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Phenomenon of the Soviet Cinema
Author: Iurii Viktorovich Vorontsov
Publisher: Imported Publication
Published: 1980
Total Pages: 423
ISBN-13: 9780828518741
DOWNLOAD EBOOK →Indian Films in Soviet Cinemas
Author: Sudha Rajagopalan
Publisher: Indiana University Press
Published: 2008
Total Pages: 282
ISBN-13: 0253220998
DOWNLOAD EBOOK →Understanding the Soviet public's love of Indian popular film
The Cinema of Soviet Kazakhstan 1925–1991
Author: Peter Rollberg
Publisher: Rowman & Littlefield
Published: 2021-02-12
Total Pages: 467
ISBN-13: 1793641757
DOWNLOAD EBOOK →This monograph traces the history of Kazakh filmmaking from its conception as a Soviet cultural construction project to its peak as fully-fledged national cinema to its eventual re-imagining as an art-house phenomenon. The author’s analysis places leading directors—Shaken Aimanov, Abdulla Karsakbaev, Sultan-Akhmet Khodzhikov, Mazhit Begalin—in their sociopolitical and cultural context.
The Politics of the Soviet Cinema 1917-1929
Author: Richard Taylor
Publisher: Cambridge University Press
Published: 2008-10-30
Total Pages: 238
ISBN-13: 9780521088558
DOWNLOAD EBOOK →The book provides an illuminating background of the political history of the Soviet cinema in the twenties.
Kino
Author: Jay Leyda
Publisher: London : Allen & Unwin
Published: 1960
Total Pages: 538
ISBN-13:
DOWNLOAD EBOOK →Hollywood – a Challenge for the Soviet Cinema
Author: Franz, Norbert P.
Publisher: Universitätsverlag Potsdam
Published: 2020
Total Pages: 208
ISBN-13: 3869564903
DOWNLOAD EBOOK →This book features four essays that illuminate the relationship between American and Soviet film cultures in the 20th century. The first essay emphasizes the structural similarities and dissimilarities of the two cultures. Both wanted to reach the masses. However, the goal in Hollywood was to entertain (and educate a little) and in Moscow to educate (and entertain a little). Some films in the Soviet Union as well as in the United States were conceived as clear competition to one another – as the second essay demonstrates – and the ideological opponent was not shown from its most advantageous side. The third essay shows how, in the 1980s, the different film cultures made it difficult for the Soviet director Andrei Konchalovsky to establish himself in the US, but nevertheless allowed him to succeed. In the 1960s, a genre became popular that tells the story of the Russian Civil War using stylistic features of the Western: The Eastern. Its rise and decline are analyzed in the fourth essay.
Cinema and Soviet Society, 1917-1953
Author: Peter Kenez
Publisher: CUP Archive
Published: 1992-06-26
Total Pages: 300
ISBN-13: 9780521428637
DOWNLOAD EBOOK →The political influences on Soviet cinema are traced from its pre-revolutionary heritage, through the Revolution and the golden years of the late 1920s through Second World War liberalization and the extraordinary repression of Stalin final years.The political influences on Soviet cinema are traced from its pre-revolutionary heritage, through the Revolution and the golden years of the late 1920s through Second World War liberalization and the extraordinary repression of Stalin final years.
The Cinema of Tarkovsky
Author: Nariman Skakov
Publisher: Bloomsbury Publishing
Published: 2012-01-30
Total Pages: 280
ISBN-13: 0857721194
DOWNLOAD EBOOK →The phenomenon of time was a central preoccupation of Tarkovsky throughout his career. His films present visions of time by temporal means - that is, in time. Tarkovsky does not represent time through coherent argument, Nariman Skakov proposes, rather he presents it and the viewer experiences the argument. This book explores the phenomenon of spatio-temporal lapse in Tarkovsky's cinema - from Ivan's Childhood (1962) to Sacrifice (1986). Dreams, visions, mirages, memories, revelations, reveries and delusions are phenomena which present alternative spatio-temporal patterns; they disrupt the linear progression of events and create narrative discontinuity. Each chapter is dedicated to the discussion of one of Tarkovsky's seven feature films and in each, one of these phenomena functions as a refrain. Skakov discusses the influence of the flow of and lapses in space and time on the viewer's perception of the Tarkovskian cinematic universe. He opens and closes his original and fascinating book on Tarkovsky's cinema by focusing on the phenomenon of time that is discussed extensively by the filmmaker in his main theoretical treatise Sculpting in Time, as well as in a number of interviews and public lectures.
The Red Screen
Author: Anna Lawton
Publisher: Routledge
Published: 2003-09-02
Total Pages: 373
ISBN-13: 1134899262
DOWNLOAD EBOOK →First published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
