-PDF Download- The Music Of Pavel Haas EBOOK

The Music of Pavel Haas

Author: Martin Čurda

Publisher: Routledge

Published: 2020-06-03

Total Pages: 259

ISBN-13: 0429781733

The Czech composer Pavel Haas (1899–1944) is commonly positioned in the history of twentieth-century music as a representative of Leoš Janáček’s compositional school and as one of the Jewish composers imprisoned by the Nazis in the concentration camp of Terezín (Theresienstadt). However, the nature of Janáček’s influence remains largely unexplained and the focus on the context of the Holocaust tends to yield a one-sided view of Haas’s oeuvre. The existing scholarship offers limited insight into Haas’s compositional idiom and does not sufficiently explain the composer’s position with respect to broader aesthetic trends and artistic networks in inter-war Czechoslovakia and beyond. This book is the first attempt to provide a comprehensive (albeit necessarily selective) discussion of Haas’s music since the publication of Lubomír Peduzzi’s ‘life and work’ monograph in 1993. It provides the reader with an enhanced understanding of Haas’s music through analytical and hermeneutical interpretation as well as cultural and aesthetic contextualisation, and thus reveal the rich nuances of Haas’s multi-faceted work which have not been sufficiently recognised so far.

Pavel Haas

Author:

Publisher:

Published: 2022

Total Pages:

ISBN-13: 9788086385426

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The Routledge Handbook to Music under German Occupation, 1938-1945

Author: David Fanning

Publisher: Routledge

Published: 2019-12-06

Total Pages: 589

ISBN-13: 1351862588

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Following their entry into Austria and the Sudetenland in the late 1930s, the Germans attempted to impose a policy of cultural imperialism on the countries they went on to occupy during World War II. Almost all music institutions in the occupied lands came under direct German control or were subject to severe scrutiny and censorship, the prime objective being to change the musical fabric of these nations and force them to submit to the strictures of Nazi ideology. This pioneering collection of essays is the first in the English language to look in more detail at the musical consequences of German occupation during a dark period in European history. It embraces a wide range of issues, presenting case studies involving musical activity in a number of occupied European cities, as well as in countries that were part of the Axis or had established close diplomatic relations with Germany. The wartime careers and creative outputs of individual musicians who were faced with the dilemma of either complying with or resisting the impositions of the occupiers are explored. In addition, there is some reflection on the post-war implications of German occupation for the musical environment in Europe. Music under German Occupation is written for all music-lovers, students, professionals and academics who have particular interests in 20th-century music and/or the vicissitudes of European cultural life during World War II.

Forbidden Music

Author: Michael Haas

Publisher: Yale University Press

Published: 2013-04-15

Total Pages: 505

ISBN-13: 0300154313

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DIV With National Socialism's arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germanyâ€™s historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment. /div

The Routledge Handbook of Music Signification

Author: Esti Sheinberg

Publisher: Routledge

Published: 2020-03-17

Total Pages: 437

ISBN-13: 1351237519

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The Routledge Handbook of Music Signification captures the richness and complexity of the field, presenting 30 essays by recognized international experts that reflect current interdisciplinary and cross-disciplinary approaches to the subject. Examinations of music signification have been an essential component in thinking about music for millennia, but it is only in the last few decades that music signification has been established as an independent area of study. During this time, the field has grown exponentially, incorporating a vast array of methodologies that seek to ground how music means and to explore what it may mean. Research in music signification typically embraces concepts and practices imported from semiotics, literary criticism, linguistics, the visual arts, philosophy, sociology, history, and psychology, among others. By bringing together such approaches in transparent groupings that reflect the various contexts in which music is created and experienced, and by encouraging critical dialogues, this volume provides an authoritative survey of the discipline and a significant advance in inquiries into music signification. This book addresses a wide array of readers, from scholars who specialize in this and related areas, to the general reader who is curious to learn more about the ways in which music makes sense.

The Rest Is Noise

Author: Alex Ross

Publisher: Farrar, Straus and Giroux

Published: 2007-10-16

Total Pages: 640

ISBN-13: 1429932880

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Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.

