The Poems Of Adelaide A. Procter. Complete Ed

The Poems Of Adelaide A. Procter. Complete Ed PDF

Author: Adelaide Anne Procter

Publisher: Legare Street Press

Published: 2023-07-18

Total Pages: 0

ISBN-13: 9781020430558

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Adelaide Anne Procter was one of the most popular poets of the Victorian era. Her works, which often deal with themes of love, loss, and spirituality, have inspired generations of readers. This complete edition of her poems features Procter's best-known works, including the haunting poem 'A Lost Chord', as well as lesser-known gems. Procter's beautiful, lyrical style and poignant subject matter make this volume an essential addition to any poetry lover's library. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Poetry of Adelaide Anne Procter - Volume I

The Poetry of Adelaide Anne Procter - Volume I PDF

Author: Adelaide Anne Procter

Publisher:

Published: 2018-02-19

Total Pages: 136

ISBN-13: 9781787375628

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Adelaide Anne Procter was born on 30th October, 1825 at 25 Bedford Square in the Bloomsbury district of London. Her literary career began whilst still a teenager. Many of her poems were published by the great Charles Dickens in his periodicals Household Words and All the Year Round before being later published in book form. A voracious reader, Procter was largely self-taught, though she did study at Queen's College in Harley Street in 1850. Her interest in poetry grew from an early age. Procter published her first poem, Ministering Angels, while still a teenager in 1843. By 1853 she was submitting pieces to Dickens's Household Words under her pseudonym Mary Berwick, electing that this way her work would be judged for its own worth rather than on the friendship between her father and Dickens. Dickens didn't learn of her true identity for over a year. Minstering Angels was to be the beginning of a long and mutually beneficial relationship of publishing in Dickens' journals that would eventually reach 73 poems in House words together with a further 7 poems in All the Year Round, most of which were collected and later published into her first two volumes of poetry, both entitled Legends and Lyrics. Proctor was also the editor of the journal Victoria Regia, which became the showpiece of the Victoria Press, a venture hoping to promote the employment of women in all manner of trades and professions. Procter's health failed in 1862. Dickens and others suggested that this illness was due to her extensive and exhausting schedule of charity work. An attempt to improve her health by taking a cure at Malvern failed. Adelaide Anne Proctor died on 3rd February 1864 of tuberculosis. She had been bed-ridden for almost a year. Procter was buried in Kensal Green Cemetery.

The Poems of Adelaide A. Procter

The Poems of Adelaide A. Procter PDF

Author: Adelaide Anne Procter

Publisher: Legare Street Press

Published: 2023-07-18

Total Pages: 0

ISBN-13: 9781022196278

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Experience the beauty of Victorian poetry with this collection of works by Adelaide Anne Procter. Featuring timeless classics such as "The Lost Chord" and "A Legend of Bregenz," this book is a must-read for anyone who loves poetry and literature. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Poetry of Adelaide Anne Procter - Volume II

The Poetry of Adelaide Anne Procter - Volume II PDF

Author: Adelaide Anne Procter

Publisher: Portable Poetry

Published: 2018-02-19

Total Pages: 94

ISBN-13: 9781787375635

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Adelaide Anne Procter was born on 30th October, 1825 at 25 Bedford Square in the Bloomsbury district of London. Her literary career began whilst still a teenager. Many of her poems were published by the great Charles Dickens in his periodicals Household Words and All the Year Round before being later published in book form. A voracious reader, Procter was largely self-taught, though she did study at Queen's College in Harley Street in 1850. Her interest in poetry grew from an early age. Procter published her first poem, Ministering Angels, while still a teenager in 1843. By 1853 she was submitting pieces to Dickens's Household Words under her pseudonym Mary Berwick, electing that this way her work would be judged for its own worth rather than on the friendship between her father and Dickens. Dickens didn't learn of her true identity for over a year. Minstering Angels was to be the beginning of a long and mutually beneficial relationship of publishing in Dickens' journals that would eventually reach 73 poems in House words together with a further 7 poems in All the Year Round, most of which were collected and later published into her first two volumes of poetry, both entitled Legends and Lyrics. Proctor was also the editor of the journal Victoria Regia, which became the showpiece of the Victoria Press, a venture hoping to promote the employment of women in all manner of trades and professions. Procter's health failed in 1862. Dickens and others suggested that this illness was due to her extensive and exhausting schedule of charity work. An attempt to improve her health by taking a cure at Malvern failed. Adelaide Anne Proctor died on 3rd February 1864 of tuberculosis. She had been bed-ridden for almost a year. Procter was buried in Kensal Green Cemetery.

Religious Imaginaries

Religious Imaginaries PDF

Author: Karen Dieleman

Publisher: Ohio University Press

Published: 2012-10-02

Total Pages: 325

ISBN-13: 0821444344

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Explores liturgical practice as formative for how three Victorian women poets imagined the world and their place in it and, consequently, for how they developed their creative and critical religious poetics. This new study rethinks several assumptions in the field: that Victorian women’s faith commitments tended to limit creativity; that the contours of church experiences matter little for understanding religious poetry; and that gender is more significant than liturgy in shaping women’s religious poetry. Exploring the import of bodily experience for spiritual, emotional, and cognitive forms of knowing, Karen Dieleman explains and clarifies the deep orientations of different strands of nineteenth-century Christianity, such as Congregationalism’s high regard for verbal proclamation, Anglicanism’s and Anglo-Catholicism’s valuation of manifestation, and revivalist Roman Catholicism’s recuperation of an affective aesthetic. Looking specifically at Elizabeth Barrett Browning, Christina Rossetti, and Adelaide Procter as astute participants in their chosen strands of Christianity, Dieleman reveals the subtle textures of these women’s religious poetry: the different voices, genres, and aesthetics they create in response to their worship experiences. Part recuperation, part reinterpretation, Dieleman’s readings highlight each poet’s innovative religious poetics. Dieleman devotes two chapters to each of the three poets: the first chapter in each pair delineates the poet’s denominational practices and commitments; the second reads the corresponding poetry. Religious Imaginaries has appeal for scholars of Victorian literary criticism and scholars of Victorian religion, supporting its theoretical paradigm by digging deeply into primary sources associated with the actual churches in which the poets worshipped, detailing not only the liturgical practices but also the architectural environments that influenced the worshipper’s formation. By going far beyond descriptions of various doctrinal positions, this research significantly deepens our critical understanding of Victorian Christianity and the culture it influenced.