The Poetics of Phantasia

The Poetics of Phantasia PDF

Author: Anne Sheppard

Publisher: A&C Black

Published: 2014-03-13

Total Pages: 137

ISBN-13: 1472510593

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With a thorough examination of ancient views of literary and artistic realism, allegory and symbolism, The Poetics of Phantasia brings together a study of the ways in which the concept of imagination (phantasia in Greek) was used in ancient aesthetics and literary theory. The Greeks and Romans tended to think of the production of works of art in terms of imitation, either of the world around us or of a transcendent ideal world, rather than in terms of originality and creativity. Study of the way phantasia is used in ancient writing about literature and art reveals important features of the ancient approach to the arts and in doing so will also shed light on modern concepts of imagination and the literary and artistic differences between realism and allegory. Covering a range of literary and philosophical material from the beginnings of Greek literature down to the Neoplatonist philosophers of late antiquity, The Poetics of Phantasia discusses three discrete senses of imagination in ancient thought. Firstly, phantasia as visualization is explored: when a writer 'brings before his eyes' what he is describing and enables his audience or reader to visualise it likewise. The second theory of phantasia is that which is capable not only of conveying images from sense-perception but also of receiving images from intellectual and supra-intellectual faculties in the soul, and thus helping people grasp mathematical, metaphysical or even mystical concepts. Finally, phantasia is seen as a creative power which can conjure up an image that points beyond itself and to express ideas outside our everyday experience.

The Poetics of Phantasia

The Poetics of Phantasia PDF

Author: Anne Sheppard

Publisher: A&C Black

Published: 2014-03-13

Total Pages: 256

ISBN-13: 1472509218

DOWNLOAD EBOOK →

With a thorough examination of ancient views of literary and artistic realism, allegory and symbolism, The Poetics of Phantasia brings together a study of the ways in which the concept of imagination (phantasia in Greek) was used in ancient aesthetics and literary theory. The Greeks and Romans tended to think of the production of works of art in terms of imitation, either of the world around us or of a transcendent ideal world, rather than in terms of originality and creativity. Study of the way phantasia is used in ancient writing about literature and art reveals important features of the ancient approach to the arts and in doing so will also shed light on modern concepts of imagination and the literary and artistic differences between realism and allegory. Covering a range of literary and philosophical material from the beginnings of Greek literature down to the Neoplatonist philosophers of late antiquity, The Poetics of Phantasia discusses three discrete senses of imagination in ancient thought. Firstly, phantasia as visualization is explored: when a writer 'brings before his eyes' what he is describing and enables his audience or reader to visualise it likewise. The second theory of phantasia is that which is capable not only of conveying images from sense-perception but also of receiving images from intellectual and supra-intellectual faculties in the soul, and thus helping people grasp mathematical, metaphysical or even mystical concepts. Finally, phantasia is seen as a creative power which can conjure up an image that points beyond itself and to express ideas outside our everyday experience.

The Poetics of Phantasia

The Poetics of Phantasia PDF

Author: Anne D. R. Sheppard

Publisher:

Published: 2014

Total Pages:

ISBN-13: 9781472555830

DOWNLOAD EBOOK →

With a thorough examination of ancient views of literary and artistic realism, allegory and symbolism, The Poetics of Phantasia brings together a study of the ways in which the concept of imagination (phantasia in Greek) was used in ancient aesthetics and literary theory. The Greeks and Romans tended to think of the production of works of art in terms of imitation, either of the world around us or of a transcendent ideal world, rather than in terms of originality and creativity. Study of the way phantasia is used in ancient writing about literature and art reveals important features of the an.

The Poetics of Description

The Poetics of Description PDF

Author: Janice Hewlett Koelb

Publisher: Springer

Published: 2006-12-11

Total Pages: 232

ISBN-13: 023060188X

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This book tells a remarkable story that begins in classical antiquity with ecphrasis, the art of describing the world so vividly that the audience could become imaginative eyewitnesses, and the events that caused an ideal of immediacy to be transformed into nearly its opposite, a preoccupation with representation of representation.

