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Author: David Bevington
Publisher: Cambridge University Press
Published: 1998-11-19
Total Pages: 358
ISBN-13: 9780521594363
DOWNLOAD EBOOK →A 1998 collection which takes an alternative look at the courtly masque in early seventeenth-century England.
Author: Martin Butler
Publisher: Cambridge University Press
Published: 2008
Total Pages: 0
ISBN-13: 0521883547
DOWNLOAD EBOOK →Examines the masques and court festivals staged between 1603 and 1640, demonstrating how they reflected and influenced the Stuart kingship.
Author: J. Knowles
Publisher: Springer
Published: 2015-06-17
Total Pages: 288
ISBN-13: 1137432012
DOWNLOAD EBOOK →Politics and Political Culture in the Court Masque considers the interconnections of the masque and political culture. It examines how masques responded to political forces and voices beyond the court, and how masques explored the limits of political speech in the Jacobean and Caroline periods.
Author: Barbara Ravelhofer
Publisher: OUP Oxford
Published: 2006-04-13
Total Pages: 336
ISBN-13: 0191515981
DOWNLOAD EBOOK →The Early Stuart Masque: Dance, Costume, and Music studies the complex impact of movements, costumes, words, scenes, music, and special effects in English illusionistic theatre of the Renaissance. Drawing on a massive amount of documentary evidence relating to English productions as well as spectacle in France, Italy, Germany, and the Ottoman Empire, the book elucidates professional ballet, theatre management, and dramatic performance at the early Stuart court. Individual studies take a fresh look at works by Ben Jonson, Samuel Daniel, Thomas Carew, John Milton, William Davenant, and others, showing how court poets collaborated with tailors, designers, technicians, choreographers, and aristocratic as well as professional performers to create a dazzling event. Based on extensive archival research on the households of Queen Anne and Queen Henrietta Maria, special chapters highlight the artistic and financial control of Stuart queens over their masques and pastorals. Many plates and figures from German, Austrian, French, and English archives illustrate accessibly-written introductions to costume conventions, early dance styles, male and female performers, the dramatic symbolism of colours, and stage design in performance. With splendid costumes and choreographies, masques once appealed to the five senses. A tribute to their colourful brilliance, this book seeks to recover a lost dimension of performance culture in early modern England.
Author: Enid Welsford
Publisher: Cambridge, [Eng.] : University Press
Published: 1927
Total Pages: 486
ISBN-13:
DOWNLOAD EBOOK →Author: Stephen Orgel
Publisher: Univ of California Press
Published: 2023-11-10
Total Pages: 110
ISBN-13: 0520341872
DOWNLOAD EBOOK →"Elegant, deeply learned, and intellectually adventurous, its implications extend far beyond the boundaries of the Stuart and Caroline masque. It is an indispensable, exploration of political art and aestheticized politics. . . . a classic."--Stephen Greenblatt, University of California, Berkeley "A triumph of scholarship, insight, and explication, Oregel's book is truly a classic in the field of Renaissance studies. Anyone interested in Renaissance culture will find here a masterful analysis of its celebration of royal power."--Coppelia Kahn, Brown University "As knowing of art, theatrical and political history as it is sensitive to poetry, Orgel's book is learned, lively, and beautifully clear."--John Hollander, Yale University "A foundational text for the New Historicist Perspective in English Renaissance literary and cultural studies . . . as informative and suggestive as it was when new; in the clarity and grace of its writing, the breadth and precision of its arguments, the aptness and resonance of its examples, it is unsurpassed as an introduction to the dialectic of theatrical illusion and state authority--of play and power--in the culture of Elizabethan and Stuart England."--Louis Montrose, University of California, San Diego
Author: Jane Milling
Publisher: Cambridge University Press
Published: 2004
Total Pages: 574
ISBN-13: 0521650682
DOWNLOAD EBOOK →Publisher Description
Author: Clare McManus
Publisher: Manchester University Press
Published: 2002
Total Pages: 292
ISBN-13: 9780719062506
DOWNLOAD EBOOK →Through detailed historicized and interdisciplinary readings of the performances of Anna Denmark in the Scottish and English Jacobean Courts, Women on the Renaissance Stage fundamentally reassesses women's relationship to early modern performance. It investigates the staging conditions, practices, and gendering of Denmark's performances, and brings current critical theorizations of race, class, gender, space, and performance to bear on the female court of the early 17th century.
Author: Julia Marciari Alexander
Publisher: Studies in British Art
Published: 2007
Total Pages: 296
ISBN-13:
DOWNLOAD EBOOK →This volume brings together ten distinguished scholars of history, literature, music, theatre, and art to explore the political and cultural implications of the court's transgressive new character.
Author: Kevin Curran
Publisher: Routledge
Published: 2016-05-06
Total Pages: 231
ISBN-13: 1317100239
DOWNLOAD EBOOK →Marriage, Performance, and Politics at the Jacobean Court constitutes the first full-length study of Jacobean nuptial performance, a hitherto unexplored branch of early modern theater consisting of masques and entertainments performed for high-profile weddings. Scripted by such writers as Ben Jonson, Thomas Campion, George Chapman, and Francis Beaumont, these entertainments were mounted for some of the most significant political events of James's English reign. Here Kevin Curran analyzes all six of the elite weddings celebrated at the Jacobean court, reading the masques and entertainments that headlined these events alongside contemporaneously produced panegyrics, festival books, sermons, parliamentary speeches, and other sources. The study shows how, collectively, wedding entertainments turned the idea of union into a politically versatile category of national representation and offered new ways of imagining a specifically Jacobean form of national identity by doing so.
