The Photomontages of Hannah Höch

The Photomontages of Hannah Höch PDF

Author: Hannah Höch

Publisher:

Published: 1996

Total Pages: 238

ISBN-13:

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Here, in the first comprehensive survey of her work by an American museum, authors Peter Boswell, Maria Makela, and Carolyn Lanchner survey the full scope of Hoch's half-century of experimentation in photomontage - from her politically charged early works and intimate psychological portraits of the Weimar era to her later forays into surrealism and abstraction.

Cut with the Kitchen Knife

Cut with the Kitchen Knife PDF

Author: Maud Lavin

Publisher:

Published: 1993

Total Pages: 260

ISBN-13: 9780300047660

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The women of Weimar Germany had an uneasy alliance with modernity: while they experienced cultural liberation after World War I, these New Women still faced restrictions in their earning power, political participation, and reproductive freedom. Images of women in newspapers, films, magazines, and fine art of the 1920s, reflected their ambiguous social role, for the women who were pictured working in factories, wearing androgynous fashions, or enjoying urban nightlife seemed to be at once empowered and ornamental, both consumers and products of the new culture. In this book Maud Lavin investigates the multilayered social construction of femininity in the mass culture of Weimar Germany, focusing on the photomontages of the avant-garde artist Hannah Hoch.

Day of the Artist

Day of the Artist PDF

Author: Linda Patricia Cleary

Publisher:

Published: 2015-07-14

Total Pages:

ISBN-13: 9781320549431

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One girl, one painting a day...can she do it? Linda Patricia Cleary decided to challenge herself with a year long project starting on January 1, 2014. Choose an artist a day and create a piece in tribute to them. It was a fun, challenging, stressful and psychological experience. She learned about technique, art history, different materials and embracing failure. Here are all 365 pieces. Enjoy!

Objects as History in Twentieth-century German Art

Objects as History in Twentieth-century German Art PDF

Author: Peter Chametzky

Publisher: Univ of California Press

Published: 2010

Total Pages: 300

ISBN-13: 0520260422

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This book provides an overview of twentieth-century German art, focusing on some of the period's key works. In Peter Chametzky's innovative approach, these works become representatives rather than representations of twentieth-century history. Chametzky draws on both scholarly and popular sources to demonstrate how the works (and in some cases, the artists themselves) interacted with, and even enacted, historical events, processes, and ideas.--[book jacket].

Foto/montáž tiskem

Foto/montáž tiskem PDF

Author: Jindřich Toman

Publisher: Modern Czech Book

Published: 2009

Total Pages: 384

ISBN-13:

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Photomontage was pioneered as a technique in central Europe in the 1910s, where it flourished as an art form through the end of World War II. While German artists such as John Heartfield, Max Ernst and Hannah Höch used the medium to respond to the atrocities of war, other areas of Europe were simultaneously experiencing a newfound political autonomy as the Austro-Hungarian Empire collapsed. For these artists, namely Polish and Czech, photomontage manifested itself in a Surrealist approach to cut-and-paste imagery that emphasized its potential for visual poetry. Photo/Montage in Print traces the explosion of photomontage art in book cover design and illustrated magazines in the interwar period. Documenting the remarkable contributions of Czech artists in the creation of the visual language of modern print media, the publication includes some of the leading artists of the Czech avant garde such as Karel Teige, Jindrich Styrsky, Toyen, Ladislav Sutnar and Frantisek Muzika.

Handbook of the Spontaneous Other

Handbook of the Spontaneous Other PDF

Author: Aikaterini Gegisian

Publisher:

Published: 2020

Total Pages: 0

ISBN-13: 9781912339693

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In 'Handbook of the Spontaneous Other', Aikaterini Gegisian brings together a diverse range of found photographic material produced in Western Europe and the USA during the 1960s and 1970s. Composed of a series of 59 collages, the book playfully recontextualises images from popular culture that Gegisian has sourced from pornographic magazines, tourist catalogues and National Geographic spreads in order to subvert the way that the body, nature and pleasure have been represented in Western capitalist fantasies. Divided into nine chapters that follow a metaphysical narrative of colour and sensation, the book ultimately seeks to locate a 'spontaneous other'; a notion of the self and of pleasure that exists beyond the confines of popular culture and its dominant modes of representation.

Hannah Höch

Hannah Höch PDF

Author: Alma-Elisa Kittner

Publisher:

Published: 2016

Total Pages: 0

ISBN-13: 9783941644847

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Life Portrait, Hannah Höch's last extensive photocollage, was created in 1973. This visual autobiography is the largest collage ever created by the artist. The artist provides rare insights into her work and her personality. She also ironically and poetically comments on the key political, social, and artistic events in her life. Hannah Höch selected 38 sections of the collage. These sections of the collage are complemented by explanatory texts and numerous quotations.

Berlin Metropolis, 1918-1933

Berlin Metropolis, 1918-1933 PDF

Author: Leonhard Helten

Publisher: Prestel Publishing

Published: 2015

Total Pages: 0

ISBN-13: 9783791354903

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Between 1871 and 1919, the population of Berlin quadrupled and the city became the political center of Germany, as well as the turbulent crossroads of the modern age. This was reflected in the work of artists, directors, writers and critics of the time. As an imperial capital, Berlin was the site of violent political revolution and radical aesthetic innovation. After the German defeat in World War I, artists employed collage to challenge traditional concepts of art. Berlin Dadaists reflected upon the horrors of war and the terrors of revolution and civil war. Between 1924 and 1929, jazz, posters, magazines, advertisements and cinema played a central role in the development of Berlin's urban experience as the spirit of modernity took hold. The concept of the Neue Frau -the modern, emancipated woman-helped move the city in a new direction. Finally, Berlin became a stage for political confrontation between the left and the right and was deeply affected by the economic crisis and mass unemployment at the end of the 1920s. This book explores in numerous essays and illustrations the artistic, cultural and social upheavals in Berlin between 1918 and 1933 and places them in a broader historical framework.