John Dee

John Dee PDF

Author: Gerald Suster

Publisher: North Atlantic Books

Published: 2003-08-08

Total Pages: 172

ISBN-13: 9781556434723

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Although revered in his own time, John Dee (1527-1608) was until recently regarded as an isolated crank on the margins of Tudor history. This anthology of Dee's writings illustrates his diverse interests and his central position in the history of Renaissance thought and the development of Western Magic. Dee's celebrated Preface to Euclid is included along with selections from his Spiritual Diaries and letters to other mystics and royals. In addition to Hermetic and Cabalistic philosophy, mathematics, astronomy, astrology, and navigation are also covered.

John Dee: The World of the Elizabethan Magus

John Dee: The World of the Elizabethan Magus PDF

Author: Peter J. French

Publisher: Routledge

Published: 2013-10-15

Total Pages: 276

ISBN-13: 1134572344

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First published in 1987. John Dee was Renaissance England's first Hermetic magus, a philosopher magician. He was also a respected practical scientist, an immensely learned man who investigated all areas of knowledge. In this fine biography, Peter French shows that not only magic and science, but geography, antiquarianism, theology and the fine arts were fields in which Dee was deeply involved. Through his teaching, writing and friendships with many of the most important figures of the age, Dee was at the centre of great affairs and had a profound influence on major developments in sixteenth-century England. Peter French places this extraordinary individual within his proper historical context, describing the whole world of Renaissance science, Platonism and Hermetic magic.

Men Viewing Women as Art Objects

Men Viewing Women as Art Objects PDF

Author: Christoph E. Schweitzer

Publisher: Camden House

Published: 1998

Total Pages: 312

ISBN-13: 9781571132598

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Varied images of women studied in a variety of German texts as a springboard for plot or character. A man looks at the portrait of a woman and then sets out to 'liberate'her and make her his own (Die Zauberflöte, Maria Stuart); an oldman, while looking at the picture of his youthful beloved, reminiscesabout his failedcourtship (Storm's Immensee). These are just twoof many uses of art works depicting women discussed in this book. Theart work can displace the living woman as in Hauff's 'Die Bettlerinvom Pont des Arts', in Jensen's 'Gradiva', and in Schimmang's'Intimität'. A man looking at a painting of himself (E. T. A.Hoffmann's Die Fermate) or a man looking at a sculpture comes toappreciate the beauty of the female figure, both in art and life(Stifter's Der Nachsommer). The innovative approach, which in part goes back to theories developed by Lessing in his Laokoon, yields, via a close reading of a variety of the texts, new insights into their structure and meaning.

The New Cambridge Bibliography of English Literature: Volume 1, 600-1660

The New Cambridge Bibliography of English Literature: Volume 1, 600-1660 PDF

Author: George Watson

Publisher: Cambridge University Press

Published: 1974-08-29

Total Pages: 1322

ISBN-13: 9780521200042

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More than fifty specialists have contributed to this new edition of volume 1 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.

Dire Straits

Dire Straits PDF

Author: Elizabeth Jane Bellamy

Publisher: University of Toronto Press

Published: 2013-01-01

Total Pages: 217

ISBN-13: 1442645016

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England became a centrally important maritime power in the early modern period, and its writers – acutely aware of their inhabiting an island – often depicted the coastline as a major topic of their works. However, early modern English versifiers had to reconcile this reality with the classical tradition, in which the British Isles were seen as culturally remote compared to the centrally important Mediterranean of antiquity. This was a struggle for writers not only because they used the classical tradition to legitimate their authority, but also because this image dominated cognitive maps of the oceanic world. As the first study of coastlines and early modern English literature, Dire Straits investigates the tensions of the classical tradition's isolation of the British Isles from the domain of poetry. By illustrating how early modern English writers created their works in the context of a longstanding cultural inheritance from antiquity, Elizabeth Jane Bellamy offers a new approach to the history of early modern cartography and its influences on literature.