The Philosophy of Composition

The Philosophy of Composition PDF

Author: Edgar Allan Poe

Publisher: Lindhardt og Ringhof

Published: 2022-07-19

Total Pages: 18

ISBN-13: 8728414500

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This fascinating literary essay, written by the famous American writer and poet, Edgar Allan Poe, explores the mystique of artistic creation. By using his renowned poem ‘The Raven’ as an example, Poe explains how good writers write well, concluding that brevity, ‘unity of effect’ and a logical method are the most important factors. Taking the reader through the deliberate choices made when writing the poem, the author also discusses theme, setting, sound, and the importance of refrain. ‘The Philosophy of Composition’ (1846) is a perfect read for literary scholars, writers, and fans of Poe. Edgar Allan Poe (1809–1849) was an American writer, poet, editor and literary critic, best known for his gothic, macabre tales that include ‘The Fall of the House of Usher’, ‘The Tell-Tale Heart’, and ‘The Murders in the Rue Morgue’. One of America’s first short story writers, Poe is considered the inventor of detective fiction and a key figure in both horror and science fiction. His work had a profound impact on American and international literature and he was one of the first American writers to earn international recognition. His other notable works include ‘The Raven and other Poem’s’, (1845) ‘The Cask of Amontillado’, ‘The Fall of the House of Usher’, and ‘The Tell-Take Heart’. With many of his stories adapted for TV and screen, including the gothic 2014 film ‘Stonehearst Asylum’, starring Kate Beckinsale, Michael Caine, and Ben Kingsley, Poe continues to influence literature, film, and television to this day.

The Raven, and The Philosophy of Composition

The Raven, and The Philosophy of Composition PDF

Author: Edgar Allan Poe

Publisher: DigiCat

Published: 2022-05-28

Total Pages: 68

ISBN-13:

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This essay was written by American writer Edgar Allan Poe in 1846 that elucidates a theory about how good writers write when they write well. He concludes that length, "unity of effect" and a logical method are important considerations for good writing.

Resemblance and Representation

Resemblance and Representation PDF

Author: Ben Blumson

Publisher: Open Book Publishers

Published: 2014-09-21

Total Pages: 225

ISBN-13: 1783740728

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It’s a platitude – which only a philosopher would dream of denying – that whereas words are connected to what they represent merely by arbitrary conventions, pictures are connected to what they represent by resemblance. The most important difference between my portrait and my name, for example, is that whereas my portrait and I are connected by my portrait’s resemblance to me, my name and I are connected merely by an arbitrary convention. The first aim of this book is to defend this platitude from the apparently compelling objections raised against it, by analysing depiction in a way which reveals how it is mediated by resemblance. It’s natural to contrast the platitude that depiction is mediated by resemblance, which emphasises the differences between depictive and descriptive representation, with an extremely close analogy between depiction and description, which emphasises the similarities between depictive and descriptive representation. Whereas the platitude emphasises that the connection between my portrait and me is natural in a way the connection between my name and me is not, the analogy emphasises the contingency of the connection between my portrait and me. Nevertheless, the second aim of this book is to defend an extremely close analogy between depiction and description. The strategy of the book is to argue that the apparently compelling objections raised against the platitude that depiction is mediated by resemblance are manifestations of more general problems, which are familiar from the philosophy of language. These problems, it argues, can be resolved by answers analogous to their counterparts in the philosophy of language, without rejecting the platitude. So the combination of the platitude that depiction is mediated by resemblance with a close analogy between depiction and description turns out to be a compelling theory of depiction, which combines the virtues of common sense with the insights of its detractors.

Essays and Reviews

Essays and Reviews PDF

Author: Edgar Allan Poe

Publisher: Library of America

Published: 1984

Total Pages: 1572

ISBN-13: 9780940450196

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Gathers Poe's essays on the theory of poetry, the art of fiction, the role of the critic, leading nineteenth-century writers, and the New York literary world.

Literary Theory and Criticism

Literary Theory and Criticism PDF

Author: Edgar Allan Poe

Publisher: Courier Corporation

Published: 2012-05-04

Total Pages: 224

ISBN-13: 0486144674

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Essential anthology of Poe's critical works reviews works by Dickens, Hawthorne, many others. Includes Theory of Poetry ("The Philosophy of Composition," "The Rationale of Verse," "The Poetic Principle"). Introduction.

The Works of Edgar Allan Poe. Volume 1 (愛倫坡作品集第一冊)

The Works of Edgar Allan Poe. Volume 1 (愛倫坡作品集第一冊) PDF

Author: Edgar Allan Poe

Publisher: Hyweb Technology Co. Ltd.

Published: 2011-04-15

Total Pages: 1120

ISBN-13:

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This anthology is a thorough introduction to classic literature for those who have not yet experienced these literary masterworks. For those who have known and loved these works in the past, this is an invitation to reunite with old friends in a fresh new format. From Shakespeare's finesse to Oscar Wilde's wit, this unique collection brings together works as diverse and influential as The Pilgrim's Progress and Othello. As an anthology that invites readers to immerse themselves in the masterpieces of the literary giants, it is must-have addition to any library

Composition as Identity

Composition as Identity PDF

Author: A. J. Cotnoir

Publisher: Oxford University Press, USA

Published: 2014

Total Pages: 271

ISBN-13: 0199669619

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This collection of essays is the first of its kind to focus on the relationship between composition and identity. Twelve original articles--written by internationally renowned scholars and rising stars in the field--argue for and against the controversial doctrine that composition is identity.--Provided by publisher.