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The poetry of Hugo von Hofmannsthal and French symbolism
Hofmannsthal and the French Symbolist Tradition
Author: Steven P. Sondrup
Publisher: Peter Lang Group Ag, International Academic Publishers
Published: 1976
Total Pages: 160
ISBN-13:
DOWNLOAD EBOOK →The aim of this study is a thorough investigation and comparison of Hofmannsthal's relationship to the theory of the French symbolists. A notable similarity of structure, mood and technique between Hofmannsthal's poetry and his lyric dramas and those of the symbolists, has long interested scholars and critics. In his concluding remarks, the editor brings forward the problems of researches.
Hofmannsthal and Symbolism
Author: Thomas A. Kovach
Publisher: Peter Lang Incorporated, International Academic Publishers
Published: 1985
Total Pages: 284
ISBN-13:
DOWNLOAD EBOOK →This study attempts a revaluation of Hugo von Hofmannsthal's position in relation to twentieth-century literary Modernism through an examination of the poet's complex relationship to French Symbolism. The actual impact of Symbolism on his poetic technique is demonstrated more clearly than has been done previously, while at the same time it is argued that there was no wholesale rejection of Symbolism during and after the «Chandos crisis, » as is generally assumed. Rather, the poet's continued adherence to Symbolist aesthetics, which is apparent in both the essays and the poetic works of his maturity, goes hand in hand with his critique of those aspects of Symbolism associated with the larger movement of Aestheticism.
Hugo Von Hofmannsthal and the Austrian Idea
Author: Hugo von Hofmannsthal
Publisher: Purdue University Press
Published: 2011
Total Pages: 215
ISBN-13: 1557535906
DOWNLOAD EBOOK →A collection and translation 20 of the author's essays and addresses relating to Austrian culture.
A Companion to the Works of Hugo Von Hofmannsthal
Author: Thomas A. Kovach
Publisher: Camden House
Published: 2002
Total Pages: 302
ISBN-13: 9781571132154
DOWNLOAD EBOOK →The Viennese poet, dramatist, and prose writer Hugo von Hofmannsthal (1874-1929) was among the most celebrated men of letters in the German language at the turn of the 19th to the 20th century. His early poems established his reputation as the `child prodigy' of German letters, and a few remain among the most anthologized in the German language. His early lyric dramas prompted no less a judge than T. S. Eliot to pronounce him, along with Yeats and Claudel, one of the three European writers who had done the most to revive verse drama in modern times. His critical essays attest to the subtle powers of discrimination that marked him as one of the most discerning literary critics of the day. And yet he underwent a crisis of cognition and language around 1900, and from then on turned away from poetry and lyric drama almost entirely, concentrating instead on more public forms of drama such as the libretti for Richard Strauss's operas, the plays written for the Salzburg Festival (of which he was a co-founder), and on discursive and narrative prose. The body of work that Hofmannsthal left behind at his premature death is matched in its variety, breadth, and quality by that of only a handful of German writers. And yet posterity has not been kind to his reputation: those who admired the early work for its aesthetic refinement disdained his turn to more popular forms, whereas many of those who might have been receptive to the more committed and public stance of his later work were put off by his conservative politics. This volume of new essays by top Hofmannsthal scholars re-examines his extraordinarily rich and complex body of work, assessing his stature in German and world literature in the new century. Contributors: Katherine Arens, Judith Beniston, Benjamin Bennett, Nina Berman, Joanna Bottenberg, Douglas A. Joyce, Thomas A. Kovach, Ellen Ritter, Hinrich C. Seeba, Andreas Thomasberger, W. Edgar Yates. Professor Thomas Kovach is Head of the Department of German Studies at the University of Arizona.
The Lyrical Poems of Hugo Von Hofmannsthal
Symbolism
Author: Nathalia Brodskaïa
Publisher: Parkstone International
Published: 2023-12-28
Total Pages: 276
ISBN-13: 1783103981
DOWNLOAD EBOOK →Symbolism appeared in France and Europe between the 1880s and the beginning of the 20th century. The Symbolists, fascinated with ancient mythology, attempted to escape the reign of rational thought imposed by science. They wished to transcend the world of the visible and the rational in order to attain the world of pure thought, constantly flirting with the limits of the unconscious. The French Gustave Moreau, Odilon Redon, the Belgians Fernand Khnopff and Félicien Rops, the English Edward Burne-Jones and Dante Gabriel Rossetti, and the Dutch Jan Toorop are the most representative artists of the movement.
European Symbolism
Author: Natasha Grigorian
Publisher: Peter Lang
Published: 2009
Total Pages: 322
ISBN-13: 9783039115310
DOWNLOAD EBOOK →This first comparative study of the Symbolist use of myth in France, Germany, and Russia closely examines a selected range of poetic and pictorial works created between c. 1860 and 1910. The focus of the discussion is on a constellation of five artists, linked by a complex network of influences: Gustave Moreau, José-Maria de Heredia, and Jean Moréas (France); Stefan George (Germany); and Valerii Bryusov (Russia). By analysing myth in painting and poetry, the book gives a new insight into the significance of heroic and aesthetic ideals in late nineteenth- and early twentieth-century European culture. International and interdisciplinary in its comparative approach, the study reassesses the distinction between Symbolism and Decadence by shedding new light on the role of myth within the paradoxical interaction of classical and modernist values in Symbolist art. In the course of the argument, Symbolist mythological art emerges as a significant link between the cultural heritage of classical Greece and the creative agonies of twentieth-century European society. The book will appeal not only to scholars of literature and art, but also to a wider academic public concerned with cross-cultural transaction in Europe.
The Symbolist Movement in the Literature of European Languages
Author: Anna Balakian
Publisher: John Benjamins Publishing
Published: 1984
Total Pages: 735
ISBN-13: 9630538954
DOWNLOAD EBOOK →Edited by Anna Balakian, this volume marks the first attempt to discuss Symbolism in a full range of the literatures written in the European languages. The scope of these analyses, which explore Latin America, Scandinavia, Russia, Poland, Hungary, Serbia, Czechoslovakia, and Bulgaria as well as West European literatures, continues to make the volume a valuable reference today. As René Wellek suggests in his historiographic contribution, the fifty-one contributors not only make us think afresh about individual authors who are giants, but also draw us to reassess schools and movements in their local as well as international contexts. Reviewers comment that this copious and intelligently structured anthology, divided into eight parts, traces the conceptual bases and emergence of an international Symbolist movement, showing the spread of Symbolism to other national literatures from French sources, as well as the symbiotic transformations of Symbolism through appropriation and amalgamation with local literary trends. Several chapters deal with the relationships between literature and the other arts, pointing to Symbolism at work in painting, music, and theatre. Other chapters on the psychological aspects of the Symbolist method connect in interesting ways to a vision of metaphor and myth as virtually musical notation and an experimental emphasis on the play afforded by gaps between words. The volume is a major contribution to the most significant exponents and essential themes of Symbolism. The theoretical, historical, and typological sections of the volume help explain why the impact of this important movement of the fin-de-siècle is still felt today.