A Companion to Ancient Aesthetics

A Companion to Ancient Aesthetics PDF

Author: Pierre Destrée

Publisher: John Wiley & Sons

Published: 2015-04-28

Total Pages: 552

ISBN-13: 1119009774

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The first of its kind, A Companion to Ancient Aesthetics presents a synoptic view of the arts, which crosses traditional boundaries and explores the aesthetic experience of the ancients across a range of media—oral, aural, visual, and literary. Investigates the many ways in which the arts were experienced and conceptualized in the ancient world Explores the aesthetic experience of the ancients across a range of media, treating literary, oral, aural, and visual arts together in a single volume Presents an integrated perspective on the major themes of ancient aesthetics which challenges traditional demarcations Raises questions about the similarities and differences between ancient and modern ways of thinking about the place of art in society

On Prophecy, Dreams and Human Imagination

On Prophecy, Dreams and Human Imagination PDF

Author: Donald A. Russell

Publisher: Mohr Siebeck

Published: 2014-12-15

Total Pages: 226

ISBN-13: 9783161524196

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Synesius' essay De insomniis ('On Dreams') inquires into the meaning and importance of dreams for human beings and treats themes - most of all the relationship of humans to higher spheres -, which for religiously- and philosophically-minded people are still important today.

Emotion in Action: Thucydides and the Tragic Chorus

Emotion in Action: Thucydides and the Tragic Chorus PDF

Author: Eirene Visvardi

Publisher: BRILL

Published: 2015-01-27

Total Pages: 297

ISBN-13: 9004285571

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Emotion in Action: Thucydides and the Tragic Chorus offers a new approach to the tragic chorus by examining how certain choruses ‘act’ on their shared feelings. Eirene Visvardi redefines choral action, analyzes choruses that enact fear and pity, and juxtaposes them to the Athenian dêmos in Thucydides’ History. Considered together, these texts undermine the sharp divide between emotion and reason and address a preoccupation that emerges as central in Athenian life: how to channel the motivational power of collective emotion into judicious action and render it conducive to cohesion and collective prosperity. Through their performance of emotion, tragic choruses raise the question of which collective voices deserve a hearing in the institutions of the polis and suggest diverse ways to envision passionate judgment and action.

Sight, Touch, and Imagination in Byzantium

Sight, Touch, and Imagination in Byzantium PDF

Author: Roland Betancourt

Publisher: Cambridge University Press

Published: 2018-04-12

Total Pages: 419

ISBN-13: 1108424740

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Studies the interrelation of sight, touch, and the imagination in ancient and medieval Greek theories of perception and cognition.

The Poetics in its Aristotelian Context

The Poetics in its Aristotelian Context PDF

Author: Pierre Destrée

Publisher: Routledge

Published: 2020-03-18

Total Pages: 270

ISBN-13: 1000053482

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This volume integrates aspects of the Poetics into the broader corpus of Aristotelian philosophy. It both deals with some old problems raised by the treatise, suggesting possible solutions through contextualization, and also identifies new ways in which poetic concepts could relate to Aristotelian philosophy. In the past, contextualization has most commonly been used by scholars in order to try to solve the meaning of difficult concepts in the Poetics (such as catharsis, mimesis, or tragic pleasure). In this volume, rather than looking to explain a specific concept, the contributors observe the concatenation of Aristotelian ideas in various treatises in order to explore some aesthetic, moral and political implications of the philosopher’s views of tragedy, comedy and related genres. Questions addressed include: Does Aristotle see his interest in drama as part of his larger research on human natures? What are the implications of tragic plots dealing with close family members for the polis? What should be the role of drama and music in the education of citizens? How does dramatic poetry relate to other arts and what are the ethical ramifications of the connections? How specific are certain emotions to literary genres and how do those connect to Aristotle’s extended account of pathe? Finally, how do internal elements of composition and language in poetry relate to other domains of Aristotelian thought? The Poetics in its Aristotelian Context offers a fascinating new insight to the Poetics, and will be of use to anyone working on the Poetics, or Aristotelian philosophy more broadly.