Monody in Euripides

Monody in Euripides PDF

Author: Claire Catenaccio

Publisher: Cambridge University Press

Published: 2023-07-31

Total Pages: 229

ISBN-13: 1009300121

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Explores Euripides' use of monody, or solo actor's song, to express emotion and develop character in his late tragedies.

Singing Dante: The Literary Origins of Cinquecento Monody

Singing Dante: The Literary Origins of Cinquecento Monody PDF

Author: Elena Abramov-van Rijk

Publisher: Taylor & Francis

Published: 2017-07-05

Total Pages: 152

ISBN-13: 1317054881

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This book takes its departure from an experiment presented by Vincenzo Galilei before his colleagues in the Florentine Camerata in about 1580. This event, namely the first demonstration of the stile recitativo, is known from a single later source, a letter written in 1634 by Pietro dei Bardi, son of the founder of the Camerata. In the complete absence of any further information, Bardi’s report has remained a curiosity in the history of music, and it has seemed impossible to determine the true nature and significance of Galilei's presentation. That, unfortunately, still remains true for the music, which is lost. Yet we know a crucial fact about this experiment, the poetic text chosen by Galilei: it was an excerpt from the Divine Comedy by Dante Alighieri, the Lament of Count Ugolino. Starting from this information the author examines the problem from another angle. Investigation of the perception of Dante’s poetry in the sixteenth century, as well as a deeper enquiry into cinquecento poetic theories (and especially phonetics) leads to a reconstruction of Galilei’s motives for choosing this text and sheds light on some of the features of his experiment.

Shifting Genres in Late Antiquity

Shifting Genres in Late Antiquity PDF

Author: Professor Hugh Elton

Publisher: Ashgate Publishing, Ltd.

Published: 2015-01-28

Total Pages: 361

ISBN-13: 1472443500

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This volume examines the transformation that took place in a wide range of genres in Late Antiquity. Aspects of sacred and secular literature are discussed, alongside chapters on technical writing, monody, epigraphy, epistolography and visual representation. What emerges is the flexibility of genres in the period: late antique authors were not slavish followers of their classical predecessors, but were capable of engaging with existing models and adapting them to their own purposes.

Libanius

Libanius PDF

Author: Lieve Van Hoof

Publisher: Cambridge University Press

Published: 2014-09-25

Total Pages: 461

ISBN-13: 1316060691

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A professor of Greek rhetoric, frequent letter writer and influential social figure, Libanius (AD 314–393) is a key author for anybody interested in late antiquity, ancient rhetoric, ancient epistolography and ancient biography. Nevertheless, he remains understudied because it is such a daunting task to access his large and only partially translated oeuvre. This volume, which is the first comprehensive study of Libanius, offers a critical introduction to the man, his texts, their context and reception. Clear presentations of the orations, progymnasmata, declamations and letters unlock the corpus, and a survey of all available translations is provided. At the same time, the volume explores new interpretative approaches of the texts from a variety of angles. Written by a team of established as well as upcoming experts in the field, it substantially reassesses works such as the Autobiography, the Julianic speeches and letters, and Oration 30 For the Temples.

Poetry and British Nationalisms in the Bardic Eighteenth Century

Poetry and British Nationalisms in the Bardic Eighteenth Century PDF

Author: Jeff Strabone

Publisher: Springer

Published: 2018-10-26

Total Pages: 351

ISBN-13: 3319952552

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This book offers a radical new theory of the role of poetry in the rise of cultural nationalism. With equal attention to England, Scotland, and Wales, the book takes an Archipelagic approach to the study of poetics, print media, and medievalism in the rise of British Romanticism. It tells the story of how poets and antiquarian editors in the British nations rediscovered forgotten archaic poetic texts and repurposed them as the foundation of a new concept of the nation, now imagined as a primarily cultural formation. It also draws on legal and ecclesiastical history in drawing a sharp contrast between early modern and Romantic antiquarianisms. Equally a work of literary criticism and history, the book offers provocative new theorizations of nationalism and Romanticism and new readings of major British poets, including Allan Ramsay, Thomas Gray, and Samuel Taylor Coleridge.