of safeguarding the Morals of the State. An Old story, endlessly reverberant down the corridor of time, which need not be dwelt upon save to the extent of noting that (again true to form) the be havior of the Salon's administrators acted ultimately as a boomerang by impelling our outré artists of the 6o's and 70's never to relax until they had achieved public recognition. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.