The National Stage

The National Stage PDF

Author: Loren Kruger

Publisher: University of Chicago Press

Published: 1992-08

Total Pages: 260

ISBN-13: 9780226454979

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The idea of staging a nation dates from the Enlightenment, but the full force of the idea emerges only with the rise of mass politics. Comparing English, French, and American attempts to establish national theatres at moments of political crisis—from the challenge of socialism in late nineteenth-century Europe to the struggle to "salvage democracy" in Depression America—Kruger poses a fundamental question: in the formation of nationhood, is the citizen-audience spectator or participant? The National Stage answers this question by tracing the relation between theatre institution and public sphere in the discourses of national identity in Britain, France, and the United States. Exploring the boundaries between history and theory, text and performance, this book speaks to theatre and social historians as well as those interested in the theoretical range of cultural studies.

Resistance on the National Stage

Resistance on the National Stage PDF

Author: Michael H. Bodden

Publisher: Ohio University Press

Published: 2010-10-17

Total Pages: 405

ISBN-13: 0896804690

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Resistance on the National Stage analyzes the ways in which, between 1985 and 1998, modern theater pracxadtitioners in Indonesia contributed to a rising movement of social protest against the long-governing New Order regime of President Suharto. It examines the work of an array of theater groups and networks from Jakarta, Bandung, and Yogyakarta that pioneered new forms of theater-making and new themes that were often presented more directly and critically than previous groups had dared to do. Michael H. Bodden looks at a wide range of case studies to show how theater contributed to and helped build the opposition. He also looks at how specific combinations of social groups created tensions and gave modern theater a special role in bridging social gaps and creating social networks that expanded the reach of the prodemocracy movement. Theater workers constructed new social networks by involving peasants, Muslim youth, industrial workers, and lower-middle-class slum dwellers in theater productions about their own lives. Such networking and resistance established theater as one significant arena in which the groundwork for the ouster of Suharto in May 1998, and the succeeding Reform era, was laid. Resistance on the National Stage will have broad appeal, not only for scholars of contemporary Indonesian culture and theater, but also for those interested in Indonesian history and politics, as well as scholars of postcolonial theater and culture.

Stage Blood

Stage Blood PDF

Author: Michael Blakemore

Publisher: Faber & Faber

Published: 2013-11-07

Total Pages: 256

ISBN-13: 0571311237

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In 1971, Michael Blakemore joined the National Theatre as Associate Director under Laurence Olivier. The National, still based at the Old Vic, was at a moment of transition awaiting the move to its vast new home on the South Bank. Relying on generous subsidy, it would need an extensive network of supporters in high places. Olivier, a scrupulous and brilliant autocrat from a previous generation, was not the man to deal with these political ramifications. His tenure began to unravel and, behind his back, Peter Hall was appointed to replace him in 1973. As in other aspects of British life, the ethos of public service, which Olivier espoused, was in retreat. Having staged eight productions for the National, Blakemore found himself increasingly uncomfortable under Hall's regime. Stage Blood is the candid and at times painfully funny story of the events that led to his dramatic exit in 1976. He recalls the theatrical triumphs and flops, his volatile relationship with Olivier including directing him in Long Day's Journey into Night, the extravagant dinners in Hall's Barbican flat with Harold Pinter, Jonathan Miller and the other associates, the opening of the new building, and Blakemore's brave and misrepresented decision to speak out. He would not return to the National for fifteen years.

Navigating the Patent System

Navigating the Patent System PDF

Author: James Yang

Publisher:

Published: 2017-11-05

Total Pages: 266

ISBN-13: 9780999460108

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Attention: Inventors and startups! Is the patent system confusing to you? Navigating the Patent System will give you more clarity regarding your potential next steps and increase your confidence as you make your patenting decisions. 7 Core Patent Concepts, Drafting the Patent Application and FAQs during patent process are explained.

