The Passions of Jean-Baptiste Carpeaux

The Passions of Jean-Baptiste Carpeaux PDF

Author: Draper, James David

Publisher: Metropolitan Museum of Art

Published: 2014

Total Pages: 380

ISBN-13: 1588395200

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"Jean-Baptiste Carpeaux (1827-1875) was an extraordinarily gifted sculptor, the greatest in 19th-century France before Rodin, and embodied the emotionally charged artistic climate of his era ... Carpeaux's wrenching representations of human forms, shown in beautiful color details and illustrations, echo his turbulent personal life, fraught with episodes of violence and fatal illness. The book covers the entire span of Carpeaux's career, and includes the masterpiece Ugolino and His Sons, newly discovered drawings, and a number of rarely seen or studied works. Previously unpublished letters between Carpeaux and his family and friends, a wealth of archival material, and the most detailed chronology of the artist's life ever published."--Yale University Press website.

Jean-Baptiste Carpeaux

Jean-Baptiste Carpeaux PDF

Author: Anne Middleton Wagner

Publisher: Yale University Press

Published: 1986-01-01

Total Pages: 370

ISBN-13: 9780300047516

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Drawing on a wide range of primary sources, Anne M. Wagner offers a new view of artist education and patronage, and a new definition of what 'academic' meant within the assumptions and expectations in the modern art in nineteenth-century France. Above all she shows what comprised success in the nineteenth-century world of art..

A Companion to Nineteenth-Century Art

A Companion to Nineteenth-Century Art PDF

Author: Michelle Facos

Publisher: John Wiley & Sons

Published: 2018-12-06

Total Pages: 555

ISBN-13: 1118856368

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A comprehensive review of art in the first truly modern century A Companion to Nineteenth-Century Art contains contributions from an international panel of noted experts to offer a broad overview of both national and transnational developments, as well as new and innovative investigations of individual art works, artists, and issues. The text puts to rest the skewed perception of nineteenth-century art as primarily Paris-centric by including major developments beyond the French borders. The contributors present a more holistic and nuanced understanding of the art world during this first modern century. In addition to highlighting particular national identities of artists, A Companion to Nineteenth-Century Art also puts the focus on other aspects of identity including individual, ethnic, gender, and religious. The text explores a wealth of relevant topics such as: the challenges the artists faced; how artists learned their craft and how they met clients; the circumstances that affected artist’s choices and the opportunities they encountered; and where the public and critics experienced art. This important text: Offers a comprehensive review of nineteenth-century art that covers the most pressing issues and significant artists of the era Covers a wealth of important topics such as: ethnic and gender identity, certain general trends in the nineteenth century, an overview of the art market during the period, and much more Presents novel and valuable insights into familiar works and their artists Written for students of art history and those studying the history of the nineteenth century, A Companion to Nineteenth-Century Art offers a comprehensive review of the first modern era art with contributions from noted experts in the field.

Masterpieces of the J. Paul Getty Museum: European Sculpture

Masterpieces of the J. Paul Getty Museum: European Sculpture PDF

Author: Peter Fusco

Publisher: Getty Publications

Published: 1997-11-13

Total Pages: 130

ISBN-13: 0892365137

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The J. Paul Getty Museum’s collection of European sculpture featured in this volume ranges in date from the late fifteenth century to the very early twentieth and includes a wide variety of media: marble, bronze, alabaster, terracotta, plaster, wood, ivory, and gold. The earliest sculpture represented is the mysterious Saint Cyricus by Francesco Laurana; the latest is a shield-like portrait of Medusa by the eccentric Italian sculptor Vincenzo Gemito. Among the more than forty works included in this handsomely illustrated volume are sculptures by Antico (Bust of a Young Man); Cellini (a Satyr designed for Fontainebleau); Giambologna (a Female Figure that may represent Venus); Bernini (Boy with a Dragon); and Carpeaux (Bust of Jean-Léon Gérôme). Well represented here is the Museum’s splendid collection of Mannerist and early Baroque bronzes, including such masterpieces as Johann Gregor van der Schardt’s Mercury and two superb works by Adriaen de Vries: Juggling Man and Rearing Horse. These works are indicative of the extraordinary quality of the J. Paul Getty Museum’s collection of post-Classical European sculpture.

Rodin: The Man and His Art, with Leaves from His Note-book

Rodin: The Man and His Art, with Leaves from His Note-book PDF

Author: Judith Cladel

Publisher: Good Press

Published: 2019-12-18

Total Pages: 278

ISBN-13:

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This book is a biography of François Auguste René Rodin, a French sculptor, who is generally considered the founder of modern sculpture. He was schooled traditionally and took a craftsman-like approach to his work. Rodin possessed a unique ability to model a complex, turbulent, and deeply pocketed surface in clay. He is known for such sculptures as The Thinker, Monument to Balzac, The Kiss, The Burghers of Calais, and The Gates of Hell.

Fictions of Emancipation: Carpeaux's Why Born Enslaved! Reconsidered

Fictions of Emancipation: Carpeaux's Why Born Enslaved! Reconsidered PDF

Author: Elyse Nelson

Publisher: Metropolitan Museum of Art

Published: 2022-03-07

Total Pages: 175

ISBN-13: 1588397440

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A critical reexamination of Jean-Baptiste Carpeaux's bust Why Born Enslaved!, this book unpacks the sculpture's engagement with—and defiance of—an antislavery discourse. In this clear-eyed look at the Black figure in nineteenth-century sculpture, noted art historians and writers discuss how emerging categories of racial difference propagated by the scientific field of ethnography grew in popularity alongside a crescendo in cultural production in France during the Second Empire. By comparing Carpeaux's bust Why Born Enslaved! to works by his contemporaries on both sides of the Atlantic, as well as to objects by twenty‑first‑century artists Kara Walker and Kehinde Wiley, the authors touch on such key themes as the portrayal of Black enslavement and emancipation; the commodification of images of Black figures; the role of sculpture in generating the sympathies of its audiences; and the relevance of Carpeaux's sculpture to legacies of empire in the postcolonial present. The book also provides a chronology of events central to the histories of transatlantic slavery, abolition, colonialism, and empire.

Houdon at the Louvre

Houdon at the Louvre PDF

Author: Guilhem Scherf

Publisher:

Published: 2008

Total Pages: 199

ISBN-13: 9782757201220

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"This book is an exhaustive catalogue of Houdon's works at the Louvre, we ... also consider sculptures done by the artist's studio, after Houdon, and also in his manner."--Preface.

Baroquemania

Baroquemania PDF

Author: Laura Moure Cecchini

Publisher: Manchester University Press

Published: 2022-01-11

Total Pages: 281

ISBN-13: 1526153165

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Baroquemania explores the intersections of art, architecture and criticism to show how reimagining the Baroque helped craft a distinctively Italian approach to modern art. Offering a bold reassessment of post-unification visual culture, the book examines a wide variety of media and ideologically charged discourses on the Baroque, both inside and outside the academy. Key episodes in the modern afterlife of the Baroque are addressed, notably the Decadentist interpretation of Gianlorenzo Bernini, the 1911 universal fairs in Turin and Rome, Roberto Longhi’s historically grounded view of Futurism, architectural projects in Fascist Rome and the interwar reception of Adolfo Wildt and Lucio Fontana’s sculpture. Featuring a wealth of visual materials, Baroquemania offers a fresh look at a central aspect of Italy's modern art.

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Author: David Osborn

Publisher: Bantam Books

Published: 1985

Total Pages: 308

ISBN-13: 9780553238693

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