The Origins of Baroque Art in Rome

The Origins of Baroque Art in Rome PDF

Author: Alois Riegl

Publisher: Getty Publications

Published: 2010

Total Pages: 294

ISBN-13: 1606060414

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Delivered at the turn of the twentieth century, Riegl's groundbreaking lectures called for the Baroque period to be judged by its own rules and not merely as a period of decline.

Bernini and the Birth of Baroque Portrait Sculpture

Bernini and the Birth of Baroque Portrait Sculpture PDF

Author: Andrea Bacchi

Publisher: Getty Publications

Published: 2008-01-01

Total Pages: 338

ISBN-13: 0892369329

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Gian Lorenzo Bernini was the greatest sculptor of the Baroque period, and yet—surprisingly—there has never before been a major exhibition of his sculpture in North America. Bernini and the Birth of Baroque Portrait Sculpture showcases portrait sculptures from all phases of the artist’s long career, from the very early Antonio Coppola of 1612 to Clement X of about 1676, one of his last completed works. Bernini’s portrait busts were masterpieces of technical virtuosity; at the same time, they revealed a new interest in psychological depth. Bernini’s ability to capture the essential character of his subjects was unmatched and had a profound influence on other leading sculptors of his day, such as Alessandro Algardi, Giuliano Finelli, and Francesco Mochi. Bernini and the Birth of Baroque Portrait Sculpture is a groundbreaking study that features drawings and paintings by Bernini and his contemporaries. Together they demonstrate not only the range, skill, and acuity of these masters of Baroque portraiture but also the interrelationship of the arts in seventeenth-century Rome.

Rome 1630

Rome 1630 PDF

Author: Yves Bonnefoy

Publisher: French List

Published: 2020

Total Pages: 0

ISBN-13: 9780857425966

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Velazquez. Poussin. Carvaggio. Bernini. Despite their disparate backgrounds, these greats of European Baroque art converged at one remarkable place in time: Rome, 1630. In response to the Protestant Reformation, the Catholic Church turned to these masters of Baroque art to craft works celebrating the glories of the heavens manifested on earth. And so, with glittering monuments like Bernini's imposing bronze columns in St. Peter's Basilica, Rome, 1630 came to be the crossroads of seventeenth-century art, religion, and power. In Rome, 1630, the renowned French poet and critic Yves Bonnefoy devotes his attention to this single year in the Baroque period in European art. Richly illustrated with artwork that reveals the unique, yet instructive, place of Rome in 1630 in European art history, Bonnefoy dives deep into this transformative movement. The inclusion of five additional essays on seventeenth-century art situate Bonnefoy's analysis within a lively debate on Baroque art and art history. Translator Hoyt Rogers's afterword pays homage to the author himself, situating Rome, 1630 in Bonnefoy's productive career as a premier French poet and critic.

Baroque Antiquity

Baroque Antiquity PDF

Author: Victor Plahte Tschudi

Publisher: Cambridge University Press

Published: 2017

Total Pages: 325

ISBN-13: 110714986X

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As if in a Bright Mirror -- Conclusion -- Notes -- Abbreviations -- Bibliography of Cited Works -- Index

The Life of Gian Lorenzo Bernini

The Life of Gian Lorenzo Bernini PDF

Author: Domenico Bernini

Publisher: Penn State Press

Published: 2012-01-31

Total Pages: 500

ISBN-13: 0271037490

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"A critical translation of the unabridged Italian text of Domenico Bernini's biography of his father, seventeenth-century sculptor, architect, painter, and playwright Gian Lorenzo Bernini (1598-1680). Includes commentary on the author's data and interpretations, contrasting them with other contemporary primary sources and recent scholarship"--Provided by publisher.

Buying Baroque

Buying Baroque PDF

Author: Edgar Peters Bowron

Publisher: Penn State Press

Published: 2017-03-01

Total Pages: 449

ISBN-13: 0271079444

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Although Americans have shown interest in Italian Baroque art since the eighteenth century—Thomas Jefferson bought copies of works by Salvator Rosa and Guido Reni for his art gallery at Monticello, and the seventeenth-century Bolognese school was admired by painters Benjamin West and John Singleton Copley—a widespread appetite for it only took hold in the early to mid-twentieth century. Buying Baroque tells this history through the personalities involved and the culture of collecting in the United States. The distinguished contributors to this volume examine the dealers, auction houses, and commercial galleries that provided access to Baroque paintings, as well as the collectors, curators, and museum directors who acquired and shaped American perceptions about these works, including Charles Eliot Norton, John W. Ringling, A. Everett Austin Jr., and Samuel H. Kress. These essays explore aesthetic trends and influences to show why Americans developed an increasingly sophisticated taste for Baroque art between the late eighteenth century and the 1920s, and they trace the fervent peak of interest during the 1950s and 1960s. A wide-ranging, in-depth look at the collecting of seventeenth- and eighteenth-century Italian paintings in America, this volume sheds new light on the cultural conditions that led collectors to value Baroque art and the significant effects of their efforts on America’s greatest museums and galleries. In addition to the editor, contributors include Andrea Bayer, Virginia Brilliant, Andria Derstine, Marco Grassi, Ian Kennedy, J. Patrice Marandel, Pablo Pérez d’Ors, Richard E. Spear, and Eric M. Zafran.

"When All of Rome was Under Construction"

Author: Dorothy Metzger Habel

Publisher: Penn State Press

Published: 2013

Total Pages: 250

ISBN-13: 0271055731

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"Analyzes the politics and economics of architecture and the building process in seventeenth-century Rome. Explores topics ranging from the financing of construction to the availability of materials and personnel"--Provided by publisher.