The Philosophical Mysticism of Gerard Manley Hopkins

The Philosophical Mysticism of Gerard Manley Hopkins PDF

Author: Aakanksha Virkar Yates

Publisher: Routledge

Published: 2018-04-27

Total Pages: 180

ISBN-13: 0429013825

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Through the lens of Hopkins's 'masterwork', The Philosophical Mysticism of Gerard Manley Hopkins readdresses Hopkins's frequently overlooked mysticism as an interior narrative within his corpus. Drawing on a range of religious, literary and visual traditions from Augustine's Confessions to the seventeenth-century spiritual emblem, this book demonstrates the ways in which the Wreck deliberately constructs and conceals a mystical and contemplative narrative. Typology and allegory are some of the important hermeneutic tools used in this re-reading of Hopkins, relating the poet to the discursive tradition surrounding the Old Testament Song of Songs, the philosophical theology of the Greek Fathers, and, perhaps most intriguingly, the meditative and visual tradition of the baroque heart-emblem. On the centenary of the publication of Hopkins’s poems, this book places the writer firmly within a mystical tradition, necessitating a fundamental reconsideration of the legacy of this major Victorian poet.

The Sensual Philosophy

The Sensual Philosophy PDF

Author: Colleen Jaurretche

Publisher: Univ of Wisconsin Press

Published: 1997

Total Pages: 178

ISBN-13: 9780299156206

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Jaurretche (English, U. of California-Los Angeles) traces the development of the Irish writer's mystical aesthetic through his novels to its supreme culmination and negation in Finnegan's Wake. She also shows how the search to surmount all human categories and sensations in order to encounter the divine, arose and developed in the Middle Ages, and was transmitted into modernism during and just before Joyce's time. Annotation copyrighted by Book News, Inc., Portland, OR

Philosophical Mysticism in Plato, Hegel, and the Present

Philosophical Mysticism in Plato, Hegel, and the Present PDF

Author: Robert M. Wallace

Publisher: Bloomsbury Publishing

Published: 2019-12-26

Total Pages: 283

ISBN-13: 1350082880

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Few twenty-first century academics take seriously mysticism's claim that we have direct knowledge of a higher or more “inner” reality or God. But Philosophical Mysticism argues that such leading philosophers of earlier epochs as Plato, G. W. F. Hegel, Ludwig Wittgenstein, and Alfred North Whitehead were, in fact, all philosophical mystics. This book discusses major versions of philosophical mysticism beginning with Plato. It shows how the framework of mysticism's higher or more inner reality allows nature, freedom, science, ethics, the arts, and a rational religion-in-the-making to work together rather than conflicting with one another. This is how philosophical mysticism understands the relationships of fact to value, rationality to ethics, and the rest. And this is why Plato's notion of ascent or turning inward to a higher or more inner reality has strongly attracted such major figures in philosophy, religion, and literature as Aristotle, Plotinus, St Augustine, Dante Alighieri, Immanuel Kant, Hegel, William Wordsworth, Ralph Waldo Emerson, Emily Dickinson, Whitehead, and Wittgenstein. Wallace's Philosophical Mysticism brings this central strand of western philosophy and culture into focus in a way unique in recent scholarship.

The Split World of Gerard Manley Hopkins

The Split World of Gerard Manley Hopkins PDF

Author: Dennis Sobolev

Publisher: CUA Press

Published: 2011-05

Total Pages: 377

ISBN-13: 0813218551

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For the first time in almost half a century, the world of Hopkins is examined as an indivisible whole. The Split World of Gerard Manley Hopkins is a synthetic study of Hopkins's writings, written within a framework of semiotic phenomenology.

The Craft of Post-Narratology

The Craft of Post-Narratology PDF

Author: Zeineb Derbali

Publisher: Cambridge Scholars Publishing

Published: 2023-07-19

Total Pages: 156

ISBN-13: 152751286X

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The collection of articles compiled in this volume ponder narratological aspects, elements, and features and examine the extent to which the coinage “post-narratology” is applicable in contemporary literature, cultural studies, translation, etc. The contributors’ rethinking of narratology in relation to ethnicity, culture, history, and religion lead to significant implications as far as adherence to or departure from Western classical narratology is concerned. The notions of plot, storyline, point of view, voice, characters, narrators, and others, paradigmatically structured in the narratological classical model shaped by the Russian Formalists and polished by Tzvetan Todorov, Roland Barthes, and Gérard Genette, are stretched and modified to fit the cultural contexts of written works in various fields.