Teaching the National Strategy at Key Stage 3

Teaching the National Strategy at Key Stage 3 PDF

Author: Pat Perks

Publisher: Routledge

Published: 2013-10-23

Total Pages: 111

ISBN-13: 1134135548

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National Numeracy Strategy (NNS) for Key Stage 3 will be introduced into Secondary Schools in September 2001. The NNS document: Framework for Teaching Mathematics in Years 7 to 9, is based on the National Curriculum, but offers a very different interpretation of some of the expected learning outcomes for year 7 to 9. This practical book, interprets and explains the document for busy practitioners, spells out the expectations of the framework and offers guidance on how to fulfil these, describes and explains the types of teaching methods for maximising students' learning, and includes many practical ideas for classroom activities within the framework of the NNS.

Frankenstein, based on the novel by Mary Shelley

Frankenstein, based on the novel by Mary Shelley PDF

Author: Nick Dear

Publisher: Faber & Faber

Published: 2011-02-17

Total Pages: 103

ISBN-13: 0571277225

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Slowly I learnt the ways of humans: how to ruin, how to hate, how to debase, how to humiliate. And at the feet of my master I learnt the highest of human skills, the skill no other creature owns: I finally learnt how to lie.Childlike in his innocence but grotesque in form, Frankenstein's bewildered creature is cast out into a hostile universe by his horror-struck maker. Meeting with cruelty wherever he goes, the friendless Creature, increasingly desperate and vengeful, determines to track down his creator and strike a terrifying deal.Urgent concerns of scientific responsibility, parental neglect, cognitive development and the nature of good and evil are embedded within this thrilling and deeply disturbing classic gothic tale.Mary Shelley's Frankenstein, adapted for the stage by Nick Dear, premiered at the National Theatre, London, in February 2011.

The Papers of Will Rogers: From the Broadway stage to the national stage, September 1915-July 1928

The Papers of Will Rogers: From the Broadway stage to the national stage, September 1915-July 1928 PDF

Author: Will Rogers

Publisher: University of Oklahoma Press

Published: 2005-09-28

Total Pages: 660

ISBN-13: 9780806137049

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In the early years of his performing career, Will Rogers was a vaudeville performer of limited prominence. Around the age of thirty-five, however, this Oklahoma cowboy philosopher shed his role as local stage entertainer and moved toward fame as a Broadway star and nationally beloved humorist. This documentary history, volume four in the definitive five-volume Papers of Will Rogers, reveals Rogers’s personal and professional transformation during what may have been the most productive period of his diverse career. Between 1915 and 1928—the years covered by this volume—Rogers developed his unique monologues of topical humor, sampled the relatively new medium of radio, and pursued a career in silent films. He also tried his voice in sound recordings, witnessed his work as a writer reach millions of readers of daily newspapers, became one of the most sought-after speakers on the dinner circuit, and embarked on a three-year tour of the nation’s lecture halls. In addition to Rogers’s personal correspondence with family members and friends, editors Steven K. Gragert and M. Jane Johansson present more than one hundred letters and telegrams to and from people Rogers touched both inside and outside public life, including prominent figures in politics, show business, literature, industry, government, publishing, and the arts. Much of this material, gleaned from private collections, interviews, manuscripts, and sound recordings, has never before been published.

Ireland's Theatre on Film

Ireland's Theatre on Film PDF

Author: Barry Monahan

Publisher:

Published: 2009

Total Pages: 0

ISBN-13: 9780716528968

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This book provides an in-depth examination of the association between Irish theatre and film across a significant period of the last century. Divided into three interwoven sections, the book considers the relationship historically (as functional, financial, and political) between the Abbey Theatre and film practitioners from the beginning of the sound period. Secondly, it explores the adaptation for screen of a number of plays from the Abbey repertoire and it considers how key directors such as John Ford, Alfred Hitchcock, and Carol Reed used a theatricality of performance and narrative of 'Irishness' to cinematic effect. Thirdly, it looks at the implications for a cinematic style of performances by stage actors, both individually and in groups. The book introduces an original perspective on understanding a theatricality of film. This includes adaptations and appropriations of dramatic texts for the screen, the interactions of Irish stage performers and internationally established directors, and the merging of performative styles through the two media. It lucidly introduces theories of theatre, cinema, and the nation that will cater to non-experts in each of the fields, as much as it will propose new avenues of study for researchers who have already a significant level of expertise in the areas covered. It also brings to light new information gathered from documents, papers, and other archival sources to explain the significance of the theatre and film relationship in Ireland.

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