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Author: Axel Bangert
Publisher: Boydell & Brewer
Published: 2014
Total Pages: 216
ISBN-13: 1571139052
DOWNLOAD EBOOK →From intimate portrayals of ordinary Germans and Nazi leaders to immersive spectacles of war and defeat, this study argues that, since 1990, German film has focused on portraying the Nazi past from within.
Author: Elizabeth Ward
Publisher: Berghahn Books
Published: 2021-04-01
Total Pages: 259
ISBN-13: 1789207487
DOWNLOAD EBOOK →East Germany’s ruling party never officially acknowledged responsibility for the crimes committed in Germany’s name during the Third Reich. Instead, it cast communists as both victims of and victors over National Socialist oppression while marginalizing discussions of Jewish suffering. Yet for the 1977 Academy Awards, the Ministry of Culture submitted Jakob der Lügner – a film focused exclusively on Jewish victimhood that would become the only East German film to ever be officially nominated. By combining close analyses of key films with extensive archival research, this book explores how GDR filmmakers depicted Jews and the Holocaust in a country where memories of Nazi persecution were highly prescribed, tightly controlled and invariably political.
Author: Jennifer M. Kapczynski
Publisher: Boydell & Brewer
Published: 2012
Total Pages: 694
ISBN-13: 1571135952
DOWNLOAD EBOOK →A dynamic, event-centered exploration of the hundred-year history of German-language film. This dynamic, event-centered anthology offers a new understanding of the hundred-year history of German-language film, from the earliest days of the Kintopp to contemporary productions like The Lives of Others. Eachof the more than eighty essays takes a key date as its starting point and explores its significance for German film history, pursuing its relationship with its social, political, and aesthetic moment. While the essays offer ampletemporal and topical spread, this book emphasizes the juxtaposition of famous and unknown stories, granting attention to a wide range of cinematic events. Brief section introductions provide a larger historical and film-historicalframework that illuminates the essays within it, offering both scholars and the general reader a setting for the individual texts and figures under investigation. Cross-references to other essays in the book are included at the close of each entry, encouraging readers not only to pursue familiar trajectories in the development of German film, but also to trace particular figures and motifs across genres and historical periods. Together, the contributionsoffer a new view of the multiple, intersecting narratives that make up German-language cinema. The constellation that is thus established challenges unidirectional narratives of German film history and charts new ways of thinkingabout film historiography more broadly. Jennifer Kapczynski is Associate Professor of German at Washington University, St. Louis, and Michael Richardson is Associate Professor of German at Ithaca College.
Author: Linda Schulte-Sasse
Publisher: Duke University Press
Published: 1996
Total Pages: 372
ISBN-13: 9780822318248
DOWNLOAD EBOOK →On Nazi cinema
Author: Bärbel Göbel
Publisher: VDM Publishing
Published: 2007
Total Pages: 108
ISBN-13: 9783836425780
DOWNLOAD EBOOK →Media have become extremely important channels for deploying ideology among viewers, readers and listeners worldwide. When film represents history, it inevitably re-shapes, re-interpretes and re-creates history for its audiences. National cinemas addressing national history allow a glance of that nation's understanding of its past today. This study presents a detailed discussion of three nationally significant events in German history (WWII, the 1954 Soccer World Cups, Germany's reunification 1989/1990). This is reflected in The Downfall (2004), Sophie Scholl - The Last Days (2005), The Miracle of Bern (2003), Germany - A Summer Tale (2006), Berlin Blues (2003), Sun Ally (1999) and The Life of Others (2006). They represent a sense and essence of Germany, defining the country expressively as a nation and Germans as one people amidst European Union, Globalization, and the War on Terrorism. How do young German filmmakers investigate Germany's negative past imagery? How was the self-perception of the nation informed in the past and who regulates the imagery displayed now? Germany has begun construction of an identity not founded on guilt, but it does not shy away from interrogating this guilt. This book is directed at researchers in Film, Media, Communications, History and studies addressing nationality and identity.
Author: Gavriel D. Rosenfeld
Publisher: Cambridge University Press
Published: 2015
Total Pages: 477
ISBN-13: 1107073995
DOWNLOAD EBOOK →Analyzes how the Nazi past has become increasingly normalized within western memory since the start of the new millennium.
Author: Stephen Brockmann
Publisher: Camden House
Published: 2010
Total Pages: 534
ISBN-13: 1571134689
DOWNLOAD EBOOK →A history of German film dealing with individual films as works of art has long been needed. Existing histories tend to treat cinema as an economic rather than an aesthetic phenomenon; earlier surveys that do engage with individual films do not include films of recent decades. This book treats representative films from the beginnings of German film to the present. Providing historical context through an introduction and interchapters preceding the treatments of each era's films, the volume is suitable for semester- or year-long survey courses and for anyone with an interest in German cinema. The films: The Student of Prague - The Cabinet of Dr. Caligari - The Last Laugh - Metropolis - The Blue Angel - M - Triumph of the Will - The Great Love - The Murderers Are among Us - Sun Seekers - Trace of Stones - The Legend of Paul and Paula - Solo Sunny - The Bridge - Young T rless - Aguirre, The Wrath of God - Germany in Autumn - The Marriage of Maria Braun - The Tin Drum - Marianne and Juliane - Wings of Desire - Maybe, Maybe Not - Rossini - Run Lola Run - Good Bye Lenin - Head On - The Lives of Others Stephen Brockmann is Professor of German at Carnegie Mellon University and past President of the German Studies Assocation.
Author: Siegfried Kracauer
Publisher: Princeton University Press
Published: 2019-04-02
Total Pages: 433
ISBN-13: 0691192081
DOWNLOAD EBOOK →An essential work of the cinematic history of the Weimar Republic by a leading figure of film criticism First published in 1947, From Caligari to Hitler remains an undisputed landmark study of the rich cinematic history of the Weimar Republic. Prominent film critic Siegfried Kracauer examines German society from 1921 to 1933, in light of such movies as The Cabinet of Dr. Caligari, M, Metropolis, and The Blue Angel. He explores the connections among film aesthetics, the prevailing psychological state of Germans in the Weimar era, and the evolving social and political reality of the time. Kracauer makes a startling (and still controversial) claim: films as popular art provide insight into the unconscious motivations and fantasies of a nation. With a critical introduction by Leonardo Quaresima which provides context for Kracauer’s scholarship and his contributions to film studies, this Princeton Classics edition makes an influential work available to new generations of cinema enthusiasts.
Author: K. Machtans
Publisher: Springer
Published: 2012-11-30
Total Pages: 295
ISBN-13: 1137032383
DOWNLOAD EBOOK →The first book-length study to critically examine the recent wave of Hitler biopics in German cinema and television. A group of international experts discuss films like Downfall in the context of earlier portrayals of Hitler and draw out their implications for the changing place of the Third Reich in the national historical imagination.
Author: Brad Prager
Publisher: Wayne State University Press
Published: 2010-10-15
Total Pages: 444
ISBN-13: 0814336884
DOWNLOAD EBOOK →Students, scholars of film, and anyone interested in German and cultural studies will appreciate this volume.
