The Performance of the Basso Continuo in Italian Baroque Music

The Performance of the Basso Continuo in Italian Baroque Music PDF

Author: Tharald Borgir

Publisher:

Published: 1987

Total Pages: 202

ISBN-13:

DOWNLOAD EBOOK →

Covers the Italian Baroque period (1600-1730), dealing with basso continuo realizations, the use of bass line instruments and their terminology, and the functions of the various kinds of lutes. Borgir challenges the notion that the independent basso continuo is one of the hallmarks of the Baroque style. " . . . a major reconsideration of the sound of 17th-century Italian music . . . "

The Performance of Italian Basso Continuo

The Performance of Italian Basso Continuo PDF

Author: Giulia Nuti

Publisher: Routledge

Published: 2017-07-05

Total Pages: 147

ISBN-13: 1351541595

DOWNLOAD EBOOK →

Basso continuo accompaniment calls upon a complex tapestry of harmonic, rhythmic, compositional, analytical and improvisational skills. The evolving knowledge that underpinned the performance of basso continuo was built up and transmitted from the late 1500s to the second half of the eighteenth century, when changes in instruments together with the assertion of control by composers over their works brought about its demise. By tracing the development of basso continuo over time and across the regions of Italy where differing practices emerged, Giulia Nuti accesses this body of musical usage. Sources include the music itself, introductions and specific instructions and requirements in song books and operas, contemporary accounts of performances and, in the later period of basso continuo, description and instruction offered in theoretical treatises. Changes in instruments and instrumental usage and the resulting sounds available to composers and performers are considered, as well as the altering relationship between the improvising continuo player and the composer. Extensive documentation from both manuscript and printed sources, some very rare and others better known, in the original language, followed by a precise English translation, is offered in support of the arguments. There are also many musical examples, transcribed and in facsimile. Giulia Nuti provides both a scholarly account of the history of basso continuo and a performance-driven interpretation of how this music might be played.

The Performance of Italian Basso Continuo

The Performance of Italian Basso Continuo PDF

Author: Giulia Nuti

Publisher: Routledge

Published: 2017-07-05

Total Pages: 164

ISBN-13: 1351541609

DOWNLOAD EBOOK →

Basso continuo accompaniment calls upon a complex tapestry of harmonic, rhythmic, compositional, analytical and improvisational skills. The evolving knowledge that underpinned the performance of basso continuo was built up and transmitted from the late 1500s to the second half of the eighteenth century, when changes in instruments together with the assertion of control by composers over their works brought about its demise. By tracing the development of basso continuo over time and across the regions of Italy where differing practices emerged, Giulia Nuti accesses this body of musical usage. Sources include the music itself, introductions and specific instructions and requirements in song books and operas, contemporary accounts of performances and, in the later period of basso continuo, description and instruction offered in theoretical treatises. Changes in instruments and instrumental usage and the resulting sounds available to composers and performers are considered, as well as the altering relationship between the improvising continuo player and the composer. Extensive documentation from both manuscript and printed sources, some very rare and others better known, in the original language, followed by a precise English translation, is offered in support of the arguments. There are also many musical examples, transcribed and in facsimile. Giulia Nuti provides both a scholarly account of the history of basso continuo and a performance-driven interpretation of how this music might be played.

Performing Baroque Music

Performing Baroque Music PDF

Author: Mary Cyr

Publisher: Routledge

Published: 2017-07-05

Total Pages: 255

ISBN-13: 1351554654

DOWNLOAD EBOOK →

Listeners, performers, students and teachers will find here the analytical tools they need to understand and interpret musical evidence from the baroque era. Scores for eleven works, many reproduced in facsimile to illustrate the conventions of 17th and 18th century notation, are included for close study. Readers will find new material on continuo playing, as well as extensive treatment of singing and French music. The book is also a concise guide to reference materials in the field of baroque performance practice with extensive annotated bibliographies of modern and baroque sources that guide the reader toward further study. First published by Ashgate (at that time known as Scolar Press) in 1992 and having been out of print for some years, this title is now available as a print on demand title.

Baroque Music

Baroque Music PDF

Author: Victor Rangel-Ribeiro

Publisher: Courier Dover Publications

Published: 2016-11-16

Total Pages: 339

ISBN-13: 0486805069

DOWNLOAD EBOOK →

This clear, accessible approach to the standard repertoire offers professional and amateur musicians practical advice for performing the music of Bach, Handel, Vivaldi, Telemann, and other composers of the Baroque era.

A Performer's Guide to Seventeenth-Century Music

A Performer's Guide to Seventeenth-Century Music PDF

Author: Stewart Carter

Publisher: Indiana University Press

Published: 2012-03-21

Total Pages: 558

ISBN-13: 0253005280

DOWNLOAD EBOOK →

Revised and expanded, A Performer's Guide to Seventeenth Century Music is a comprehensive reference guide for students and professional musicians. The book contains useful material on vocal and choral music and style; instrumentation; performance practice; ornamentation, tuning, temperament; meter and tempo; basso continuo; dance; theatrical production; and much more. The volume includes new chapters on the violin, the violoncello and violone, and the trombone—as well as updated and expanded reference materials, internet resources, and other newly available material. This highly accessible handbook will prove a welcome reference for any musician or singer interested in historically informed performance.

Performance Practice

Performance Practice PDF

Author: Roland Jackson

Publisher: Routledge

Published: 2013-10-23

Total Pages: 542

ISBN-13: 1136767703

DOWNLOAD EBOOK →

Performance practice is the study of how music was performed over the centuries, both by its originators (the composers and performers who introduced the works) and, later, by revivalists. This first of its kind Dictionary offers entries on composers, musiciansperformers, technical terms, performance centers, musical instruments, and genres, all aimed at elucidating issues in performance practice. This A-Z guide will help students, scholars, and listeners understand how musical works were originally performed and subsequently changed over the centuries. Compiled by a leading scholar in the field, this work will serve as both a point-of-entry for beginners as well as a roadmap for advanced scholarship in the field.