eBook PDF Download Digital Library
Author: Hugo Munsterberg
Publisher: The Floating Press
Published: 2014-07-01
Total Pages: 137
ISBN-13: 1776583892
DOWNLOAD EBOOK →In the early years of the twentieth century, both psychology and motion pictures were just beginning to emerge as significant cultural forces. Published in 1916, this fascinating work from prominent psychologist Hugo Munsterberg analyzes early films from a psychological point of view.
Author: Hugo Münsterberg
Publisher: Routledge
Published: 2013-09-05
Total Pages: 220
ISBN-13: 1135353271
DOWNLOAD EBOOK →Hugo Münsterberg's The Photoplay (1916) is one of the first and most important early works of film theory. Münsterberg's work on the emerging art of cinema remains a key document for film scholars, but it has long been out of print. In this new edition, Allan Langdale provides a critical introduction to the seminal text and collects numerous hard-to-find writings on film by Münsterberg.
Author: Hugo Munsterberg
Publisher:
Published: 2013-07-25
Total Pages: 98
ISBN-13: 9781491089866
DOWNLOAD EBOOK →One of the first and most important studies of early film. A classic work of film theory.
Author: Hugo Munsterberg
Publisher: Createspace Independent Publishing Platform
Published: 2015-12-19
Total Pages: 76
ISBN-13: 9781522825173
DOWNLOAD EBOOK →Hugo Munsterberg (June 1, 1863 - December 16, 1916) was a German-American psychologist. He was one of the pioneers in applied psychology, extending his research and theories to Industrial/Organizational (I/O), legal, medical, clinical, educational and business settings. Munsterberg encountered immense turmoil with the outbreak of the First World War. Torn between his loyalty to America and his homeland, he often defended Germany's actions, attracting highly contrasting reactions.
Author: Hugo Munsterberg
Publisher:
Published: 2014-08-07
Total Pages: 238
ISBN-13: 9781498168663
DOWNLOAD EBOOK →This Is A New Release Of The Original 1916 Edition.
Author: Münsterberg Hugo
Publisher: Hardpress Publishing
Published: 2016-06-23
Total Pages: 140
ISBN-13: 9781318813797
DOWNLOAD EBOOK →Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Author: Lee Grieveson
Publisher: Duke University Press
Published: 2008-11-24
Total Pages: 481
ISBN-13: 0822388677
DOWNLOAD EBOOK →Inventing Film Studies offers original and provocative insights into the institutional and intellectual foundations of cinema studies. Many scholars have linked the origins of the discipline to late-1960s developments in the academy such as structuralist theory and student protest. Yet this collection reveals the broader material and institutional forces—both inside and outside of the university—that have long shaped the field. Beginning with the first investigations of cinema in the early twentieth century, this volume provides detailed examinations of the varied social, political, and intellectual milieus in which knowledge of cinema has been generated. The contributors explain how multiple instantiations of film study have had a tremendous influence on the methodologies, curricula, modes of publication, and professional organizations that now constitute the university-based discipline. Extending the historical insights into the present, contributors also consider the directions film study might take in changing technological and cultural environments. Inventing Film Studies shows how the study of cinema has developed in relation to a constellation of institutions, technologies, practices, individuals, films, books, government agencies, pedagogies, and theories. Contributors illuminate the connections between early cinema and the social sciences, between film programs and nation-building efforts, and between universities and U.S. avant-garde filmmakers. They analyze the evolution of film studies in relation to the Museum of Modern Art, the American Film Council movement of the 1940s and 1950s, the British Film Institute, influential journals, cinephilia, and technological innovations past and present. Taken together, the essays in this collection reveal the rich history and contemporary vitality of film studies. Contributors: Charles R. Acland, Mark Lynn Anderson, Mark Betz, Zoë Druick, Lee Grieveson, Stephen Groening, Haden Guest, Amelie Hastie, Lynne Joyrich, Laura Mulvey, Dana Polan, D. N. Rodowick, Philip Rosen, Alison Trope, Haidee Wasson, Patricia White, Sharon Willis, Peter Wollen, Michael Zryd