Wordsworth and Evolution in Victorian Literature

Wordsworth and Evolution in Victorian Literature PDF

Author: Trenton B. Olsen

Publisher: Routledge

Published: 2018-12-07

Total Pages: 182

ISBN-13: 0429640641

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The influences of William Wordsworth’s writing and evolutionary theory—the nineteenth century’s two defining visions of nature—conflicted in the Victorian period. For Victorians, Wordsworthian nature was a caring source of inspiration and moral guidance, signaling humanity's divine origins and potential. Darwin’s nature, by contrast, appeared as an indifferent and amoral reminder of an evolutionary past that demanded participation in a brutal struggle for existence. Victorian authors like Matthew Arnold, George Eliot, Robert Louis Stevenson, and Thomas Hardy grappled with these competing representations in their work. They turned to Wordsworth as an alternative or antidote to evolution, criticized and altered his poetry in response to Darwinism, and synthesized elements of each to propose their own modified theories. Darwin’s account of a material, evolutionary nature both threatened the Wordsworthian belief in nature’s transcendent value and made spiritual elevation seem more urgently necessary. Victorian authors used Wordsworth and Darwin to explore what form of transcendence, if any, could survive an evolutionary age, and reevaluated the purpose of literature in the process.

Edward Lloyd and His World

Edward Lloyd and His World PDF

Author: Sarah Louise Lill

Publisher: Routledge

Published: 2019-05-01

Total Pages: 291

ISBN-13: 0429557612

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The publisher Edward Lloyd (1815-1890) helped shape Victorian popular culture in ways that have left a legacy that lasts right up to today. He was a major pioneer of both popular fiction and journalism but has never received extended scholarly investigation until now. Lloyd shaped the modern popular press: Lloyd's Weekly Newspaper became the first paper to sell over a million copies. Along with publishing songs and broadsides, Lloyd dominated the fiction market in the early Victorian period issuing Gothic stories such as Varney the Vampire (1845-7) and other 'penny dreadfuls', which became bestsellers. Lloyd's publications introduced the enduring figure of Sweeney Todd whilst his authors penned plagiarisms of Dickens's novels, such as Oliver Twiss (1838-9). Many readers in the early Victorian period may have been as likely to have encountered the author of Pickwick in a Lloyd-published plagiarism as in the pages of the original author. This book makes us rethink the early reception of Dickens. In this interdisciplinary collection, leading scholars explore the world of Edward Lloyd and his stable of writers, such as Thomas Peckett Prest and James Malcolm Rymer. The Lloyd brand shaped popular taste in the age of Dickens and the Chartists. Edward Lloyd and his World fills a major gap in the histories of popular fiction and journalism, whilst developing links with Victorian politics, theatre and music.

Male Adolescence in Mid-Victorian Fiction

Male Adolescence in Mid-Victorian Fiction PDF

Author: Alice Crossley

Publisher: Routledge

Published: 2018-07-06

Total Pages: 244

ISBN-13: 1317102126

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Focusing on works by George Meredith, W. M. Thackeray, and Anthony Trollope, Alice Crossley examines the emergence of adolescence in the mid-Victorian period as a distinct form of experience. Adolescence, Crossley shows, appears as a discrete category of identity that draws on but is nonetheless distinguishable from other masculine types. Important more as a stage of psychological awareness and maturation than as a period of biological youth, Crossley argues that the plasticity of male adolescence provides Meredith, Thackeray, and Trollope with opportunities for self-reflection and social criticism while also working as a paradigm for narrative and imaginative inquiry about motivation, egotism, emotional and physical relationships, and the possibilities of self-creation. Adolescence emerges as a crucial stage of individual growth, adopted by these authors in order to reflect more fully on cultural and personal anxieties about manliness. The centrality of male youth in these authors’ novels, Crossley demonstrates, repositions age-consciousness as an integral part of nineteenth-century debates about masculine heterogeneity.