Our Will to Live: the Terezín Music Critiques of Viktor Ullmann

Author: Mark Ludwig

Publisher: Steidl

Published: 2021-10-20

Total Pages: 328

ISBN-13: 9783958299597

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Concert reviews, posters and ephemera from a Nazi concentration camp--a tribute to the defiant spirit of the creative will In Terezín, a Nazi camp where 33,000 people died, imprisoned musicians and artists created a remarkable cultural community that persevered against all odds. Our Will to Livebrings us into this astonishing world. It presents the first full translation of concert critiques written by accomplished musician, scholar--and Terezín prisoner--Viktor Ullmann (1898-1944). Ullmann describes Terezín performances by ensembles, youth choirs and solo artists including luminaries of European cabaret and opera, plus works by a generation of promising composers silenced too soon: Gideon Klein, Pavel Haas, Hans Krása and others. Paired with Ullmann's critiques are more than 250 rarely seen concert posters, programs, portraits and scenes rendered by imprisoned artists; these are from a trove of hidden artworks recovered after liberation. Our Will to Livealso offers an original collection of vintage and modern recordings performed by Terezín survivors and contemporary masters. Essays and annotations by scholar Mark Ludwig set the historical context, introduce the artists and deepen what we know of this extraordinary chapter in World War II history. Terezín survivors helped guide this project, the result of more than 30 years of research and writing. Shortly after Ullmann authored his final concert critique, Terezín's cultural community was decimated: nearly all the artists were murdered in Auschwitz. Mark Ludwigis a Fulbright scholar of Terezín, a member of the Pamatník Terezín Advisory Board and director of the Terezin Music Foundation. He produces recordings, concerts and Holocaust and genocide education programs worldwide. Ludwig is a violist emeritus of the Boston Symphony Orchestra, adjunct professor of Holocaust music at Boston College and editor of the poetry anthology Liberation(2015).

Twentieth Century Music Writers - A Hyperlist

Author: Neil E. Clement

Publisher: MTCC Publishing Company

Published: 2019-10-01

Total Pages: 742

ISBN-13: 0998631175

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How many composers, songwriters and lyricists wrote music in the twentieth century?? Who were they?? This first edition identifies more than 14,000 people who did so, and all are listed in this eBook alphabetically along with a hyperlink to their Wikipedia biographical data. Performers of blues, folk, jazz, rock & roll and R&B are included by default. PLEASE NOTE: THE HYPERLINKS IN THIS BOOK ONLY FUNCTION ON GOOGLE PLAY aka THE 'FLOWING' VERSION. The hyperlinks in this book DO NOT CURRENTLY FUNCTION on the GOOGLE BOOKS ' FIXED' version.

The Columbia Guide to the Holocaust

Author: Donald L. Niewyk

Publisher: Columbia University Press

Published: 2012-07-24

Total Pages: 490

ISBN-13: 0231528787

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Offering a multidimensional approach to one of the most important episodes of the twentieth century, The Columbia Guide to the Holocaust offers readers and researchers a general history of the Holocaust while delving into the core issues and debates in the study of the Holocaust today. Each of the book's five distinct parts stands on its own as valuable research aids; together, they constitute an integrated whole. Part I provides a narrative overview of the Holocaust, placing it within the larger context of Nazi Germany and World War II. Part II examines eight critical issues or controversies in the study of the Holocaust, including the following questions: Were the Jews the sole targets of Nazi genocide, or must other groups, such as homosexuals, the handicapped, Gypsies, and political dissenters, also be included? What are the historical roots of the Holocaust? How and why did the "Final Solution" come about? Why did bystanders extend or withhold aid? Part III consists of a concise chronology of major events and developments that took place surrounding the Holocaust, including the armistice ending World War I, the opening of the first major concentration camp at Dachau, Germany's invasion of Poland, the failed assassination attempt against Hitler, and the formation of Israel. Part IV contains short descriptive articles on more than two hundred key people, places, terms, and institutions central to a thorough understanding of the Holocaust. Entries include Adolf Eichmann, Anne Frank, the Warsaw Ghetto, Aryanization, the SS, Kristallnacht, and the Catholic Church. Part V presents an annotated guide to the best print, video, electronic, and institutional resources in English for further study. Armed with the tools contained in this volume, students or researchers investigating this vast and complicated topic will gain an informed understanding of one of the greatest tragedies in world history.

Singing in Czech

Author: Timothy Cheek

Publisher: Rowman & Littlefield

Published: 2014-12-11

Total Pages: 429

ISBN-13: 0810888785

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Timothy Cheek’s revised edition of Singing in Czech: A Guide to Czech Lyric Diction and Vocal Repertoire, with its accompanying audio accessible online, builds on the original pioneering work of 2001 that set “a new and very welcome high standard for teaching lyric diction,” according to Notes: The Journal of the Music Library Association. It offers users updated information, important clarifications, and expanded repertoire in a more accessible, easier to use format. Singing in Czech is divided into two parts. Using IPA, the first part takes the reader systematically through each sound of the Czech language, enhanced by recordings of native Czech opera singers. Chapters cover the Czech vowels, consonants, rules of assimilation, approaches to singing double consonants, stress and length, Moravian dialect, and an introduction to singing in Slovak. Fine points of formal pronunciation have been clarified in this revised edition. In the second part, Cheek offers a thorough overview of Czech art song, expanded from the first edition. Texts to major song literature and opera excerpts by Smetana, Dvořák, Janáček, Martinů, and Haas, with timings, editions, word-for-word translations, idiomatic translations, and IPA transcriptions follow. In this revision, Cheek has included additional cycles by Dvořák and Martinů, and two new chapters on Czech female composers Vítězslava Kaprálová and Sylvie Bodorová. This revised edition of Singing in Czech is useful for all those who are interested and engaged in the performance of the rich Czech vocal repertoire.