The New Female-instructor; Or, Young Woman's Guide to Domestic Happiness: Being an Epitome of All the Acquirements Necessary to Form the Female Character, in Every Class of Life: with Examples of Illustrious Women; to which are Added, Advice to Servants; a Complete Art of Cookery, and Plain Directions for Carving: Also, a Great Variety of Medicinal and Other Useful Receipts in Domestic Economy; and Numerous Interesting Articles, Forming a Complete Storehouse of Valuable Knowledge

The New Female-instructor; Or, Young Woman's Guide to Domestic Happiness: Being an Epitome of All the Acquirements Necessary to Form the Female Character, in Every Class of Life: with Examples of Illustrious Women; to which are Added, Advice to Servants; a Complete Art of Cookery, and Plain Directions for Carving: Also, a Great Variety of Medicinal and Other Useful Receipts in Domestic Economy; and Numerous Interesting Articles, Forming a Complete Storehouse of Valuable Knowledge PDF

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Published: 1818*

Total Pages: 520

ISBN-13:

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Smile of Discontent

Smile of Discontent PDF

Author: Eileen Gillooly

Publisher: University of Chicago Press

Published: 1999-06-15

Total Pages: 330

ISBN-13: 9780226294025

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Like sex, Eileen Gillooly argues, humor has long been viewed as a repressed feature of nineteenth-century femininity. However, in the works of writers such as Jane Austen, George Eliot, Elizabeth Gaskell, Anthony Trollope, and Henry James, Gillooly finds an understated, wryly amusing perspective that differs subtly but significantly in rhetoric, affect, and politics from traditional forms of comic expression. Gillooly shows how such humor became, for mostly female writers at the time, an unobtrusive and prudent means of expressing discontent with a culture that was ideologically committed to restricting female agency and identity. If the aggression and emotional distance of irony and satire mark them as "masculine," then for Gillooly, the passivity, indirection, and sympathy of the humor she discusses render it "feminine." She goes on to disclose how the humorous tactics employed by writers from Burney to Wharton persist in the work of Barbara Pym, Anita Brookner, and Penelope Fitzgerald. The book won the Barbara Perkins and George Perkins Award given by the Society for the Study of Narrative Literature.

Women, Race, & Class

Women, Race, & Class PDF

Author: Angela Y. Davis

Publisher: Vintage

Published: 2011-06-29

Total Pages: 288

ISBN-13: 0307798496

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From one of our most important scholars and civil rights activist icon, a powerful study of the women’s liberation movement and the tangled knot of oppression facing Black women. “Angela Davis is herself a woman of undeniable courage. She should be heard.”—The New York Times Angela Davis provides a powerful history of the social and political influence of whiteness and elitism in feminism, from abolitionist days to the present, and demonstrates how the racist and classist biases of its leaders inevitably hampered any collective ambitions. While Black women were aided by some activists like Sarah and Angelina Grimke and the suffrage cause found unwavering support in Frederick Douglass, many women played on the fears of white supremacists for political gain rather than take an intersectional approach to liberation. Here, Davis not only contextualizes the legacy and pitfalls of civil and women’s rights activists, but also discusses Communist women, the murder of Emmitt Till, and Margaret Sanger’s racism. Davis shows readers how the inequalities between Black and white women influence the contemporary issues of rape, reproductive freedom, housework and child care in this bold and indispensable work.

Historical Painting Techniques, Materials, and Studio Practice

Historical Painting Techniques, Materials, and Studio Practice PDF

Author: Arie Wallert

Publisher: Getty Publications

Published: 1995-08-24

Total Pages: 241

ISBN-13: 0892363223

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Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.